Western Europe — Auction price
Man Ray, born Emmanuel Radnitzky, was an American visual artist who played a significant role in the Dada and Surrealist movements. His pioneering efforts in photography, alongside his work in painting and sculpture, have cemented his place as a major figure in modern art. Known for his innovative techniques and the ability to convey complex ideas through simple, striking visuals, Man Ray's contribution to the art world is profound.
Throughout his career, Man Ray was celebrated for his avant-garde approach and his ability to transcend traditional boundaries between different artistic mediums. His photography, characterized by experimental techniques such as solarization and rayographs (cameraless photographs), challenged conventional perceptions of photography as merely a means of representation. These artistic innovations made him a central figure in both Parisian and American art circles.
Man Ray's works are housed in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. His pieces, such as "Le Violon d'Ingres" and "Noire et Blanche," are iconic images that continue to influence artists today. His ability to blend the abstract with the realistic, and the humorous with the serious, has left a lasting legacy in the world of art.
For collectors and experts in art and antiques, the work of Man Ray offers a glimpse into the revolutionary changes that shaped the visual arts in the 20th century. His unique perspective and pioneering techniques continue to inspire and challenge those interested in the boundaries of creativity and expression.
If you're passionate about the avant-garde, or simply wish to explore the fascinating world of Man Ray further, sign up for our updates. You'll receive alerts on new product sales and auction events related to Man Ray, ensuring you never miss an opportunity to engage with the legacy of this extraordinary artist.
Jean-François de Troy was a French Rococo easel and fresco painter, draughtsman and tapestry designer. One of France's leading history painters in his time, he was equally successful with his decorative paintings, genre scenes and portraits. He was the inventor of the tableaux de modes ('paintings of fashions'), which attempted to provide a spirited portrayal of contemporary fashions, pastimes and manners.
He was the Director of the French Academy in Rome from 1738.
Jacques Dubois was a master cabinetmaker of the 18th century.
He was the king's cabinetmaker and also worked for Princess Louise Elisabeth, the Duchess of Parma, the Duke of Orleans and the nobility of the time.
He was one of the masters of the Louis XV style, a specialist in varnished veneers, reproducing the effects of Far Eastern lacquers, with black or red backgrounds, decorated with Chinese and pagodas, of a very high quality.
He also executed the delicately chiselled bronzes applied to his furniture.
Peter Paul Rubens was a distinguished Flemish Baroque painter, renowned for his dynamic, vibrant, and sensuous paintings. Born on June 28, 1577, in Siegen, Westphalia, Germany, Rubens' family moved back to Antwerp in the Spanish Netherlands (now Belgium) after his father's death. He was raised in his mother’s Roman Catholic faith and received a classical education. He began his artistic training in 1591 and later traveled to Italy, where he was profoundly influenced by Renaissance masters like Titian, Tintoretto, and Veronese. This experience significantly shaped his artistic style.
Rubens' art is celebrated for its emphasis on movement, color, and sensuality. He was particularly skilled in depicting religious and mythological scenes, portraits, and landscapes. Some of his notable works include "The Descent from the Cross" and "The Raising of the Cross," which are prime examples of Baroque religious art, showcasing his unique style that blended influences from Italian Renaissance and his own innovations.
Rubens was not just a painter but also a diplomat, serving at various European courts. He was knighted by both Philip IV of Spain and Charles I of England. His diplomatic missions often intertwined with his artistic endeavors, as seen during his travels to Spain and Italy. In addition to painting, he was involved in designing tapestries, prints, and book title-pages. He ran a large workshop in Antwerp, producing works that were popular with nobility and art collectors across Europe. His studio was in his home, the Rubenshuis, now a museum.
His influence extended to his students, notably Anthony van Dyck, and his collaborative works with other artists like Jan Brueghel the Elder. Rubens' work continued to be celebrated for its vitality and influence on the Baroque style, making him one of the most influential artists of his time.
For those interested in the work and life of Peter Paul Rubens, many of his works can be found in museums and galleries worldwide, including the National Gallery in London, which houses several of his paintings like "A View of Het Steen in the Early Morning" and "Minerva protects Pax from Mars ('Peace and War')".
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Louis Le Nain was a French painter, one of the three Le Nain brothers. A master of group portraits of peasant life.
Together with Antoine and Mathieu, Louis worked on the decoration of the famous Chapel of the Virgin Mary in Saint-Germain-des-Prés. In 1648, he became one of the first members of the newly created Royal Sculpture Society.
The brothers did not always sign their works, and to this day such works without authorship are difficult to attribute personally to any of them.
Jules Joseph Lefebvre was a French figure painter, educator and theorist.
He was professor at the Académie Julian in Paris. Lefebvre is chiefly important as an excellent and sympathetic teacher who numbered many Americans among his 1500 or more pupils.
