The Netherlands — Auction price
Simon Pietersz Verelst was a Dutch painter, son and pupil of the founder of the dynasty, Pieter Verelst, and brother of Hermann and Johannes. He painted mostly elegant portraits surrounded by garlands of flowers and fruit, as well as still lifes.
Marten Rijckaert was a Flemish Baroque painter, famous for his landscapes in the Italian manner.
Marten Rijckaert was a pupil of Tobias Verhacht. He was registered as a master at the Antwerp Guild of St Luke's in 1607. Reikart was a close friend of Antonis van Dyck.
His work is characterised by rocky forest landscapes, often with waterfalls, ruins and architecture. These Italian landscapes are close to the works of Flemish painter Paul Brill, and the panoramic concept of his compositions owes a debt to the works of Jan Brueghel the Elder.
Leonard Bramer, Leonaert Bramer or Leendert Bramer, war a Dutch painter best known for his genre, religious, and historical paintings.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Balthasar van der Ast was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.
Quiringh van Brekelenkam or Quiringh Gerritsz. van Brekelenkam was a Dutch genre painter of the Golden Age.
He is known for his Baroque genre scenes of everyday life.
Maurits Cornelis Escher, a Dutch artist renowned for his mind-bending works that blend mathematics with visual art, has left an indelible mark on both culture and the art world. Born in 1898 in the Netherlands, Escher specialized in graphic arts, creating lithographs, woodcuts, and mezzotints that are celebrated for their inventive exploration of perspective, space, and the infinite. His ability to distort reality and challenge perceptual norms has made his works timeless, appealing to a broad audience beyond traditional art collectors and experts.
Escher's art is distinguished by its unique blend of mathematical precision and artistic imagination, making him a figure of fascination not only among artists and collectors but also mathematicians and scientists. His famous pieces, like "Relativity," "Waterfall," and "Drawing Hands," exemplify his skill in creating impossible constructions and exploring the concept of infinity through tessellation and symmetry. These works are housed in prestigious museums around the world, including the Escher Museum in The Hague, Netherlands, which is dedicated to his life and works.
For collectors and experts in art and antiques, Escher's creations offer a window into the seamless integration of science and art. His legacy continues to influence contemporary art, graphic design, and architecture, making his pieces highly sought after in the art market. The enduring appeal of Escher's work lies in its ability to engage the mind and challenge viewers' perceptions of reality, making him a pivotal figure in the world of art and culture.
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![[DREYFUS, Alfred (1859-1935), Émile ZOLA (1840-1902), et d'autres]](https://veryimportantlot.com/assets/image/picture_3807103/5d00c/d2f79b90c4beceb027e4274f129bfdc41710234000jpg__fix_374_244.jpeg)
Nicolaes Pieterszoon Berchem was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn are sought after. Berchem also painted inspired and attractive human and animal figures (staffage) in works of other artists, like Allaert van Everdingen, Jan Hackaert, Gerrit Dou, Meindert Hobbema and Willem Schellinks.
Hendrick Avercamp was a seminal Dutch painter during the Dutch Golden Age. He is celebrated as one of the earliest landscape painters of the 17th-century Dutch school, specializing in vibrant winter scenes of the Netherlands. His paintings are filled with colorful and lively depictions of people engaging in various activities against the backdrop of the Dutch winter landscape.
Educated by the Danish-born portrait painter Pieter Isaacsz, Hendrick Avercamp's work reflects a strong influence from the Flemish painting tradition, especially evident in the landscapes reminiscent of Pieter Bruegel the Elder. His technique of aerial perspective, where objects in the foreground are painted with richer colors than those in the distance, creates a remarkable impression of depth in his paintings.
Hendrick Avercamp's most ambitious and acclaimed work, 'Winter Landscape with Ice Skaters', painted around 1608, is a detailed panorama of human and animal activities during a harsh winter. This painting, along with others like 'Winter Landscape with a Frozen River and Figures' and 'Winter Landscape with Skates and People Playing Golf', showcase his knack for narrative, capturing various facets of 17th-century Dutch society enjoying the winter season.
Despite being mute and probably deaf, Hendrick Avercamp's keen observation skills are evident in his works, where he intricately portrays diverse classes engaging in various winter activities. He produced about a hundred paintings, many of which can be seen in the Rijksmuseum in Amsterdam and the Mauritshuis in The Hague. His work was also celebrated for its historical quality, providing a glimpse into the life of different societal levels in the Netherlands at that time.
For collectors and enthusiasts of art and antiques, Hendrick Avercamp's paintings offer a fascinating window into the Dutch Golden Age, with their vivid portrayal of life and activities in a winter setting. His works, characterized by meticulous detail and a cheerful narrative, remain an integral part of the conversation in the history of Dutch art.
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