women`s
James Butler was an American schoolteacher living in Pennsylvania and a writer.
He wrote the adventure novel about love and pirates Fortune's Foot-ball: or, the Adventures of Mercutio.
Paul Sérusier was a French Post-Impressionist painter and theorist, notable for his significant contributions to the art movement known as the Nabis. Born in Paris on November 9, 1864, Sérusier's work is characterized by its expressive use of color and pattern, inspired by the techniques of Paul Gauguin. He is best known for his exploration of color, sensation, and abstraction, particularly evident in works like "Le Talisman, the Aven River at the Bois d'Amour" (1888). This painting marks a departure from the Impressionists' more faithful representation of observed reality, focusing instead on translating sensations onto the canvas with vibrant brushstrokes and an emphasis on emotional expression over visual accuracy.
Sérusier's paintings often feature the landscapes and people of Brittany, notable for their contemplative mood achieved through firm contours and blocks of unmodulated color. His style evolved under the influence of Synthetism and Cloisonnism, favoring flattened forms and large swathes of color, as seen in "Farmhouse at le Pouldu" (1890). This approach reflects a decorative organization of objects, emphasizing the craft and execution of the scene.
Some of Sérusier's notable works are housed in prestigious museums such as the Musée d'Orsay in Paris, including "Portrait of Paul Ranson in Nabi Costume" (1890) and "Landscape" (1912). His legacy extends beyond his own artworks; he was a key figure in the formation of the Nabis movement, and his theoretical contributions have had a lasting impact on the art world.
For collectors and experts in art and antiques, Sérusier's work represents a unique blend of post-impressionist and symbolist styles, making his pieces highly valued both for their historical significance and their aesthetic appeal. To stay updated on new product sales and auction events related to Paul Sérusier, sign up for our updates. This subscription service is exclusively focused on providing information related to Sérusier's work, ensuring you remain informed about opportunities to acquire pieces by this influential artist.
Paul Sérusier was a French Post-Impressionist painter and theorist, notable for his significant contributions to the art movement known as the Nabis. Born in Paris on November 9, 1864, Sérusier's work is characterized by its expressive use of color and pattern, inspired by the techniques of Paul Gauguin. He is best known for his exploration of color, sensation, and abstraction, particularly evident in works like "Le Talisman, the Aven River at the Bois d'Amour" (1888). This painting marks a departure from the Impressionists' more faithful representation of observed reality, focusing instead on translating sensations onto the canvas with vibrant brushstrokes and an emphasis on emotional expression over visual accuracy.
Sérusier's paintings often feature the landscapes and people of Brittany, notable for their contemplative mood achieved through firm contours and blocks of unmodulated color. His style evolved under the influence of Synthetism and Cloisonnism, favoring flattened forms and large swathes of color, as seen in "Farmhouse at le Pouldu" (1890). This approach reflects a decorative organization of objects, emphasizing the craft and execution of the scene.
Some of Sérusier's notable works are housed in prestigious museums such as the Musée d'Orsay in Paris, including "Portrait of Paul Ranson in Nabi Costume" (1890) and "Landscape" (1912). His legacy extends beyond his own artworks; he was a key figure in the formation of the Nabis movement, and his theoretical contributions have had a lasting impact on the art world.
For collectors and experts in art and antiques, Sérusier's work represents a unique blend of post-impressionist and symbolist styles, making his pieces highly valued both for their historical significance and their aesthetic appeal. To stay updated on new product sales and auction events related to Paul Sérusier, sign up for our updates. This subscription service is exclusively focused on providing information related to Sérusier's work, ensuring you remain informed about opportunities to acquire pieces by this influential artist.
Harriet Beecher Stowe, full name Harriet Elisabeth Beecher Stowe, was an American writer and poet, an activist for the eradication of slavery in the country.
Beecher Stowe is the author of the world-famous novel Uncle Tom's Cabin. Published first in a newspaper and first published as a book in 1852, it aroused widespread anger in the country and galvanized the fight against slavery in the southern United States. This novel was later reprinted many times in all languages of the world and has been screened more than once.
In her youth, Beecher Stowe received an academic education, wrote poetry, notes and essays on social topics. In addition to "The Shack", she wrote several other novels and was engaged in teaching.
Harriet Beecher Stowe, full name Harriet Elisabeth Beecher Stowe, was an American writer and poet, an activist for the eradication of slavery in the country.
Beecher Stowe is the author of the world-famous novel Uncle Tom's Cabin. Published first in a newspaper and first published as a book in 1852, it aroused widespread anger in the country and galvanized the fight against slavery in the southern United States. This novel was later reprinted many times in all languages of the world and has been screened more than once.
In her youth, Beecher Stowe received an academic education, wrote poetry, notes and essays on social topics. In addition to "The Shack", she wrote several other novels and was engaged in teaching.
Sarah Josepha Buell Hale, born Sarah Josepha Buell, was an American writer, magazine editor, and civic activist.
