LAPLAND полимерные смолы Öl Abstrakter Expressionismus Sankt Petersburg 2018
Лапла́ндия (саамск. Sápmi, Sámeednam, фин. Lappi, швед. Lappland и норв. Lapland) — название расположенного в Северной Европе (в северной части Фенноскандии) культурного региона, который традиционно населяют саамы (устаревшие названия — лопари, лапландцы).
Часто под Лапландией понимают бывшую шведскую провинцию Лаппланд (вместе с отделившейся после завоевания в 1809 году Финляндии Российской империей финской исторической провинцией Лаппи).
Часто под Лапландией понимают бывшую шведскую провинцию Лаппланд (вместе с отделившейся после завоевания в 1809 году Финляндии Российской империей финской исторической провинцией Лаппи).
ID: | 46381 |
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Künstler: | Alex SAVART (geb. 1958) |
Originalität: | Original vom Künstler |
Zustand: | Neu |
Herstellungsjahr: | 2018 |
Angewandte Technik: | Öl |
Größe: | 90 x 60 x 3 cm |
Kunst Stil: | Abstrakter Expressionismus |
Herkunftsort: | Sankt Petersburg |
Kategorie: | Malerei |
Schlüsselwörter: | Interieur, Natur |
Informationen zum Künstler
SMIRNOV ALEXEY VALENTINOVICH (SAVART)
Alexey Smirnov is a contemporary, distinctive artist working at junction of fine art with its inherent esthetics and contemporary art with its intentional “madness”, challenge and hidden meaning.
For many years the painter have been trying to find himself. Never copying any of his colleagues-artists he refined his mastership, searched for his own artistic language. Soon these endeavours began to produce results – Alexey formed his original bright and remarkable volume technique of painting works of art.
The creative work of Alexey Smirnov differs with his enhanced sensitive perception of life, search of new means of expression consonant with modern times. The principal theme of Alexey Smirnov’s art is modernity. In his works the perception of environment loses its single-valuedness. Almost each painting makes the viewer to contemplate it long while, provoking a number of associations and deliberations. In his works one can often observe the collision of the mundane and the fantastic, interlacing of lyric and grotesque, romance and irony.
The characteristic feature of the author’s plastic language is a sharp feel of colouring, expression and fascination with texture, all of it allowing realize both formal decorative and conceptual psychologic tasks. Through the half-opened door of his art the author invites the viewer to make a step into the unknown, where vibrations of picturesque lines, gorgeous forms and fantastic constructions are filled with sense and obtain their ethereal tangibility, transform into structures of the World around us. The World consisting not of things and subjects but of essences, powers and energies. The play of lines of the picture, surfaces of colour and space in the artist’s compositions form metaphorical image of beingness, put in motion the viewer’s intellect, encouraging him for self-perfection and finding knowledge of eternal secrets of the universe.
Alexey Smirnov is a contemporary, distinctive artist working at junction of fine art with its inherent esthetics and contemporary art with its intentional “madness”, challenge and hidden meaning.
For many years the painter have been trying to find himself. Never copying any of his colleagues-artists he refined his mastership, searched for his own artistic language. Soon these endeavours began to produce results – Alexey formed his original bright and remarkable volume technique of painting works of art.
The creative work of Alexey Smirnov differs with his enhanced sensitive perception of life, search of new means of expression consonant with modern times. The principal theme of Alexey Smirnov’s art is modernity. In his works the perception of environment loses its single-valuedness. Almost each painting makes the viewer to contemplate it long while, provoking a number of associations and deliberations. In his works one can often observe the collision of the mundane and the fantastic, interlacing of lyric and grotesque, romance and irony.
The characteristic feature of the author’s plastic language is a sharp feel of colouring, expression and fascination with texture, all of it allowing realize both formal decorative and conceptual psychologic tasks. Through the half-opened door of his art the author invites the viewer to make a step into the unknown, where vibrations of picturesque lines, gorgeous forms and fantastic constructions are filled with sense and obtain their ethereal tangibility, transform into structures of the World around us. The World consisting not of things and subjects but of essences, powers and energies. The play of lines of the picture, surfaces of colour and space in the artist’s compositions form metaphorical image of beingness, put in motion the viewer’s intellect, encouraging him for self-perfection and finding knowledge of eternal secrets of the universe.
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