Decorators Contemporary art
Boris Izraelievich Anisfeld (Russian: Борис Израилевич Анисфельд) was a Russian-American painter, set designer, illustrator, and educator, celebrated for his vivid use of color and imaginative scenery. Born in Bessarabia, Russian Empire, in 1878, Anisfeld's artistic journey led him from the Odessa School of Art to the Imperial Academy of Arts in Saint Petersburg, where he absorbed the influences of prominent artists like Ilya Repin and Igor Grabar. His distinct style caught the attention of Sergei Diaghilev, leading to his work with the Ballet Russe before World War I.
Anisfeld's contributions to art extend beyond his canvas, as his theater designs for Diaghilev's Ballets Russes and collaborations with notable figures like Michel Fokine and Anna Pavlova showcased his ability to blend fantasy with performance. His work with the Ballets Russes, including designing the production of "Sadko" and executing the visions of other celebrated artists for stage sets, marked a significant period in his career before he immigrated to the United States in 1917.
In America, Anisfeld continued his legacy, taking on roles such as a teacher at the Art Institute of Chicago and contributing to the cultural landscape through his stage designs and paintings. His work is recognized for its innovative approach to color and form, bridging the realms of painting and theater design to create immersive, emotionally resonant artworks. Anisfeld passed away in 1973, leaving behind a body of work that continues to inspire and captivate audiences.
For collectors and experts in art and antiques, Anisfeld's work represents a fusion of Russian and American art traditions, enriched by his imaginative approach and vibrant palette. His contributions to the development of modern art and theater design underscore the enduring relevance of his creative vision.
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Anatoly Afanasyevich Arapov (Russian: Анатолий Афанасьевич Арапаов) was a Russian and Soviet artist, born in St. Petersburg in 1876 and passing away in Moscow in 1949. His artistic journey began after graduating from high school in 1892, leading him to study at the Moscow Boundary Institute where he initially acquired artistic skills. Arapov's dedication to art became undeniable, prompting him to enroll in the Moscow School of Painting, Sculpture and Architecture in 1897, where he was deeply involved in applied art, book design, and theater.
Arapov's early works, particularly around 1900 and 1910, were influenced by Symbolism, but he transitioned through a phase of Constructivism in the 1920s before dedicating himself to Socialist Realism from the 1930s onward. His versatile talent spanned across painting, graphic arts, and set design, making significant contributions to theater and film. Notably, he designed plays for leading theaters across major Russian cities and worked on popular films in the 1920s and 1930s.
His oeuvre includes portraits, still lifes, and landscapes, featuring views of ancient parks and Russian architecture. Arapov's works are celebrated for their stylistic diversity, capturing the essence of Symbolism, Constructivism, and Socialist Realism. His contributions are recognized in museum collections, including the State Tretyakov Gallery and the Saratov State Art Museum named after Radishchev, among others.
For collectors and art experts, Arapov's works offer a glimpse into the evolving art styles of early to mid-20th century Russia. To stay informed on sales and auction events featuring Anatoly Afanasyevich Arapov's art, signing up for updates can provide exclusive access to new discoveries and opportunities to acquire pieces by this multifaceted artist.
André Beaurepaire was a French artist and scenic designer.
Beaurepaire studied at the École des Beaux-Arts in Tours, and later in Paris at the École Nationale Supérieure des Arts Décoratifs. He worked as a painter and a graphic artist, and also designed sets and costumes for theater productions and films.
Beaurepaire was particularly well-known for his work as a scenographer, and collaborated with many major French directors and choreographers, including Jean-Louis Barrault, Roger Planchon, and Maurice Béjart. He designed sets for a number of classic works of theater, including Shakespeare's "Hamlet" and "Macbeth," Molière's "The Misanthrope," and Jean Anouilh's "Antigone."
In addition to his work as a scenographer, Beaurepaire continued to paint throughout his career, and his works were exhibited in galleries and museums in France and abroad. His paintings are characterized by their vibrant colors and dynamic compositions, often featuring abstract or geometric shapes.
Elena Mikhailovna Bebutova (Russian: Елена Михайловна Бебутова) was a Russian and Soviet artist of the mid-twentieth century of Georgian-Armenian origin. She is known as a painter, graphic artist and scenographer.
