Artists German Empire
Adolf Eberle was a German painter of the second half of the nineteenth and early twentieth centuries. He is known as a genre painter and animalist.
Adolf Eberle specialized in depicting rural life, especially Bavarian and Tyrolean farmers and hunters. Early in his career, he was interested in historical subjects, but quickly returned to depicting peasant and animal life. His painting "The Sale of the Last Cow" brought him his first great success in 1861, and in 1879 at the Munich exhibition his work "The First Deer" was highly praised by the jury.
Karl Heinrich Hoff was a German painter of the second half of the 19th century. He is known as a painter, graphic artist and poet, recognized by contemporary critics as one of the best German genre painters.
Karl Hoff traveled throughout Germany, France, Italy and Greece in search of inspiration for his work. His paintings, according to critics, were masterful in conveying the characterization of the era, types, and situations. Widely known are such works of his as "Gypsies in front of the provincial chief", "Rest during the escape", "Christening of a child born after the death of the father" and others.
Hoff was an active member of the artists' association "Malkasten".
Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Friedrich Johannes (Hans) Kugler was a German painter of the mid-nineteenth century. He is known as a landscape and portrait painter.
Kugler is known for his genre (including children's and group) portraits and rural landscapes. He studied at the Grand Ducal Saxon Art School in Weimar under Arnold Böcklin. The artist suffered from a chronic illness and lived only 33 years. His works were auctioned 18 times in the painting category.
Eduard Kurzbauer was a German-Austrian painter of the second half of the 19th century. He is known as a painter-genre painter, researcher of folk life.
Kurzbauer became known to the public while still an apprentice through his painting The Storyteller. He was admitted to the Piloti Studio in Munich, where he mastered the technique of painting. The following famous paintings of the artist, such as "Caught up fugitives", "Rejected Groom", "Village Feast", "Wine Trial", "Unfounded Jealousy" and others, are characterized by the vitality of the composition, expressiveness of faces, fresh colors and sensuality of color and give a special charm to the themes of folk life.
Franz Moritz Wilhelm Marc, a pivotal figure in German Expressionism, remains celebrated for his innovative contributions to 20th-century art. Born in Munich, Bavaria, within the German Empire on February 8, 1880, Marc's journey into the art world was profoundly influenced by his education at the Academy of Fine Arts in Munich. His distinct artistic vision is most famously encapsulated in works like "The Tower of Blue Horses", "Yellow Cow", and "Blue Horse I", each radiating with vibrant colors and emotional depth. Marc's affiliation with Der Blaue Reiter, a journal he co-founded, underscored his role in the German Expressionist movement, emphasizing the spiritual and symbolic significance of color in art.
Marc's oeuvre predominantly features animals, presented not merely as subjects but as embodiments of primal purity and emotional resonance. This choice of subject matter, combined with a stark, almost cubist portrayal, allowed Marc to explore themes of spirituality, masculinity (often symbolized by blue), and the tumultuous essence of life itself. His work "Fate of the Animals", which hangs in the Kunstmuseum Basel, exemplifies this thematic exploration, portraying a premonition of chaos and destruction that eerily anticipated the outbreak of World War I.
Tragically, Marc's promising career was cut short by his death at the Battle of Verdun on March 4, 1916, during World War I, where he served in the German Army. Despite his premature demise, Marc's legacy endures through his profound impact on modern art, as seen in his vibrant compositions that continue to captivate audiences in galleries and museums worldwide. His artworks, once labeled as "degenerate" by the Nazis, have transcended this vilification, achieving acclaim and fetching high sums at auction, with "Die Füchse (The Foxes)" reaching a record £42,654,500.
For collectors and experts in art and antiques, Marc's work represents not only a high point in German Expressionism but also a window into the artist's profound belief in the spiritual power of color and form. His legacy is a testament to the enduring allure and significance of early 20th-century modern art. To stay updated on sales and auction events related to Franz Marc's work, signing up for updates offers a direct link to the vibrant legacy of this remarkable artist.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Claudius Schraudolph, also known as Claudius Schraudolph the Elder was a nineteenth-century German painter. He is known as a historical and religious painter, graphic artist, muralist, muralist, lithographer and woodcrafter, brother of the painter Johann Schraudolph.
