Marine painters 17th century
Ludolf Bakhuizen was a Dutch painter of the 17th and early 18th centuries. He is known as an outstanding master of seascapes. Bakhuizen also painted biblical themes and portraits of his contemporaries as well as engravings and miniature models of ships.
Ludolf Bakhuizen is considered one of the best marine painters of the Golden Age of Dutch painting. Among the admirers of his work were many influential European rulers, including the Russian Tsar Peter the Great. The master met Peter I, who visited Amsterdam in the mid-1690s and, according to contemporaries, even managed to give some painting lessons to the Russian tsar. In addition, Вakhuizen made models of all kinds of ship designs on commission from Peter the Great.
Toward the end of his life, the Amsterdam authorities honored Bakhuizen by opening his own gallery on the top floor of the City Hall for his achievements in the fine arts. The best masterpieces of his work are now preserved in museums in the Netherlands, Germany, England, France, and Italy.
Jacob Adriaensz. Bellevois was a Dutch marine painter.
Bellevois was a follower of Jan Porcellis and Simon de Vlieger and specialized in seascapes. The artist was apparently well acquainted with maritime affairs: his dramatic depictions of various ships in a raging sea and shipwrecks on cliffs are full of characteristic detail.
Paul Bril was a prominent Flemish painter, best known for his significant contributions to landscape painting. Born around 1554 in Antwerp, he later moved to Rome, where he became a central figure in the art scene, influencing the Italian and Northern European landscape painting traditions.
Paul Bril's early works were steeped in the Flemish manner, exhibiting a picturesque arrangement of landscape elements with dramatic contrasts of light and dark. His style evolved during his stay in Rome, influenced by the work of Annibale Carracci and Adam Elsheimer. By around 1605, Bril's compositions became more serene and classical, showcasing calmer transitions from foreground to background and embracing pastoral and mythological themes.
Paul Bril's contributions extended beyond his paintings. He was a respected figure in Rome's art community, becoming the first foreign director of the Accademia di San Luca in 1621. His patrons included some of the most influential families in Rome, and his work was sought after by collectors and fellow artists. Bril's influence was profound, impacting future generations of artists, including the Dutch Italianates and genre painters active in Rome.
His works can be found in prestigious galleries worldwide, illustrating his enduring legacy in the art world. For collectors and art and antiques experts, Paul Bril's work represents a significant period in the evolution of landscape painting, blending Flemish traditions with Italian classicism.
For those interested in exploring the captivating landscapes and historical significance of Paul Bril's art, staying informed about new product sales and auction events is essential. Signing up for updates can provide valuable insights and opportunities to acquire pieces associated with this influential artist.
Hans De Jode was a Dutch marine painter of the Golden Age.
The theme of his work is related to the sea: he painted harbor scenes, bathers in bays, ships on a wharf, and Italian landscapes. The artist mainly lived and worked in Venice and Vienna.
Bonaventura Peeters the Elder was a prominent Flemish painter, draughtsman, and etcher specializing in marine art during the 17th century. His extensive body of work encompassed marine battles, storms at sea, shipwrecks, and views of ships in rivers and harbours.
Peeters displayed a keen understanding of ships, capturing their intricate details. His earlier works exhibited tonal landscapes influenced by Dutch painting, while later pieces reflected vibrant colors inspired by Italian classicism. He skillfully depicted dramatic shipwrecks, serene ports, and intricate portrayals of ships. Many of his paintings depicted actual locations along the North Sea and the river Scheldt, while others showcased imagined scenes of far-away Mediterranean and Middle Eastern ports. Peeters also collaborated with family members and fellow artists, and his drawings and engravings were included in notable publications like Blaeu's Atlas Maior.
Jan Porcellis was a Dutch painter, draughtsman, and etcher. He is acclaimed for revolutionizing marine art in the Dutch Golden Age. Jan Porcellis' work marked a significant departure from the previous focus on the grandeur of ships in historical settings to portraying overcast skies and tumultuous waters.
Spending his career across various Dutch towns, Jan Porcellis had a notable influence in Haarlem between 1621 and 1624, where his style matured significantly. His works from this period, particularly the "Beach View of Haarlem," were celebrated for their intricate detail and were sought after in various European locales, including the Palazzo Venezia in Rome and the collection of the Emperor of Germany.
Jan Porcellis' style was characterized by less emphasis on dramatic shipwrecks and more on the gradual unfolding of maritime events. His paintings, such as "Storm at Sea," displayed a mastery in portraying the sea's moods, blending the horizon and distant ships into a hazy atmosphere. This approach was innovative at the time and prefigured the tonal phase in marine painting.
His work in etchings was also significant, with his series "Verscheyden Stranden en Water Gesichten" being particularly notable. Jan Porcellis' legacy lies in his unique approach to marine painting, emphasizing dramatic light effects and monochromatic seascapes, influencing contemporaries like Jan van Goyen and Pieter de Molijn.
Art collectors and enthusiasts will find Jan Porcellis' work a remarkable example of the evolution in Dutch marine art, blending technical skill with an innovative approach to maritime themes.
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Abraham van Beyeren was a Dutch Baroque painter of still lifes. Little recognized in his day and initially active as a marine painter, he is now considered one of the most important painters of still lifes, and still lifes of fish and so-called 'pronkstillevens', i.e. sumptuous still lifes of luxurious objects.
Willem van de Velde the Younger was a Dutch marine painter from the van de Velde dynasty of artists.
Willem van de Velde the Younger is famous for his paintings depicting the calm sea with a magical reflection of the water surface and sea battles. His works are held in London's National Gallery and private English collections, Amsterdam's Rijksmuseum, The Hague, Berlin, Munich, Vienna and Paris. There are three paintings by Willem van de Velde the Younger in the Hermitage. In addition to paintings, he left many drawings, the number of which exceeds 8,000.
Hendrik van Minderhout was a Dutch marine painter and member of the Guild of St. Luke.
He worked mainly in the Flemish cities of Bruges and Antwerp and painted landscapes, sea paintings, cityscapes, and architectural paintings.
Simon de Vlieger was a maritime painter of the Golden Age of Dutch painting. He is best known for his paintings depicting the naval fleet of the Republic of the United Provinces of Holland. He painted ships in port, on the high seas, during storms, or shipwreck scenes. Flieger also made tapestries, engravings, and stained-glass windows for the Nieuwe Kerk in Amsterdam.
Cornelis Hendriksz Vroom was a Dutch Golden Age landscape painter.
According to the Netherlands Institute for Art History, he was the son of the painter Hendrick Cornelisz Vroom.
Like his father, Vroom is best known for his landscapes and seascapes.
Adam Willaerts was a Dutch marine painter and one of the founders of the Guild of St. Luke of Utrecht. He is known for his paintings of the Navy of the Republic of the United Provinces. He also painted city, sea, and beach scenes and landscapes.