Old Master Paintings and Sculpture
Jacob Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.
Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640 — the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
Jacob Jordaens was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations elsewhere in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries.
Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640 — the year Rubens died — he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio.
Lucas van Valckenborch was a Flemish painter, mainly known for his landscapes. He also made contributions to portrait painting, and allegorical and market scenes. Court painter to Archduke Matthias, the governor of the Spanish Netherlands in Brussels, he later migrated to Austria and then Germany where he joined members of his extended family of artists who had moved there for religious reasons.
Anthony van Dyck, a Flemish painter born in 1599 in Antwerp and passed away in 1641 in London, is celebrated as one of the foremost Baroque painters of the 17th century. His notable contributions to the art world include his exceptional portraits of European aristocracy, as well as his religious and mythological paintings. Van Dyck's early exposure to art was influenced significantly by his apprenticeship with Hendrik van Balen and later, by the profound impact of working alongside Peter Paul Rubens. His mastery was recognized early on, leading him to set up his own workshop by the age of 15.
Van Dyck's journey to Italy in 1621 marked a pivotal phase in his career, allowing him to immerse himself in studying the Italian masters and commencing his successful stint as a portraitist. His style evolved under the influence of Titian, evident from his vibrant use of color and refined modeling of form. Van Dyck's Italian period not only honed his artistic skills but also established his reputation as a painter of consequence.
Upon returning to Antwerp, van Dyck's portraits became highly sought after, leading to commissions from notable figures such as Archduchess Isabella and Queen Mother Maria de' Medici. His role as a court painter further solidified in England under the patronage of King Charles I, where he was knighted and appointed as the principal painter, profoundly shaping the aristocratic character of Charles I's reign through his portraits.
Van Dyck's legacy extends beyond his death, having influenced English portrait painting for over a century. His innovative techniques in watercolour and etching, along with his sophisticated portrayal of subjects, continue to be admired. His art not only showcases his technical prowess but also reflects the cultural and social nuances of his era, making his work a significant study for collectors and art historians alike.
For enthusiasts eager to explore the intersections of art, history, and culture through the lens of Anthony van Dyck's work, staying informed about new discoveries and auction events is essential. Signing up for updates can provide exclusive insights into the world of one of the most influential figures in Flemish art. This subscription ensures that collectors and experts are well-informed of any developments related to van Dyck's oeuvre, enhancing their understanding and appreciation of his contributions to the art world.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court.
Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Simon Vouet was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris," and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco."
Annibale Carracci was an Italian painter and instructor, renowned for his influence in the transition from Mannerism to the Baroque style. Born into a humble family in Bologna, Annibale, alongside his brother Agostino and cousin Ludovico, founded the Accademia degli Incamminati, promoting a new artistic approach that combined a thorough study of nature with the study of previous art masters. This approach aimed to form a universal style, distinguishing their work from the mannered art of their contemporaries.
Annibale's work in Rome, especially his frescoes in the Palazzo Farnese, showcased his mastery of illusionistic elements, drawing inspiration from classical antiquity and the works of Michelangelo Buonarroti and Raphael. His work on the Galleria Farnese ceiling is particularly noted for its integration of classical ideals with dynamic Baroque energy, making it a seminal work in the evolution of Baroque art. His style influenced a myriad of artists, including Peter Paul Rubens, Nicolas Poussin, and Gian Lorenzo Bernini, and his approach to painting, emphasizing a blend of idealism with observational naturalism, set a new standard for European art.
Annibale Carracci's legacy extends beyond his frescoes; his genre paintings and landscapes were pivotal in elevating these forms to new prominence. His innovative techniques and thematic versatility have ensured his esteemed place in art history, influencing the trajectory of 17th-century European art.
For art collectors and experts, Annibale Carracci's works represent a pivotal moment in the evolution of European painting, showcasing a transition from the detailed naturalism of the Renaissance to the expressive dynamism of the Baroque. His influence is evident in the works of subsequent generations of artists, marking him as a figure of immense historical and artistic significance.