Sarah Buell received a good home education and married David Hale in 1813, but, finding herself in financial difficulty after her husband's death, she turned to literary work in the 1820s. Her poems were published in local journals and in the collection The Genius of Oblivion (1823). Sarah also wrote several novels during her lifetime.
In 1828, she became editor of the new Boston edition of Ladies' Magazine (from 1834, American Ladies' Magazine). Hale herself wrote much of the wide variety of material for each issue-literary criticism, essays on American life, essays, and poetry, and she supported patriotic and humanitarian organizations, notably the Boston Ladies' Peace Society and the Sailors' Aid Society, which she founded in 1833. She was a lifelong advocate of women's education. During this period she also published Poems for Our Children (1830), containing her most famous work, Mary Had a Little Lamb.
In 1837, in Philadelphia, Hale became editor of Lady's Book, soon to be known as Godey's Lady's Book. During her years as editor, this publication became the most influential and circulating women's magazine published in the country at the time. Hale encouraged American writers: Edgar Allan Poe, Nathaniel Hawthorne, Ralph Waldo Emerson, Harriet Beecher Stowe, and other women writers published in the magazine.
Hale's major accomplishment was Woman's Record; or, Sketches of Distinguished Women, published in 1853, 1869, and 1876. For this project, she produced some 36 volumes describing biographies of women, emphasizing their influence in history on social organization and literature.
Sarah Hale is considered one of the main organizers of the Thanksgiving holiday, and she helped shape the worldview of women of her time.
Hannah Webster Foster, born Hannah Webster, was an American writer.
Hannah received a good academic education for women and began writing political articles for Boston newspapers in the 1770s. In 1797, a sentimental novel she wrote, The Coquette, or the Story of Eliza Wharton, was published anonymously. The novel was based on a true story involving seduction, elopement, and a tragic death, and was a great success. The book was reprinted dozens of times, but it wasn't until the 1866 edition, many years after Foster's death, that the author's real name was placed on the title page for the first time.
Hannah Foster's second book, The Boarding School, or Lessons of a Female Educator to her Female Educators (1798), was devoted to the subject of education.
Juana Inés de la Cruz or Juana of Asbaje, real name Juana Inés de Asbaje Ramírez de Santillananota, was a Mexican poet, scholar, and writer of the Latin American colonial period and the Spanish Baroque, and a Jerónimo nun.
Juana Ramírez was born into a poor family (Spanish father and Creole mother) and from an early age showed a burning thirst for knowledge and giftedness, but as a woman she was almost entirely self-taught. By her teens, she had already learned Greek logic and taught Latin to young children. She also learned Nahuatl, an Aztec language spoken in Central Mexico, and wrote several short poems in the language. At the age of 16, the girl was introduced to the court, and her intelligence impressed even Viceroy Antonio Sebastian de Toledo, Marquis de Mancera, and in 1664 he invited her to serve as maid of honor.
In 1669, at the age of 21, she took her tonsure at the Convent of Santa Paula of the Hieronymite Order in Mexico City, where she remained a recluse for the rest of her life. In the convent, Sister Juana enjoyed exceptional freedom: she continued to socialize with scholars and senior members of the court, amassed one of the largest private libraries in the New World, as well as a collection of musical and scientific instruments. Her plays in verse, poetry, and compositions for state and religious festivals were frequently and successfully performed at the palace.
Sister Juana was an outstanding representative of Spain's Golden Age: she was the last significant writer of the Latin American Baroque and the first great exponent of colonial Mexican culture. Sister Juana wrote sonnets, romances, and ballads, drawing on a vast store of classical, biblical, philosophical, and mythological sources. She also composed moral, satirical, and religious texts, as well as many poems praising courtiers, but she also defended women's right to education.
At the end of her life, due to pressure from religious dogmatists, Sister Juana had to sell her extensive library of some 4,000 volumes and return to strict reclusiveness. In 1695, the plague struck the convent and, while caring for her sisters, Juana died of the disease at about the age of forty-four.
Today, Juana Inés de la Cruz is a national icon of Mexico and Mexican identity as a prominent writer of the Spanish-American colonial period. The former convent where she lived is a center of higher education, and her image adorns Mexican currency.
Susanna Rowson, née Haswell, was an American writer and poet, playwright, actress, and educator.
Susanna Haswell was the daughter of an officer in the Royal Navy. She published her first novel, Victoria, in 1786 and soon married businessman William Rowson. Susanna's greatest success was her first American bestseller, the novel Charlotte, A Tale of Truth (1791, in later editions under the title Charlotte Temple). This novel, a conventional sentimental story of seduction and remorse, was immensely popular and went through more than 200 editions.
In 1792 she became an actress and performed with her bankrupt husband in Scotland, as well as in Philadelphia, Baltimore, and Boston. In 1797, after retiring from the stage, Susanna opened the first "female academy" in Boston. Susanna Rowson also wrote many plays and musicals, and in doing so, helped to develop the performing arts in the United States. Later, she also edited the Boston Weekly Magazine, wrote geography and spelling textbooks, and moralizing manuals.
