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Arthur Kampf was a German painter. He was associated with the Düsseldorf school of painting.
Kampf's work is most strongly associated with the genre of traditional history painting, though throughout his lifetime he explored styles influenced by Impressionism and Art Nouveau. He was also celebrated for large scale portrait work and in particular children's portraiture. Kampf also worked extensively as an illustrator, contributing drawings to volumes by Shakespeare (1925), R. Herzog, History of Prussia (1913) and J.W. Goethe, Faust (1925). Kampf's artwork post World War II largely focused on religious themes.
Robert Schmidt-Hamburg was a German marine and landscape painter, one of the most important illustrators of passenger and merchant shipping of the 1920s and 1930s, as well as of port and shipyard operations.
Johannes Holst was a German sailor and self-taught painter who specialised in seascapes.
Heinrich Louis Theodor Gurlitt was a German and Danish painter of the second half of the 19th century. He is known as a Romantic landscape painter, a representative of the Hamburg and Düsseldorf schools.
Louis Gurlitt created canvases that are now part of the Royal Danish collection of paintings. Among his famous works are "Landscape near Salzburg", "Monte Pellegrino", "Ieranto Bay with Fishermen" and "Northern Italian Landscape". His works have been exhibited at the auctions "19th Century Painting" and "19th Century European Painting", and the painting "Norwegian Landscape" was sold in 2012 at Sotheby's London for $22,174.
Dieter Glasmacher is a socio-political German visual artist in the field of painting, art action, animated film and early street art.
Influenced by classical modernism, especially Dadaism, and contemporary art movements such as the works of Jean Dubuffet, Art brut, the expressive painting of the COBRA group and Pop Art, Glasmacher has developed a very independent position and a lively, original visual world over many creative years. Television, cinema, advertising, graffiti and other forms of street art also have a formative influence on his visual worlds, as do the "secret traces" of public space, words and scribbles such as those found in urinals, at bus stops or on the walls of houses. His main theme is his "consternation of current social oppression and deformation."
