tulipwood
![](https://veryimportantlot.com/cache/catalog/2260/_9Tf3QpvoCKaB2Db1XiX9efDumPYmgWpnSQL9fxi9lXCC5xnQe0NWBDOhEmaXW3x_1640587368-172x196_center_100.jpg)
![](https://veryimportantlot.com/cache/catalog/2953/a-fQRdVmKYQdfI-YZG7PWIcihQhsFVNUH9opwFn6eC9oJBmXN_tXZ5ZX8nEx0qwR_1673789964-172x196_center_100.jpeg)
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers (ébénistes) working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts.
![](https://veryimportantlot.com/cache/catalog/3489/jy042EvnDTIOC4VUSyJW19LSSbgjyFBiHgXSlBpl8ETxSicIK4WoLsiPO05O4c-x_1694427698-172x196_center_100.png)
Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers (ébénistes) working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts.
![](https://veryimportantlot.com/cache/catalog/3489/jy042EvnDTIOC4VUSyJW19LSSbgjyFBiHgXSlBpl8ETxSicIK4WoLsiPO05O4c-x_1694427698-172x196_center_100.png)