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Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Gert Heinrich Wollheim was a German expressionist painter later associated with the New Objectivity, who fled nazi Germany and worked in the United States after 1947.
Arnold Fiedler was German painter and graphic artist.
Fritz Winkler was a German expressionist painter and illustrator.
He studied at the Dresden Academy of Art, created illustrations for a national newspaper and books, and was a member of the "Deutscher Kunstlerbundes" group of artists in Dresden. Winkler belonged to the second generation of German expressionists and was a member of the Association of German Artists.
Despite losing his eye in World War I, Winkler was drafted into World War II, and much of his work was destroyed in the 1945 bombing of Dresden. He returned there in 1946 and for the remaining 18 years, until his death in 1964, Winkler produced more than three hundred paintings and five thousand watercolors, which he bequeathed to the Dresden state art collections.
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Lee (Lowenstein) Loring was an American modernist painter who lived and worked in New York City.
Serge Férat, born Count Sergei Nikolaevich Iastrebtsov (Russian: Сергей Николаевич Ястребцов), was a Russian and French avant-garde artist, painter, graphic artist and scenographer.
Sergei Iastrebtsov was born into a Moscow noble family, studied at the Kiev Art School, and in 1902 moved to Paris and entered the Académie Julian in Paris. In France, he first took the pseudonym Alexander Rudnev, and then began to sign his works with the name Serge Ferat. In the magazine Les Soirées de Paris he signed his publications with the pseudonym Jean Cérusse.
In 1910, Ferat began working on still lifes, combining the techniques of cubism with the warm colors of Russian folklore. Until the 1920s, Serge Fera painted in the style of Picasso's cubism, and on glass. Serge Ferat knew and was friends with many contemporary European artists, including Guillaume Apollinaire and Amedeo Modigliani. In the surrealist production of Apollinaire's play Mamelles de Tirésias (Théâtre René Mobel, Montmartre), he contributed to the set and costume design.
Ferat was engaged in book graphics and scenography, was a member of the group "Golden Section", and collaborated with the Russian magazine "Blow". In 1949 he took part in the design of the anthology Poetry of the Unrecognized, and in 1953 his works were exhibited at the Great Exhibition of Cubism at the Museum of Modern Art in Paris.
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