GEORGES SEURAT (1859-1891)

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$ 1 260 000
AuktionsdatumClassic
10.11.2022 10:00UTC -04:00
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CHRISTIE'S
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Vereinigten Staaten, New York
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ID 839088
Los 139 | GEORGES SEURAT (1859-1891)
GEORGES SEURAT (1859-1891)

En marche

stamped with signature 'Seurat' (Lugt 2282a; lower right)

black Conté crayon on paper laid down on paper

12 1/2 x 9 5/8 in. (31.8 x 24.4 cm.)

Drawn circa 1882





Provenance

Estate of the artist.

Félix Fénéon, Paris.

Charles Saunier, Paris (acquired from the above, by 1908).

André Valladier, Paris.

Jacques Dupont, Paris (by 1954).

Private collection, Europe (by descent from the above); sale, Christie’s, London, 9 December 1997, lot 3.

Simon C. Dickinson, Ltd., London.

Acquired from the above by the late owner, 2007.



Literature

L. Cousturier, Georges Seurat, Paris, 1926, p. 49 (dated circa 1883-1883).

C. Roger-Marx, Seurat, Paris, 1931, no. 27 (illustrated).

A. Lhote, Seurat, Paris, 1948 (illustrated, pl. 3).

C.M. de Hauke, Seurat et son oeuvre, Paris, 1961, p. 94, no. 489 (illustrated, p. 95).



Exhibited

Paris, La Revue Blanche, Georges Seurat, March-April 1900, no. 51.

Paris, Galerie Bernheim-Jeune et Cie., Rétrospective Georges Seurat, December 1908-January 1909, no. 127.

Paris, Musée Carnavalet, Chef d'œuvres des collections Parisiennes école française du XIX siècle, December 1952-February 1953, p. 45, no. 188 (titled L'homme qui marche).

Paris, Musée national d'art moderne, Le dessin de Toulouse-Lautrec aux Cubistes, 1954, p. 37, no. 190.

Paris, Musée Jacquemart-André, Seurat, November-December 1957, no. 40.

Seattle, Pivot Art + Culture, A Closer Look: Portraits from the Paul G. Allen Family Collection, December 2016-March 2017.



Special Notice


On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.
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