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CRASH (born John Matos) is a graffiti artist. As early as 13, John Matos was spray painting New York City trains, the full image art as opposed to simpler tagging soon transferred to silk screened canvas. CRASH was first noticed through his murals on subway cars and dilapidated buildings and is now regarded as a pioneer of the Graffiti art movement. His work is said to convey a "visual link between street life and established society". In 1980, CRASH curated the now iconic exhibition:"Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement that has remained very active through today. During the 1980s, CRASH had exhibits across the United States and abroad.
Christian Roeckenschuss was a German artist, a representative of postwar minimalism.
In his work, the artist experimented with stationery, working with grids, wood stencils, paper and plexiglass.
Christian Roeckenschuss was a German artist, a representative of postwar minimalism.
In his work, the artist experimented with stationery, working with grids, wood stencils, paper and plexiglass.
XOOOOX is the first German street artist whose work is sold on the international art market. As with Banksy, the true identity behind his pseudonym is unknown.
XOOOOX is the first German street artist whose work is sold on the international art market. As with Banksy, the true identity behind his pseudonym is unknown.
Christian Awe is a German urban artist known for his large-scale murals.
He was educated at the University of Art in Berlin, where he lives and works.
Christian Awe describes his work as urban expressionist painting, his abstract works are saturated with vivid colors. Awe uses spray paint and acrylics, ink and watercolor, marker and oil pastel. His technique is characterized by scraping off the top layers of applied paint in order to expose those already hidden.
Christian Awe is a German urban artist known for his large-scale murals.
He was educated at the University of Art in Berlin, where he lives and works.
Christian Awe describes his work as urban expressionist painting, his abstract works are saturated with vivid colors. Awe uses spray paint and acrylics, ink and watercolor, marker and oil pastel. His technique is characterized by scraping off the top layers of applied paint in order to expose those already hidden.
Christian Awe is a German urban artist known for his large-scale murals.
He was educated at the University of Art in Berlin, where he lives and works.
Christian Awe describes his work as urban expressionist painting, his abstract works are saturated with vivid colors. Awe uses spray paint and acrylics, ink and watercolor, marker and oil pastel. His technique is characterized by scraping off the top layers of applied paint in order to expose those already hidden.
Christian Awe is a German urban artist known for his large-scale murals.
He was educated at the University of Art in Berlin, where he lives and works.
Christian Awe describes his work as urban expressionist painting, his abstract works are saturated with vivid colors. Awe uses spray paint and acrylics, ink and watercolor, marker and oil pastel. His technique is characterized by scraping off the top layers of applied paint in order to expose those already hidden.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