Elena Bebutova evolved from a fascination with cubism and futurism in her early work to a more decorative and realistic style. In 1917, she began working on the decoration of performances in various theaters in Russia, and held a personal exhibition in Moscow in 1923. Returning to the USSR after business trips to Berlin and Paris, she became one of the founding members of the society "Four Arts". Her work in the theater was closely linked to the directing activities of her brother Valery Bebutova; their last collaboration was a production of Hamlet at the Vitebsk Belorussian Theater in 1946 and 1955.
Bebutova is also known as a model for portraits created by her husband Pavel Kuznetsov.
Georgy Nikolaevich Bibikov (Russian: Георгий Николаевич Бибиков) was a Russian and Soviet artist of the mid-20th century. He is known as a painter, graphic artist, illustrator, muralist and theater artist of the Leningrad school, working in the genres of landscape, portrait, still life and thematic painting.
Georgy Bibikov began participating in art exhibitions in 1920. Among his famous works are "Loaders", "Young Red Fleets Receive Uniforms", "Greetings to the Winners", "Trench Truth" and others. His works are in the State Russian Museum and in museums and private collections in Russia, Ukraine, Germany and France.
Michel Boyer was one of the last great interior designers who remained true to the principles of modernity.
Boyer collaborated with Dior, Lanvin, Balmain and designed interiors for hotels, embassies and numerous corporate headquarters. His private clients have included Elie de Rothschild, Liliane Betancourt and Karim Aga Khan.
Hans-Ulrich Buchwald was a German painter, graphic artist, ceramist, stage designer and mask maker. His oeuvre comprises about 10,000 drawings, woodcuts and linocuts, paintings, ceramics, wooden sculptures and masks. It is characterised by a variety of artistic forms of expression. Buchwald felt committed to classical modernism, which he only became acquainted with after the war. He was inspired by George Grosz, Pablo Picasso, Edvard Munch, August Macke, Franz Marc, Oskar Schlemmer, Fernand Léger, but sought his own style in various fields.
Ivan Ivanovich Chorny (Russian: Иван Иванович Чёрный) was a Soviet, Ukrainian and Russian artist of the second half of the twentieth and early twenty-first centuries. He was known for his monumental and decorative works in the style of socialist realism.
Ivan Chorny reoriented his style in the late 1990s, inventing a new technique and moving away from figurativeness in favor of abstract painting. His enigmatic compositions became an expressive expression of inner feelings enriched with colors and lines.
Christo & Jeanne-Claude are an art duo, the married couple Christo Vladimirov Javacheff (1935-2020) and Jeanne-Claude Denat de Guillebon (1935-2009), an iconic pair of innovative land-art artists. They are known for their large-scale installations: they are packing great historical landmarks, working with huge spaces and monumental natural objects. Their projects are distinguished by what they call "Americanism" in Europe - that is, something grandiose and large-scale. Christo and Jeanne-Claude's work is in many major public collections.
Yves Corbassière is a French painter, printmaker, poster designer, set designer, sculptor and lithographer, close to American Action Painting.
Yves Corbassière is the author of over 5,000 works. Widely known in the United States, his work is exhibited in some forty American museums.
In addition to painting, Corbière was also an accomplished printmaker, working in a variety of techniques including etching, lithography, and silkscreen. His etchings often had the same bold, abstract shapes and vivid colours as his paintings.
Overall, Corbassiere's work is characterised by energy and dynamism, as well as a deep understanding of the expressive potential of colour and form.
Ivan Semyonovich Efimov (Russian: Иван Семёнович Ефимов) was a Russian and Soviet artist of the first half of the twentieth century. He is known as an animal painter, graphic artist, sculptor, illustrator and reformer of the puppet theater.
Ivan Efimov worked in different genres and techniques, but all his work, including decorative and applied art, was focused on animalistic themes. He created works for the Moscow subway, train stations, sanatoriums and many other places and became famous for his technique of through volume relief in sculpture. The master also illustrated more than 20 books.
Efimov also created erotic works - about a thousand sheets with various thematic series, but the public learned about them only after the collapse of the USSR.
Anatoly Andreevich Gorpenko (Russian: Анатолий Андреевич Горпенко) was a Soviet artist of the mid-twentieth century. He is known as a painter and graphic artist, battle painter and portraitist.
