Landscape painting Baroque — Auction price
Karel Dujardin was a Dutch painter and printmaker of the Golden Age of Dutch painting.
He studied with Klaas Berchem and Paulus Potter, traveled to Italy, and lived in Lyon. In 1656 he participated in the founding of the Pictura Society in The Hague.
Dujardin painted mostly Italian landscapes, genre scenes, including scenes from rural life, portraits of elegant people and historical paintings.
Many of Dujardin's works are in the Louvre, the Hermitage (St. Petersburg), as well as in Amsterdam, The Hague, Kassel, and Berlin.
Abraham Willemsens was a Flemish painter of history and genre paintings. His genre scenes were reminiscent of the style of the Le Nain brothers. He also produced copies after the works of Rubens.
Esaias van de Velde was a Dutch painter and printmaker from the van de Velde family of artists.
Esaias van de Velde is considered a representative of the Haarlem School of painting, which introduced a new, emotional aspect to the Dutch landscape. In addition to landscapes with individual human figures, the artist painted urban views and genre paintings. Esaias van de Velde's later work is characterised by a richness of composition and vivid colour. The artist also painted table scenes and cavalry battles, which became a model for many generations of battalists.
Philips Wouwerman was a distinguished Dutch painter. Renowned for his equestrian scenes, landscapes, and battle depictions, Wouwerman's work embodies the richness of the Dutch Golden Age of painting. He initially trained under his father, Paulus Wouwerman, and possibly with the celebrated artist Frans Hals, showcasing a deep engagement with the artistic milieu of Haarlem.
Wouwerman's career is marked by a prolific output, with about 570 of his works confidently attributed to him today. His oeuvre was once thought to include up to 1200 pieces, a testament to his influence and the extensive body of followers and imitators he inspired across Europe. His brothers, Jan and Pieter Wouwerman, were also painters who are sometimes confused with Philips due to their stylistic similarities.
Philips Wouwerman's paintings are celebrated for their dynamic composition and intricate detail, particularly his treatment of horses which has been a subject of admiration across centuries. His landscapes often feature Italianate settings, despite no concrete evidence suggesting he ever visited Italy. His style was notably influenced by Pieter van Laer, another Haarlem artist with a significant Italian experience, from whom Wouwerman might have acquired sketches and studies.
For art collectors and experts, Wouwerman's work provides a fascinating glimpse into 17th-century Dutch culture, offering scenes filled with vibrancy and life that capture the viewer's imagination. His paintings can be found in prestigious museums worldwide, including the Rijksmuseum in Amsterdam, The National Gallery in London, and the Kunsthistorisches Museum in Vienna, showcasing his widespread acclaim and the enduring legacy of his art.
For those interested in exploring the captivating world of Philips Wouwerman and staying informed about new discoveries, sales, and auction events related to his work, signing up for updates is highly recommended. This ensures access to the latest information and opportunities related to one of the Dutch Golden Age's most versatile and prolific artists.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Gijsbrecht Leytens was a Flemish landscape painter of the Early Baroque period. He was famous for his depiction of winter landscapes, which were considered his speciality and were characterised by a highly individualised style. He is considered one of the least studied Flemish painters of the Antwerp School.
Geisbrecht Leitens became a member of the Guild of Saint Luke in Antwerp in 1611. From that time he was entitled to open his own workshop in the city and train apprentices.
The master carefully observed winter nature and birds and developed an individual manner which distinguished him from the philosophical generalisations of Pieter Bruegel the elder or the cosy details and findings of Lucas van Falkenborgh. Trees in his paintings are usually depicted covered in snow, often oddly shaped. The branches of the denuded trees are replete with representations of various birds. The artist's creative style may have been influenced by paintings from the Dutch Mannerism period.
Remigio Cantagallina was an Italian etcher active in the Baroque period.
Thomas Heeremans was a Dutch painter and art dealer. He is known for his landscapes of winter scenes, cityscapes, harbor scenes, beach views, river views and village scenes. He was influenced by Klaes Molenaer, a slightly older painter also from Haarlem.
Pieter Casteels III was a Flemish painter, engraver and designer, a member of the Guild of St. Luke in Antwerp.
He was born into the family of the painter Pieter Casteels II or the Younger (1673-1701), who gave his son his first lessons in painting. In 1708 Peter went to London, where he became active in the London art community and a member of the Rose and Crown Club.
Casteells successfully painted numerous floral still lifes with exotic birds, which were favored by the nobility of the time, as well as idyllic scenes with domestic birds and animals. His works were also often used as decorations for fireplaces and doors. The great success of this genre led the artist to publish the Twelve Months of Flowers and Twelve Months of Fruit series - these prints served as models for workers in textiles and other luxury industries.
In 1735 Peter Casteells III retired from painting and turned his attention to textile design, working for the rest of his life for textile manufacturers in Surrey and then London.
Gaspard Duguet, also known as Gaspard Poussin, was a French painter specialising in landscape painting. He was born into a family of French painters who settled in Rome.
Gaspard Duguet received his artistic training from his uncle, Nicolas Poussin, who was one of the leading Baroque painters. Duguet's early works were strongly influenced by Poussin's style, which emphasized clarity and orderliness of composition.
In the 1650s, Duguet began to develop a style of his own, characterized by his bold brushwork and vibrant use of colour. He became known for his ability to create dramatic and atmospheric landscapes, often depicting scenes from the Roman countryside.
Gaspar Duguet's paintings have a sense of grandeur and monumentality. His landscapes often feature classical ruins and ancient monuments, giving his works a sense of historical depth and resonance.
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Abraham Storck (or Sturckenburch) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman.
Joost Cornelisz. Droochsloot was a Dutch painter of the Dutch Golden Age, member of the Guild of St. Luke in Utrecht. He was a versatile painter, painting landscapes, moral allegories, and biblical stories. But he was mainly known for his genre rustic scenes with many participants, these paintings often had a moral component. In his compositions, Drochslot paid much attention to detail and signed them with the monogram "JCODS."
Jan Bruegel the Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he painted the same subjects as his father in a style which was similar to that of his father. He regularly collaborated with leading Flemish painters of his time.
Adriaen van Ostade was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women.
Roelant Savery was a Flanders-born Dutch Golden Age painter.
Savery primarily painted landscapes in the Flemish tradition of Gillis van Coninxloo, often embellished with many meticulously painted animals and plants, regularly with a mythological or biblical theme as background. He also painted multiple flower still lifes; bouquets in stone niches, sometimes with lizards such as Flowers with Two Lizards, insects or fallen petals and regarded as his best work.
His unique style of painting, related to the then reigning Mannerism, has been highly popular with collectors and can be found in many museums in Europe and North America. His preparatory drawings are also valued highly.