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Albert Einstein was a German-born theoretical physicist, widely acknowledged to be one of the greatest and most influential physicists of all time. Einstein is best known for developing the theory of relativity, but he also made important contributions to the development of the theory of quantum mechanics. Relativity and quantum mechanics are together the two pillars of modern physics. His mass–energy equivalence formula E = mc2, which arises from relativity theory, has been dubbed "the world's most famous equation". His work is also known for its influence on the philosophy of science. He received the 1921 Nobel Prize in Physics "for his services to theoretical physics, and especially for his discovery of the law of the photoelectric effect", a pivotal step in the development of quantum theory. His intellectual achievements and originality resulted in "Einstein" becoming synonymous with "genius".
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
Christoph Willibald Gluck was a German classical composer and reformer of the opera genre.
Christoph showed a talent for music early on, playing violin and cello, leaving home and studying music with various teachers in Prague, Vienna and Milan. In 1741, Gluck had his first significant success with his first opera, Artasers, at the Milan theater. In 1745 Gluck, by then already well known as an opera composer, was invited to England, but in 1750 he settled in Vienna, where he lived for the rest of his life. While in Paris in 1773-79, he won the favor of Louis XVI's wife Marie Antoinette.
Christoph Gluck played a historic role in the formation of a new operatic style, becoming the main reformer in the transition from baroque to classical opera.
During his career, Christoph Gluck composed about 40 operas. Of these, his first "reformist" opera was Orpheus and Eurydice, staged in Vienna in 1762. Next were "Alceste" (1767), "Parida et Helena" (1770), "Iphigenia in Aulida" (1774), a French version of "Orpheus" (1774), and "Iphigenia in Tauris" (1779). He also wrote five ballets, of which Don Giovanni (1761) was one of the first successful action ballets.
Gluck spent the last eight years of his life in Vienna, continuing to work tirelessly. During these years he met several times with Wolfgang Mozart, who by then had already become a bright star.
![Francesco Maria Piave (1810-1876) – [Giuseppe Verdi (1813-1901)]](/assets/image/picture_4361092/b52dd/9bf0c3aa8d8cf02c8a808d9e3da16cac1733871600jpg__fix_374_244.jpeg)
![Francesco Maria Piave (1810-1876) – [Giuseppe Verdi (1813-1901)]](https://veryimportantlot.com/assets/image/picture_4361092/b52dd/9bf0c3aa8d8cf02c8a808d9e3da16cac1733871600jpg__fix_374_244.jpeg)
Giuseppe Verdi, full name Giuseppe Fortunino Francesco Verdi, was an Italian opera composer.
The son of a village innkeeper, Giuseppe showed musical talent very early, already playing the organ in church by the age of nine. He studied music in Milan, taught, and in March 1839 staged his first opera "Oberto, conte di San Bonifacio" at La Scala. In 1842 Verdi's opera "Nabucco" was a great success, passing through all the major theaters of Europe.
Verdi wrote a total of 26 operas during his career, the most famous of which are Rigoletto (1851), Trovatore (1853), La Traviata (1853), Don Carlos (1867), Aida (1871), Otello (1887) and Falstaff (1893).
In 1873, Giuseppe Verdi decided to retire from the world of opera. He settled in Sant'Agata, where he became a large landowner and a very wealthy man due to his tireless work in agriculture, he also financed large charitable organizations.
Verdi took a break from these activities for his opera Otello, but after a successful tour of Europe with it, he retreated again to Sant'Agata. The work of Giuseppe Verdi is one of the greatest achievements of world opera art. Many generations of opera lovers still enjoy the composer's brilliant works.
Anton Bruckner, full name Joseph Anton Bruckner, was an Austrian composer, organist and music educator.
Bruckner was born into a poor family, which prevented him from receiving an education suited to his musical talent. His father taught him to play the violin and organ, and he worked as a teacher and organist for many years. Already after the age of 30, he began composing organ and choral works, including the Solemn Mass (1854). In 1855 he became organist at Linz Cathedral and took a five-year course in harmony and counterpoint with the Viennese teacher Simon Sechter. A little later Bruckner studied orchestration with Otto Kitzler, who in 1863 introduced him to the music of Wagner - a powerful impetus for him to begin composing significant compositions.
After moving to Vienna in 1686, Bruckner taught at the Conservatory and the University of Vienna and composed at the same time. Over the next 28 years he wrote most of his famous works: symphonies Nos. 2-9, a string quintet and the Te Deum. But it was not until the premiere of his Seventh Symphony in Leipzig in 1884 that he received the recognition he deserved. Until his death, he continued to compose new works and rework his earlier works.
Anton Bruckner was an outstanding virtuoso organist and a superb teacher. His symphonies are often considered symbolic of the final phase of Austro-German Romanticism, and he also composed much sacred secular choral music and chamber works.
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
Ludwig van Beethoven was a German composer, pianist, and conductor, one of the most famous and celebrated composers in world history.