Anatoly Gorpenko served as a war artist during the Great Patriotic War, creating propaganda posters and front sketches. His oeuvre includes pictorial works, including battle scenes and portraits of military figures. He also participated in the creation of dioramas and panoramas, and his works, including stained glass windows and mosaics, decorated monuments and buildings, including in Berlin.
Gorpenko also did graphics for publishers and magazines and created political posters.
Lothar Hempel is a German media artist living and working in Berlin.
Lothar studied at the Academy of Fine Arts Düsseldorf and works in a wide range of media, combining the abstract and figurative in dramatic stage sets. Drawing from a variety of styles - Dadaism, Constructivism, the Bauhaus school - Hempel creates works in the fields of sculpture, drawing and painting, video, performance and installation. He utilizes visual metaphors, including images or found objects.
Lothar Hempel has been exhibiting regularly since 1991.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
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Aleksandr Evgenevich Iakovlev (Russian: Александр Евгеньевич Яковлев), a Russian painter, graphic artist, and designer, left an indelible mark on the world of art with his unique blend of classical and orientalist styles. Born in Saint Petersburg, Russia, in 1887, Iakovlev was part of the vibrant Russian artistic community that contributed significantly to the neo-classical and orientalist movements. His extensive travels across Mongolia, China, Japan, Africa, Syria, Iran, and Afghanistan enriched his art, leading to a prolific output of portraits, landscapes, still lifes, and figure compositions that combined elements of Italian Renaissance with Russian Primitivism.
Iakovlev's early involvement with the Mir Iskusstva exhibition in 1915 showcased his talent but also highlighted the mixed reactions from critics and the Academy of Arts, signaling his departure from traditional academic confines. His scholarship to study in the Far East and subsequent travels profoundly influenced his work, as seen in his orientalist paintings and ethnographic drawings. This period of exploration culminated in his significant contributions as an official artist on the Citroën expeditions across Central Africa and Asia, where he captured the essence of the diverse cultures he encountered.
His works, such as "Three Women in a Box at the Theatre" and his participation in designing the Prival Komediantov artistic cabaret, exemplify his mastery of merging traditional subjects with a modernist touch. Serving as the Director of the Painting Department at the School of the Museum of Fine Arts, Boston, between 1934 and 1937, Iakovlev influenced the art scene beyond the Russian borders before his death in Paris in 1938.
Iakovlev's legacy is preserved in museums and galleries worldwide, celebrating his contributions to bridging cultures through art. His ability to document his travels and experiences in such a vivid and artistic manner has left a lasting impact on the appreciation of cultural diversity in the art world.
For collectors and experts in art and antiques, Aleksandr Evgenevich Iakovlev's works represent a convergence of classical artistry and exploratory zeal, making them highly sought after. His pieces not only capture the beauty of the subjects he portrayed but also serve as a window into the cultures and landscapes that inspired him.
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Jörg Immendorff was a German painter and sculptor, stage designer and decorator, and a member of the New Wild movement.
Immendorff painted in cycles that often lasted for years and were political in nature. His series of sixteen large paintings, Café Deutschland (1977-1984), is well known. In these colorful paintings, numerous disco lovers symbolize the conflict between East and West Germany.
Immendorff prepared several stage productions and designed sets for the operas Elektra and The Rider's Voyage. 25 of Immendorf's paintings were selected in 2006 for the illustrated Bible.
Alexander Mikhailovich Kishchenko (Russian: Александр Михайлович Кищенко) was a Soviet and Belarusian artist of the second half of the twentieth century. He is best known as a muralist painter.
Alexander Kishchenko is considered one of the most famous artists of Belarus of the 20th century, and his works are valuable assets of Belarusian culture. He worked in all genres of easel and monumental decorative painting and created hundreds of works during his career, including philosophical paintings and portraits. The artist was also proficient in mosaics, ceramics and tapestry.
Max Herrmann Mahlmann was a German Constructivist painter. Mahlmann studied from 1934 to 1938 as a student of Richard Müller at the Academy of Fine Arts in Dresden and initially also worked as a stage painter and commercial artist. Mahlmann turned to non-representational painting after 1945, heavily influenced by Wassili Kandinsky and Josef Albers, and concentrated on geometric-constructivist compositions.
