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Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Douglas Litterick Swan is a Scottish abstractionist painter.
Karl Gerstner was a Swiss designer, typographer, author, and artist.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
Max Bill, a Swiss artist, architect, painter, typeface designer, industrial designer, and graphic designer, emerged as a key figure in 20th-century art and design. Born in Winterthur, Switzerland, in 1908, Bill's education at the Bauhaus under luminaries like Wassily Kandinsky, Paul Klee, and Oskar Schlemmer profoundly influenced his multidisciplinary approach. His work spans from graphic design, where he was instrumental in shaping Swiss design from the 1950s, to product design with iconic creations like the Ulmer Hocker, a versatile stool designed in 1954.
Bill's contributions to concrete art and his role in founding the Ulm School of Design alongside Inge Aicher-Scholl and Otl Aicher in 1953, mark him as a pioneer who blurred the lines between art, design, and architecture. His theoretical writings and teaching at the Ulm School further underscored his commitment to integrating art with science, shaping a generation of designers and artists.
Noteworthy among his architectural works are his own house and studio built in Zurich-Höngg in the early 1930s and a series of public sculptures that challenge perceptions and engage public spaces in innovative ways. His legacy also includes influential roles in politics, contributions to the field of education, and the establishment of foundations to preserve his work and ideals.
Bill's extensive oeuvre, which also includes timepieces designed for Junghans and a multitude of sculptures, demonstrates his belief in the unity of form and function and the possibility of art to embody the principles of the new physics of the 20th century. His works are not only held in high regard for their aesthetic and functional qualities but also for their ability to convey complex theoretical ideas in tangible forms.
For collectors and experts in art and antiques, Max Bill remains a figure of immense importance, whose works continue to inspire and influence contemporary design and art practices. Sign up for updates related to Max Bill to stay informed about new product sales and auction events showcasing his remarkable contributions to modern art and design.
Gustav Franz Reckert was a German painter, graphic artist and sculptor.
Andreas Böhm is a German painter, graphic artist and art teacher at Brunsbüttel Upper Secondary School from 1980. He lives and works in Dingen, Schleswig-Holstein.
For a long time Andreas Bem was known for his stencil drawings, which are like silhouettes with just two or three thick layers of paint. As an artist, he continued to play with shapes, but now adapted the free lines of wildlife.
Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Richard Paul Lohse was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements.
Karl Gerstner was a Swiss designer, typographer, author, and artist.
Eva Navarro is a Spanish painter living in Madrid, Spain. She has a bachelor's degree in Fine Arts from the Universidad Complutense de Madrid. Her work is considered part of the Spanish New Figurative Art Movement. She mostly exhibits her work in Europe and the United States.
Navarro's work has been described as "vivacious, uncomplicated and energetic, as well as being full of extraordinary colour". Basic elements such as movement, space, action and time, all expressed through the human figure, are reflected in her work.
