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Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Ernst Wilhelm Nay was a German painter and graphic designer of classical modernism. He is considered one of the most important painters of German post-war art.
Ernst Wilhelm Nay was a German painter and graphic designer of classical modernism. He is considered one of the most important painters of German post-war art.
Ernst Wilhelm Nay was a German painter and graphic designer of classical modernism. He is considered one of the most important painters of German post-war art.
Jakob Kolding is a Danish and German artist and stage designer.
He graduated from the Royal Danish Academy of Fine Arts and lives and works in Berlin, Germany.
Using sources ranging from historical canons of fine art, literature and theater to pop music, hip-hop, science fiction, urban imagery and contemporary culture, Kolding has created his own visual vocabulary in the collage technique. Building layer upon layer, he brings to life a world as complex as it is aesthetically beautiful. And Kolding's scenography transforms into three-dimensional collages, expanding throughout the space in which they inhabit, creating an entire world.
Charles Fazzino is an American pop artist, known for his silkscreen serigraphs in a 3D pop art style. His artwork incorporates influence from urban landscapes, sporting events, and modern celebrities. As described in the book about Fazzino titled The Master of 3-D Pop Art, "An innovative and imaginative storyteller, Charles Fazzino serves up a bevy of details in his unique three-dimensional creations. His collectors marvel as much at his ability to capture the entire essence of his subject matter in one statement, as they do at his use of vibrant colors, his whimsical sense of humor, and his hand-assembled multi-layered artistic style. Although, the snappy titled often gives a clue to the content of each painting, it can take years of careful observation to discern all of the details in a single Fazzino image. One of Fazzino's greatest joys is to observe visitors at exhibition of his work. 'I love to watch the smiles form as people begin to recognize elements of my paintings,' comments Fazzino. 'They point at the images as if inserting themselves into the stories. I watch that and I'm reminded of why i paint. It's all about celebrating the joy and fun we have as human beings on this planet."
Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Georg Karl Pfahler was a German painter, printmaker and sculptor, and one of the leading proponents of post-war art in Germany.
Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Gerd Arntz was a 20th-century German artist known for his skillful woodcut prints. A member of the Cologne Progressives—a group concerned not just with social and political issues, but also with the public’s ability to understand these concepts—Arntz sought to use his art as a method of delivering crucial information to the masses. Over the course of his life, he designed approximately 4,000 pictograms known as ISOTYPEs, or International System of Typographic Picture Education, a unique form of symbolized data from industries, politics, and economic phenomena intended for use by those who could not read.
Max Ackermann was a German painter and graphic artist. He was a pupil of Adolf Hölzel and is considered a pioneer of abstract painting.
Rupprecht Geiger was a German abstract painter and sculptor. Throughout his career, he favored monochromicity and color-field paintings. For a time, he concentrated solely on the color red.