Beethoven showed an aptitude for music at a very early age; from the age of four his father began to teach him. Beethoven's early works - piano sonatas and symphonies - were composed under the strong influence of the music of the great classical composers Joseph Haydn and Wolfgang Amadeus Mozart. As Beethoven matured, however, he began to experiment with new forms and harmonic sequences, and his music became more complex and emotionally charged.
Unfortunately, at the height of his talent, Beethoven began to gradually lose his hearing, to the point of complete deafness by the end of his life. Despite this, he continued to compose and conduct, using special devices to feel the vibrations of the music.
Beethoven's work is considered pivotal in classical music and is a bridge between the classical and Romantic eras. His works vividly express a wide range of emotions, from triumph and joy to sadness and despair. Beethoven was also one of the first composers to include soloists and chorus in his symphonies. Beethoven's best-known works include nine symphonies, 32 piano sonatas, 16 string quartets and the heroic opera Fidelio. These and many other works have cemented Beethoven's place in music history as one of the greatest composers of all time. His music continues to be played and studied by musicians and music lovers around the world.
Igor Fedorovich Stravinskii (russian: Игорь Фёдорович Стравинский) was a Russian composer, a citizen of France and the United States. One of the greatest representatives of the world musical culture of the 20th century.
The future composer was born into a creative musical family. Igor Stravinskii's father was an opera singer, soloist of the Mariinsky Theater Fedor Stravinskii, and his mother was a pianist Anna Kholodovskaya. Igor studied music at home, the Stravinskiis were often visited by their friends: composers Caesar Cui and Nikolai Rimsky-Korsakov, critic Vladimir Stasov and writer Fyodor Dostoevsky. For five years from 1902 Igor Stravinsky studied with the composer Nikolai Rimsky-Korsakov. At the same time he became close to the impresario Sergei Diaghilev and the artists of the "World of Art" association.
Stravinskii 's first works were created under the influence of Rimsky-Korsakov and the French Impressionists, and his music bears a vivid imprint of the Russian cultural tradition. Igor Stravinskii's first ballet, The Firebird, was performed in June 1910 at the Paris Grand Opera House, and he later wrote music for Diaghilev's ballets Petrushka (1911) and Sacred Spring (1913). It was after the premiere of his ballets at Sergei Diaghilev's Russian Seasons in Paris that Stravinskii gained worldwide fame. The sets for his ballets were created by the artists Alexander Benois and Nikolai Roerich, the choreography was prepared by the famous dancers Vaclav Nijinsky and George Balanchine, and the costumes were designed by Coco Chanel herself.
In 1920 Stravinskii moved to France and in 1934 he took French citizenship. In Paris, the composer composed many works that became world-famous. In 1939 Igor Stravinskii moved to the United States and in 1945 he took American citizenship. During this period, he began to turn more to biblical themes and music of the pre-Brahmsian period.
From 1924 Stravinskii also performed as a pianist and conductor of his own works. In 1962, at the invitation of the USSR Ministry of Culture, Igor Stravinsky gave several concerts in Moscow and Leningrad (now St. Petersburg).
Critics believe that in recent years Stravinskii was moving further and further away from the Russian style, but the composer himself believed otherwise. On the basis of Russian folk songs, in 1965 he created a canon for orchestra, "Not a Pine Tree at the Gate Rocked". A year before his death, in 1966, the composer wrote the requiem "Funeral Chants", which he considered to be one of the major works of his life.
Felix Mendelssohn (full name Jakob Ludwig Felix Mendelssohn Bartholdy) was a German composer, pianist, conductor, teacher, and one of the greatest representatives of Romanticism in music.
Felix was born into a Jewish musical family that later converted to Christianity. He received a versatile education and already as a child wrote many musical compositions, including 5 operas, 11 symphonies for string orchestra, concertos, sonatas and fugues. Mendelssohn's first public performance took place in Berlin in 1818, when he was nine years old. In 1821 Mendelssohn was introduced to J.W. von Goethe, for whom he performed works by J.S. Bach and Mozart and to whom he dedicated his Piano Quartet No. 3 in B minor. A friendship developed between the famous wise poet and the 12-year-old musician.
A few years later, the talented musician began conducting in various orchestras in Europe, and became acquainted with Carl Weber. In England, where Mendelssohn visited very often, by the middle of the 19th century his music had become very popular, even with Queen Victoria he was the most favorite composer. He dedicated his Symphony No. 3 in A minor major (Scottish Symphony) to the Queen.
Among Mendelssohn's most famous works are A Midsummer Night's Dream (1826), the Italian Symphony (1833), a violin concerto (1844), two piano concertos (1831, 1837), the oratorio Elijah (1846) and several chamber pieces. The tradition of playing the "Wedding March" from A Midsummer Night's Dream in wedding processions dates back to its performance at the wedding of a royal princess in 1858, already after Mendelssohn's death.
In 1843, Mendelssohn founded a conservatory in Leipzig, where he taught composition with Schumann. Mendelssohn was one of the first great Romantic composers of the nineteenth century.
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).