Schraudolph traveled to Italy early in his career to study the painting of old frescoes, after which he worked on fresco decorations of various residences and cathedrals, including St. Ludwig's Basilica and All Saints Cathedral in Munich. He later worked extensively in Bavaria, painting rural churches. His nephew was the painter Claudius Schraudolph the Younger.
Veit Stoß war ein bedeutender deutscher Bildhauer, dessen Werk den Übergang von der Spätgotik zur nördlichen Renaissance markiert. Der um 1450 in der Nähe von Horb am Neckar geborene Stoß ist für seinen gefühlsbetonten Stil und seine filigranen Schnitzereien, vor allem in Holz, bekannt. Sein Hauptwerk, der 1489 vollendete Veit-Stoß-Altar in der Krakauer Marienkirche, ist ein Zeugnis seines handwerklichen Könnens und gilt als eines der größten Triptychen seiner Zeit.
Nach seiner Rückkehr nach Nürnberg im Jahr 1496 geriet Stoß in Turbulenzen, unter anderem wurde er wegen Fälschung verurteilt, aber schließlich begnadigt. Seine späteren Werke, wie der "Tobias und der Engel", zeigen weiterhin sein außergewöhnliches Talent und wurden sogar von Kritikern wie Giorgio Vasari bewundert.
Für alle, die sich für die Kunst der Bildhauerei und die Geschichte der Renaissance interessieren, bieten die Werke von Stoß einen tiefen Einblick in die Kunst dieser Epoche. Seine Werke, die sich in verschiedenen Museen befinden, geben einen Einblick in eine entscheidende Zeit der Kunstgeschichte.
Arthur Georg von Ramberg was an Austrian artist of the mid-nineteenth century, mainly working in Germany. He is known as a graphic artist, illustrator and lithographer, author of genre and historical paintings, book illustrations, frescoes, engravings, lithographs and woodcuts. \
Early in his career, Arthur von Ramberg created paintings based on Goethe's works. Significant for his career was a series of illustrations of Schiller's works. He taught art in Munich and Weimar, and his pupils included Albert von Keller and other famous masters.
Fritz von Uhde was a German painter of the last third of the 19th and early 20th centuries. He is known as a religious and genre painter, who combined realism and impressionism in his work.
Von Uhde, creating genre and religious paintings, sought to connect the New Testament with modernity, depicting as characters representatives of the lower strata of the population. He is considered the forerunner of modern church art. Critics and the public often dismissed his work for being "vulgar," but admirers compared his style to Rembrandt for its naturalness and connection to life.
Franz Xaver Winterhalter was a renowned German painter and lithographer, celebrated for his masterful portraits of the nineteenth-century European aristocracy. Born in 1805 in a small village in the Black Forest, Winterhalter rose from humble beginnings to become the favored portraitist at royal courts across Europe, including those of Britain, France, and Russia.
Winterhalter's artistry is especially noted for its blend of realism and idealization, which made his portraits highly sought after by the elites of the time. His work is characterized by a delicate yet expressive handling of detail and a sophisticated use of color to enhance the opulence of his subjects' attire and surroundings. One of his most famous works, "The Empress Eugénie Surrounded by her Ladies in Waiting," epitomizes his style and skill in capturing the elegance and grace of the imperial courts.
His works are held in esteemed public collections worldwide, including the National Gallery of Art and the J. Paul Getty Museum, which preserve and display several of his important portraits. Winterhalter's legacy endures, and his paintings continue to be celebrated for their historical significance and artistic merit.
For those interested in exploring more about Franz Xaver Winterhalter's life and works, consider subscribing for updates related to new product sales and auction events featuring his art. This subscription is an excellent resource for collectors and experts in art and antiques, ensuring you stay informed about opportunities to acquire pieces by this illustrious artist.