Jean-Baptiste Greuze was a French painter of portraits, genre scenes, and history painting.
Henri Fantin-Latour was a French painter and lithographer renowned for his exquisite flower paintings and insightful group portraits of Parisian artists and writers. His artistic journey began in Grenoble, where he was born in 1836, but it flourished in Paris, where he moved at a young age to study art. Despite his associations with Impressionists like Édouard Manet and Claude Monet, Fantin-Latour carved his unique path, focusing on still life and portraiture rather than adopting the Impressionist style.
Henri Fantin-Latour's knack for capturing the essence of his subjects is evident in his group portraits, which were not just mere representations but insightful depictions of the artistic and literary circles of his time. His notable works like "A Studio at Les Batignolles" illustrate the camaraderie among artists like Manet, Renoir, and Monet, offering a window into the vibrant Parisian art scene of the 19th century. His still lifes, particularly his flower paintings, are celebrated for their realism and delicate precision, making them a favorite among collectors and art enthusiasts.
In addition to his painting, Henri Fantin-Latour's lithographs, inspired by classical music and imbued with a poetic and symbolic quality, reveal another dimension of his talent, showcasing his ability to transcend the boundaries of realism and delve into the realm of imagination.
For art collectors and experts, Henri Fantin-Latour's works offer a blend of technical mastery and a deep understanding of the interplay between art, music, and literature. His contributions to the art world are remembered and celebrated in museums around the globe, where his works continue to inspire and captivate audiences.
For those interested in exploring more about Henri Fantin-Latour's life and works, visiting exhibitions or keeping abreast of auctions featuring his art can provide valuable insights into his creative genius. To stay updated on related events and opportunities, consider subscribing to updates from art institutions or galleries specializing in 19th-century French art.
Jacques Dubois was a master cabinetmaker of the 18th century.
He was the king's cabinetmaker and also worked for Princess Louise Elisabeth, the Duchess of Parma, the Duke of Orleans and the nobility of the time.
He was one of the masters of the Louis XV style, a specialist in varnished veneers, reproducing the effects of Far Eastern lacquers, with black or red backgrounds, decorated with Chinese and pagodas, of a very high quality.
He also executed the delicately chiselled bronzes applied to his furniture.
Elisabeth Vigee Le Brun was a celebrated French painter, renowned for her skill in portrait painting during the late 18th and early 19th centuries. Born in Paris in 1755, Vigee Le Brun's artistic talent was evident from a young age, leading her to become one of the most successful female artists of her time. Her father, a portraitist himself, was a significant influence on her early artistic development.
Vigee Le Brun is perhaps best known for her association with Queen Marie Antoinette. She painted more than 30 portraits of the queen, capturing her in a light that combined personal intimacy with the regal dignity required of royal portraiture. Her ability to portray her subjects with both elegance and psychological depth won her acclaim and patronage from the highest ranks of society across Europe.
Her career spanned one of Europe's most turbulent periods, including the French Revolution, which forced her into exile. During her years abroad, she lived and worked in major cultural centers such as Rome, Vienna, and St. Petersburg, further cementing her reputation among European aristocracy.
Vigee Le Brun's works are displayed in prestigious museums worldwide, including the Metropolitan Museum of Art in New York and the Louvre in Paris. Her legacy is not only in her portraits but also in her memoirs, which provide a vivid account of the cultural atmosphere of her time and her encounters with various historical figures.
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Jean-Marc Nattier was a French painter. He is noted for his portraits of the ladies of King Louis XV's court in classical mythological attire.
Alexander Coosemans was a Flemish painter of the Baroque period.
Coosemans studied under the masters of still life painting and became a member of the Guild of St. Luke of Antwerp in 1645.
Coosemans painted lush, fruit- and flower-rich still lifes, vanitas-style still lifes that evoke the transience of life. His compositions are often thought to have hidden, allegorical meanings: lobsters, wine and lemons - each subject is filled with references to biblical themes and history.
In collaboration with other artists, Coosemans created so-called garland paintings - a portrait or religious subject surrounded by garlands of flowers and fruit. The artist also decorated the villas of the nobility of Genoa and Rome with his works.
Mathieu Le Nain is a French artist, one of the three Le Nain brothers.
With Antoine and Louis, Mathieu worked on the decoration of the famous Chapel of the Virgin Mary in Saint-Germain-des-Prés. In 1648, he became one of the first members of the newly founded Royal Academy of Painting and Sculpture. When both brothers died two days apart in May 1648, Mathieu entered into the remaining inheritance. Later, he devoted less time to painting, taking up public affairs.
The Lenin brothers did not always sign their works, and to this day such works without authorship are difficult to attribute personally to any of them. Among the most famous paintings attributed to Mathieu is the recently discovered Child Jesus kneeling before the instruments of the Passion.