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Sebastian Stoskopff was an Alsatian painter. He is considered one of the most important German still life painters of his time. His works, which were rediscovered after 1930, portray goblets, cups and especially glasses. The reduction to a few objects, which is characteristic of early still life painting, can again be recognized in Stoskopff's painting. His chief works hang in his hometown of Strasbourg, but some of the world's most important art museums (the MET, the Louvre, the KHM, the Gemäldegalerie) own paintings by Stoskopff as well.
Corneille de Lyon, also Corneille de La Haye, was a Dutch painter who worked most of his life in Lyon. Portraitist, one of the most talented and prolific Renaissance painters.
Jacob Adriaensz Backer was a prolific artist of the Dutch Golden Age, known for his dynamic portraits, religious subjects, and mythological scenes. Over a span of twenty years, Backer produced approximately 140 paintings, standing out for his quick execution and attention to detail. His ability to capture intricate details like cuffs, fur, and collars within a short period was renowned, exemplifying the Dutch wet-on-wet painting technique's success during his era.
Influenced by notable figures such as Wybrand de Geest, Peter Paul Rubens, and Abraham Bloemaert, Backer was also celebrated for his drawings of nudes, showcasing his versatile skill set. His works were a testament to the baroque movement, characterized by vivid expression and intricate detail. Notable among his works are portraits that convey the subject's essence with exceptional clarity and depth, earning him a distinguished place among his contemporaries in Amsterdam.
Despite his significant contributions to Dutch art, Backer led a life focused solely on his art, never marrying or purchasing a home, possibly sharing his living quarters with relatives. He was deeply embedded in the artistic milieu of Amsterdam, having been one of the most independent pupils of Rembrandt between 1632 and 1634, absorbing and reflecting the master's style in his works.
For collectors and experts in art and antiques, Jacob Adriaensz Backer's work offers an insight into the Dutch Golden Age's rich cultural and artistic landscape. His legacy continues to be celebrated in major museums and collections worldwide, including the Rijksmuseum in Amsterdam and the National Museum in Warsaw, where his influence on portrait and genre painting remains undisputed.
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Philips Wouwerman was a distinguished Dutch painter. Renowned for his equestrian scenes, landscapes, and battle depictions, Wouwerman's work embodies the richness of the Dutch Golden Age of painting. He initially trained under his father, Paulus Wouwerman, and possibly with the celebrated artist Frans Hals, showcasing a deep engagement with the artistic milieu of Haarlem.
Wouwerman's career is marked by a prolific output, with about 570 of his works confidently attributed to him today. His oeuvre was once thought to include up to 1200 pieces, a testament to his influence and the extensive body of followers and imitators he inspired across Europe. His brothers, Jan and Pieter Wouwerman, were also painters who are sometimes confused with Philips due to their stylistic similarities.
Philips Wouwerman's paintings are celebrated for their dynamic composition and intricate detail, particularly his treatment of horses which has been a subject of admiration across centuries. His landscapes often feature Italianate settings, despite no concrete evidence suggesting he ever visited Italy. His style was notably influenced by Pieter van Laer, another Haarlem artist with a significant Italian experience, from whom Wouwerman might have acquired sketches and studies.
For art collectors and experts, Wouwerman's work provides a fascinating glimpse into 17th-century Dutch culture, offering scenes filled with vibrancy and life that capture the viewer's imagination. His paintings can be found in prestigious museums worldwide, including the Rijksmuseum in Amsterdam, The National Gallery in London, and the Kunsthistorisches Museum in Vienna, showcasing his widespread acclaim and the enduring legacy of his art.
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Marten van Cleve the Elder was a Flemish painter and draftsman active in Antwerp between 1551 and 1581. Van Cleve is mainly known for his genre scenes with peasants and landscapes, which show a certain resemblance with the work of Pieter Bruegel the Elder. Marten van Cleve was one of the leading Flemish artists of his generation. His subjects and compositions were an important influence on the work of Pieter Brueghel the Younger and other genre painters of his generation.
