Macro photography 20th century
Karl Blossfeldt was a German photographer, sculptor and teacher who worked in Berlin. He was one of the representatives of the New Vision in photography. Blossfeldt worked with a camera of his own invention that allowed him to reach a 30x magnification.
He photographed mainly flowers, plants and plant fragments. Under this magnification plants resemble abstract shapes rather than the plant itself. Blossfeldt's photographs can be equally classified as scientific photography and as works of art.
Alfred Ehrhardt was a universally talented German artist. He was an organist and choirmaster, then a music and art teacher in a remedial school, and finally an art teacher and painter, before becoming a photographer and director.
After spending the winter semester 1928-29 at the Bauhaus Dessau, where he was decisively influenced by Josef Albers, Wassily Kandinsky, Paul Klee and Oskar Schlemmer, he transferred the Bauhaus pre-course concept to his art lessons with children and young people, beginning in first grade and continuing through Abitur. Based on this experimental experience, in 1930 he was appointed to the Landeskunstschule Hamburg, where he created the first preliminary course in materials science outside the Bauhaus. After being dismissed by the National Socialists from the university in 1933 because of his modernist views of art, he turned to photography and film.
Alfred Ehrhardt is considered an outstanding representative of the new objective photography. After publishing more than 20 photobooks, he became one of the most successful photographers among the former Bauhaus artists. His "absolutely artistic films", which defy modernity and are inspired by the avant-garde of the 1920s, place him among the old masters of cultural and documentary cinema. Alfred Erhardt is considered "Germany's most important post-war creator of cultural films" and has received numerous national and international awards for his more than 50 films, including four Federal Film Prizes.
Serge Mendjisky, birth name Serge Bernard Mendrsisezky, is a French painter and photographer, a representative of Divisionism.
Serge was the son of the painter Maurice Mendjisky (1890-1951) and studied in the studios of Picasso, Sutin, Braque and Léger, each of whom influenced his work in their own way. After studying at the Paris School of Fine Arts, he quickly gained recognition and began exhibiting in Japan and the United States, choosing to use a combination of photography and painting.
In the 90's Mendjisky used macro photography, turning to pop art, and since 2000 he decided to use photography as his only means of expression. In the collage technique, he modified photographic images of the world's most famous cities, such as New York and Paris, creating new urban landscapes and formulating his multi-dimensional vision of the world.