Sergey Vasilyevich Malyutin (Russian: Сергей Васильевич Малютин) was a distinguished Russian painter, architect, and designer, celebrated for his multifaceted contributions to the world of art and design. Born in Moscow in 1859 to a merchant family, Malyutin's artistic journey began after an exhibition by the Peredvizhniki inspired him to pursue art. His formal education at the Moscow School of Painting, Sculpture and Architecture honed his talents, leading to a diverse career that spanned painting, set design for operas and ballets, and architectural endeavors.
Malyutin is perhaps best known internationally for designing the first matryoshka doll in 1890, a seminal work that has become an iconic symbol of Russian culture. His involvement in the Arts and Crafts Movement influenced his work, integrating traditional Russian folk motifs into his designs and paintings. Notably, his architectural designs, including the Church of the Holy Spirit in Talashkino and the Pertsov House in Moscow, showcase his dedication to the Russian Revival movement, blending fantastic folk motifs with architectural creativity.
Throughout his career, Malyutin also played a significant role in education, teaching at the Moscow School of Painting, Sculpture and Architecture and advocating for Socialist Realism. His contributions to Russian art were not limited to his creations; he was instrumental in founding the Association of Artists of Revolutionary Russia, emphasizing the importance of art in societal development.
For those interested in exploring the legacy of Sergey Malyutin, his works offer a window into the fusion of traditional Russian art with the innovative currents of his time. Collectors and experts in art and antiques will find his contributions to Russian arts and crafts, especially his role in the creation of the matryoshka doll, to be of particular interest.
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Margrethe Alexandrine Thorhildur Ingrid (Danish: Margrethe Alexandrine Þórhildur Ingrid) is Her Majesty Queen Margrethe II of Denmark.
Since 1970 she has been active in several artistic expressions: painting, church textiles, watercolours, prints, book illustrations, decoupage, set design and embroidery. Many of these artistic works have been shown at exhibitions in Denmark and abroad.
Margrethe II's works are represented in art museums such as the Statens Museum for Kunst (Danish National Gallery), Aarhus Art Museum, ARoS and Køge Art Gallery Sketch Collection (sketches for church textiles).
Carlo Nangeroni is an American and Italian abstractionist and stage designer.
Nangeroni has lived and worked in the United States and Italy. As a scenic artist he painted sets for many theatrical and opera productions. In painting Nangeroni experimented with abstract expressionism.
Lev Voldemarovich Nusberg, also Nussberg (Russian: Лев Вольдемарович Нусберг) is a Russian artist, architect and designer. He is considered one of the most important representatives of Russian Kinetic Art.
Nussberg studied architecture at the Moscow Institute of Civil Engineering and later at the Moscow University of Industrial Design. In the 1960s, he began to focus on kinetic artworks, which he described as "machines" that used movement and light to create a dynamic visual experience.
His works have been exhibited in many major museums and galleries around the world, including the Guggenheim Museum in New York, the Centre Georges Pompidou in Paris and the Tretyakov Gallery in Moscow.
Nusberg's work is known for its sophisticated technique and sense of humour. Many of his kinetic machines are interactive, encouraging viewers to interact with them and influence their movements and patterns.
In addition to his work as an artist, Nusberg also has a successful career as an architect and designer. He has been involved in the design of many important buildings in Moscow, including the Hotel Ukraina and the GUM shopping centre.
Overall, Nusberg has made a significant contribution to the Russian art and design scene and is now considered one of the country's most important artists.
Yuri Ivanovich Pimenov (Russian: Юрий Иванович Пименов) was a distinguished Russian and Soviet painter, renowned for his pivotal role in the "lyrical Thaw" movement within Soviet art. Born in Moscow in 1903, Pimenov emerged as a vital figure in the realm of Soviet impressionism, a title he embraced despite the political and artistic shifts of his time. His unique blend of realism and impressionism, often termed "realistic impressionism," showcased his versatility and defiance against abandoning his creative principles.
Pimenov's journey in the arts was marked by his participation in the OST group and later the "Isobrigade," reflecting his adaptation and response to the evolving Soviet art scene. Despite facing challenges, including a significant psychological crisis in 1931, Pimenov's resilience and dedication to art remained unwavering. His works from this period, characterized by a rose-colored palette and an optimistic view of Moscow, highlight his evolution as an artist and his ability to portray the Soviet reality through a unique lens.
Among Pimenov's notable contributions to Soviet art are masterpieces like "Wedding on Tomorrow Street," "Lyrical Housewarming," and "Japanese Girl Kyoko," each reflecting various facets of Soviet life and Pimenov's personal experiences. These works, celebrated for their vibrant storytelling and intricate details, have solidified Pimenov's legacy as a master of Soviet impressionism.
Pimenov's influence extended beyond the canvas, as he engaged deeply with the world of theater and film, designing sets and posters that further showcased his artistic versatility. His travels abroad, particularly to Japan, enriched his perspective and influenced his later works, demonstrating his global appeal and the universal resonance of his art.
For art collectors and experts, Pimenov's oeuvre represents a unique investment in the history and evolution of Soviet art. His works, a blend of political narrative and personal expression, offer a profound insight into the era of the Soviet Union, making them invaluable pieces for any collection.
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Joseph Gallus Rittenberg is an Austrian photographer, stage designer and painter. Rittenberg grew up in Gallneukirchen and has lived in Munich since 1977. His photographs have been shown at exhibitions in Berlin, Paris, Vienna and New York, among others, and have also been published in magazines (e.g. Süddeutsche, Die Zeit and Der Spiegel) since the 1980s. His work focuses on portraits. His photographs of the writers Thomas Bernhard and Werner Schwab, Friederike Mayröcker and Ernst Jandl became well known.
Mike Rose, born Klaus Viktor Gottfried Rose, was a German painter, set designer, and writer, renowned for his diverse contributions to art and literature. Rose's journey into the artistic realm began in Niedersachsen, Germany, where he was born on November 22, 1932. His career spanned several decades, and he left an indelible mark in multiple artistic areas.
His artistic evolution is fascinating. During the early part of his career, Rose was significantly influenced by the Parisian group “Lettriste,” leading him to develop the "Zeichen im Zeichen" (the sign in the sign) series, employing strong motifs with black and red paint on rough canvas. His multidimensional paintings, created between 1985 and 1995, showcased an innovative approach to space and perception, integrating space with letters and signs. From 1995 until 2006, Rose's work pivoted towards expressing emotions, focusing on the human condition and its relationship with the environment.
Rose's talents were not confined to painting alone. He made notable contributions to the world of theater as a set designer, crafting stage sets for numerous plays including works by Eugène Ionesco, Max Frisch, and Henrik Ibsen. His multidisciplinary approach also extended to literature, with several publications to his name.
Today, Mike Rose's works find their place in various collections, including those of the Bamberger Bank, Citibank, Sparkasse Bamberg, and the cities of Bamberg, Castrop-Rauxel, Munich, and Nuremberg. His artistic legacy continues to inspire and influence contemporary art and literature.
For collectors and experts in art and antiques, Mike Rose's works represent a blend of cultural depth and innovative artistry. His paintings, stage designs, and literary works reflect a profound understanding of human emotions and perceptions, making them invaluable to the world of art.
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Tahir Salahov (Russian: Таир Теймурович Салахов) was an esteemed Soviet and Azerbaijani painter and draughtsman, celebrated for his pivotal role in the art world. Born in Baku, Azerbaijan, Salahov's journey into the arts commenced at the Azimzade Art College before advancing to the Surikov Moscow Art Institute. Early in his career, his work, particularly "The Shift is Over," garnered significant attention and acclaim, marking his prominence in the art scene.
Salahov's artistry is renowned for its embodiment of the "severe style," a movement within Soviet art in the 1960s that sought to provide a realistic, publicist view in contrast to the polished, idealized portrayal prevalent during the Stalin era. His masterpieces, notably portraits and scenes depicting the life of Baku oil workers, are lauded for their powerful expression and lack of idealization. Salahov's work underwent an evolution over the years, with his later pieces showcasing more peaceful, lyrical contemplations with evident Eastern influences, as seen in "Portrait of Grandson Dan." This transition is marked by smoother lines and a more sophisticated palette, highlighting his versatility and depth as an artist.
Salahov's contributions extended beyond his paintings; he was a key figure in several art academies and organizations worldwide, including the Artists' Union of the USSR and the Russian Academy of Arts. His achievements have been recognized with numerous awards, such as the People's Artist of the USSR and the Order "For Merit to the Fatherland." Salahov's legacy is cemented not only through his artworks but also through his significant impact on the cultural and artistic heritage of Azerbaijan and the broader Soviet and post-Soviet space.
For collectors and art enthusiasts, Salahov's work represents a crucial junction in the narrative of 20th-century art, bridging the gap between realism and the thematic, stylistic diversities of Soviet and Azerbaijani art. His paintings and drawings, many of which reside in prestigious museums, continue to inspire and captivate audiences worldwide.
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Vasily Ivanovich Shukhaev (Russian: Василий Иванович Шухаев) was a multifaceted Russian and Soviet artist, celebrated for his expertise as a painter, graphic artist, stage designer, and teacher. Born in Moscow in 1887, Shukhaev's artistic journey began at the Imperial Stroganov School of Industrial Art, where he was under the tutelage of prominent artists like K. A. Korovin and I. I. Nivinsky. His education continued at the St. Petersburg Academy of Arts, which paved the way for his diverse and influential career. Shukhaev's body of work is vast, encompassing hundreds of paintings, drawings, theater sketches, book illustrations, and monumental works, showcasing a deep engagement with genre paintings, still lifes, landscapes, and portraits.
Shukhaev's legacy includes a significant period of creativity and teaching in Paris in the early 20th century, after leaving Russia post-October Revolution. His Parisian phase was marked by innovative book illustrations for renowned literary works by Pushkin, Gogol, Dostoevsky, and others, demonstrating his unique ability to blend literary themes with visual artistry. Notably, his illustrations for Pushkin's "Queen of Spades" and "Boris Godunov" stood out for their stylistic nod to vintage prints and the emblematic use of symbols.
His art has been celebrated in various international exhibitions and is held in high regard by collectors and museums alike. Works such as "The Reigning Monarchs of the World" (1934), a group caricature published in Vanity Fair, reflect Shukhaev's versatile style and ability to capture the essence of his subjects with a mix of reverence and subtle critique.
For art collectors and enthusiasts interested in Russian and Soviet art, Vasily Ivanovich Shukhaev's oeuvre represents a bridge between classical traditions and modern artistic expressions. His work continues to captivate audiences with its historical depth, technical brilliance, and emotive power.
If you're keen on exploring more about Vasily Ivanovich Shukhaev's works or wish to stay updated on sales and auction events featuring his art, signing up for updates is a step towards immersing yourself in the rich tapestry of Russian art history.
Stefan Szczesny is a German expressionist painter, draftsman and ceramic sculptor, co-founder of the Neue Wilde movement.
Szczesny's vivid paintings and figurative works are inspired by the spirit of the Caribbean and the colorful, sensual Mediterranean way of life. One of his famous works is Living Planet.
The talented and versatile artist has also worked on the entire island of Mainau: he has created numerous ceramics of various shapes and sizes, large glass steles and many other objects, including a bridge and a painted NT airship, turning the island into a real work of art.
Valentino Vago was an Italian painter known for his large-scale murals.
He studied painting at the Brera Academy of Fine Arts and participated in numerous exhibitions.
Since 1979 he has devoted himself to mural painting, painting public and private spaces as well as churches in Italy and abroad. One of Valentino Vago's most impressive works is the Church of Our Lady of the Holy Rosary in Doha, Qatar, where the artist painted 12,000 square meters.
Theofiel Agnes van de Kerckhove was a Belgian painter, graphic artist, set designer and scenographer.
He studied painting at the Antwerp Academy, where he also took classes with sculptors Dekkers, Claessens and Dupont, and joined the Rupelgouw artists' association in Boom in 1936. Van de Kerckhove worked as a stage designer at the opera in Lille, and lived for a time in Germany. Here he worked with Albert Servaes, whom he had met while at the academy. In the 1950s, Van de Kerckhove was a curator at the Rocoxhuis and one of the set designers for Belgian television.
Claude Viseux is a French painter and sculptor. Claude Viseux's works can be found in many public spaces in France and in museums around the world. He also participated in the design and creation of ballet sets and costumes.
Irma Weiland was a German artist who worked mainly in painting and drawing.
Throughout her career, Weiland explored various artistic styles, including expressionism, surrealism and abstraction. She was particularly known for her expressive works, in which she often used bold colours and geometric shapes.
Irma Weiland's paintings are included in many private and public collections.
Björn Wiinblad was a Danish artist and designer. He was best known for his work in ceramics, but he also worked in a variety of other media, including glass, textiles, and graphics.
Wiinblad studied at the Royal Danish Academy of Fine Arts in Copenhagen before beginning his career as a freelance artist and designer. In the 1950s, he gained international recognition for his work in ceramics, which was characterized by his use of bright colors, whimsical patterns, and intricate details.
Wiinblad's ceramic pieces were often functional, such as plates, vases, and bowls, but he also created large-scale ceramic murals and sculptures. His work was heavily influenced by fairy tales, mythology, and the arts and crafts movement.
In addition to his work in ceramics, Wiinblad also designed textiles, glassware, and furniture, and he was an accomplished graphic artist. He created illustrations for books and magazines, as well as posters, advertisements, and even a set of postage stamps for the Danish postal service.
Wiinblad's work has been exhibited in museums and galleries around the world, and he has been the recipient of numerous awards and honors for his contributions to the arts. His designs continue to be popular today, and his ceramics and other works can be found in the collections of many museums and private collectors.
Gustav Wunderwald was a German painter and stage designer, a representative of the New Objectivity movement.
Wunderwald studied painting at the Cologne studio of Wilhelm Kuhn and worked as a designer in Gotha. Since 1912 Wunderwald served as a set designer at the Deutsche Oper in Berlin. As a painter Wunderwald created about 200 paintings in various genres.
Stepan Petrovich Yaremich (Russian: Степан Петрович Яремич) was a multifaceted Ukrainian artist and art historian, whose career spanned the late 19th and early 20th centuries. His profound contributions to art history and preservation, particularly during the tumultuous post-revolutionary period in Russia, underscore his significance beyond his work as a painter. Yaremich's expertise in Western European drawing, bolstered by his years in Paris where he amassed an impressive collection featuring masters like Watteau and Fragonard, highlighted his remarkable connoisseurship.
Educated in Kiev and Paris, Yaremich was associated with the "World of Art" movement and worked closely with figures like Alexandre Benois. He was not just an artist but a respected art expert, often involved in the restoration and cataloging of Russian and Western European art. His time at the Hermitage and Russian Museum showcased his dedication to art preservation, contributing significantly to the fields of art history and conservation.
Yaremich's artistic legacy includes landscapes of St. Petersburg, Venice, and other locales, characterized by a unique approach to color and form that distinguished his work from his contemporaries. Despite the critical acclaim, it was his behind-the-scenes work as an art historian and conservator that solidified his enduring impact on the art world.
Collectors and experts in art and antiques will find Yaremich's work both compelling and significant, underlining the importance of not only creating art but also preserving it for future generations. For updates related to Stepan Petrovich Yaremich, including sales and auction events, sign up for our newsletter. This subscription will keep you informed about the latest findings and opportunities to acquire works associated with this remarkable figure in art history.
Maria Abramovna Zubreeva (Russian: Мария Абрамовна Зубреева) was a Soviet artist of the twentieth century. She is known as a painter, graphic artist, decorator, representative of the Leningrad school of painting, and one of the first members of the Leningrad Union of Artists. Her work encompassed a variety of genres, including portraits, landscapes, still lifes and genre compositions. She was engaged in both easel and monumental painting, interior decoration, and book illustration. The artist often worked in the technique of watercolor and tempera painting.
Maria Zubreeva, together with her husband, artist Sergey Zakharov, spent many years in Tajikistan, where she made a significant contribution to the art of this region. Her watercolor portraits and eastern landscapes remain the most interesting part of her artistic heritage.
Irene Zurkinden is a Swiss painter. She gained a reputation as a sought-after portrait painter and often painted picturesque cityscapes in a style clearly based on Impressionism.
Irene Zurkinden also created costumes and sets for the City Theater of Basel as well as illustrated books.
