Gouache — Auction price
Dieter Krieg was a German artist and professor of painting, one of the brightest representatives of the so-called New Figuration.
Krieg studied at the Academy of Fine Arts Karlsruhe, where he later taught. Starting in the 1970s, he painted everyday objects: flower pots and scrambled eggs, French fries and diamonds - in his large format paintings Dieter Krieg never made a distinction between the significant things in life and the everyday.
For 25 years, from 1978-2002, Dieter Krieg worked as a professor at the Düsseldorf Academy of Fine Arts and had a significant influence on subsequent generations of artists. He was a member of the Association of German Artists.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Henry Spencer Moore was an influential English sculptor and artist, renowned for his semi-abstract monumental bronze sculptures that have found homes around the world as public works of art. Born on July 30, 1898, in Castleford, Yorkshire, Moore showed early talent in art, but his journey towards becoming a sculptor was not straightforward. His experiences as a young teacher and a soldier in the First World War, where he was injured in a gas attack, significantly shaped his perspectives and artistic direction.
After the war, Moore pursued his passion for art, winning a scholarship to the Royal College of Art in London, where he began to experiment with modernist influences and direct carving techniques, moving away from the traditional Victorian style. His works, characterized by organic shapes and a blend of abstraction and figuration, were inspired by a wide range of sources, including primitive art, the human body, and the natural world.
Moore's sculptures are celebrated for their unique ability to blend form with space in the landscape, offering viewers a dynamic interaction with his works. His dedication to public art made his sculptures accessible to a wide audience, contributing to his status as one of the 20th century's most significant sculptors. Moore's legacy is preserved through the Henry Moore Foundation, which supports artists and promotes public appreciation of sculpture.
For collectors and experts in art and antiques, Moore's work remains a testament to the power of sculpture to evoke emotion and thought. His contributions to modern art and sculpture continue to inspire and influence artists around the world.
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Wassily Wassilyevich Kandinsky (Russian: Василий Васильевич Кандинский) was a trailblazer in the art world, known for his pioneering role in the development of abstract art. Born in Moscow, Russia, in 1866, Kandinsky embarked on a journey that would take him from the study of law and economics to becoming one of the most influential artists of his time. His journey into the arts began at 30, a significant shift from a promising career in law to attending the Academy of Fine Arts in Munich. This decision marked the start of a profound exploration of color, form, and the spiritual in art.
Kandinsky's work is celebrated for its innovative use of color and abstract forms, with notable pieces such as "Composition VII" and "On White II" showcasing his ability to evoke emotional resonance through non-representational means. His art was not just about visual aesthetics but also aimed to touch the spiritual and emotional realms of the viewer. He often compared his method of painting to composing music, emphasizing the emotional power of abstract forms and colors. This philosophy was reflected in his theoretical writings, notably in "Concerning the Spiritual in Art," where he laid out his beliefs about the role of art and the artist in society.
Throughout his career, Kandinsky was involved with several avant-garde groups, including Der Blaue Reiter and Die Blaue Vier, collaborating with other influential artists of the time like Paul Klee and Alexej Jawlensky. After the Bauhaus school, where he taught, was closed by the Nazis, Kandinsky moved to France, where he spent the remainder of his life, continuing to evolve his style and contribute to the art world until his death in Neuilly-sur-Seine in 1944.
Kandinsky's legacy is not only in his artworks, which are held in esteemed collections worldwide, such as the Solomon R. Guggenheim Museum in New York, but also in his impact on the course of modern art. He opened up new possibilities for artists by demonstrating that art could venture beyond the representational and delve into the purely abstract, exploring the inner emotional and spiritual life through form and color.
For those captivated by Kandinsky's revolutionary approach to art and interested in the evolution of abstract expression, signing up for updates on new product sales and auction events related to Kandinsky's work is an excellent way to stay informed. This subscription service is tailored for collectors and art experts, ensuring you are the first to know about opportunities to acquire pieces by or related to this groundbreaking artist.
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Maurice de Vlaminck was a French artist renowned for his vibrant use of color and contribution to the Fauvist movement. Born in Paris in 1876, Vlaminck's early work was marked by a passionate application of paint and a bold palette, drawing inspiration from Vincent van Gogh and Henri Matisse. His participation in the 1905 Salon d'Automne, alongside other Fauvist painters, was met with critical disdain, leading to the term "fauves" (wild beasts) being coined to describe their unorthodox use of intense color.
Vlaminck's career was characterized by a continuous exploration of color and form. Early on, he depicted scenes of daily life, landscapes, and portraits, imbuing them with a sense of motion through his dynamic brushwork. Notable works from this period include "Sur le zinc" (At the Bar) and "L'homme a la pipe" (Man Smoking a Pipe), which highlighted his departure from traditional portraiture and landscapes towards more expressive and mood-driven compositions. His landscapes, in particular, showcased a disregard for detail in favor of conveying atmosphere, a technique that was revolutionary at the time.
Throughout his life, Vlaminck's style evolved, showing influences from Post-Impressionism and later, a more monochromatic palette reminiscent of Paul Cézanne. Despite this evolution, he maintained a critical stance towards Cubism and its leading figure, Pablo Picasso, believing that Cubism had led French painting into a "wretched dead end". In his later years, Vlaminck's work adopted a darker palette and more naturalistic style, moving away from the Fauvist emphasis on color to explore the dramatic and expressive potential of landscapes and seascapes.
Vlaminck's impact on modern art is undeniable. His works are held in prestigious collections worldwide, including the Hermitage Museum in Saint Petersburg and the Minneapolis Institute of Art, attesting to his enduring influence and the continued fascination with his bold, expressive approach to painting.
For collectors and experts in art and antiques, Vlaminck's oeuvre represents a pivotal moment in the history of modern art, where the emotional intensity and visual impact of color were explored as never before. To stay informed on new product sales and auction events related to Maurice de Vlaminck, signing up for updates is recommended, offering exclusive insights into the vibrant world of Fauvism and modernist painting.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Attilio Pratella was an Italian marine and landscape painter.
Attilio Pratella received his first professional skills at the Trisi College, continued his studies at the Bologna Academy of Fine Arts and at the Academy of Fine Arts in Naples. His first paintings received positive feedback from the juries of exhibitions.
The artist executed miniature Neapolitan views for tourists and made sketches of paintings of products of the ceramic factory of the Cacciapoti brothers. After moving to the Neapolitan neighborhood of Vomero, Pratella began to paint views of the picturesque surroundings, the Gulf of Naples and Vesuvius. Soon a group of Vomeresi ("Vomeristi") formed around him, and the neighborhood where he lived gradually became an entire colony of artists.
In addition to Neapolitan landscapes, the artist created cityscapes of Paris and other European cities. In 1899 Attilio Pratella participated in the Paris Salon and received great recognition. Today his works are in the collections of the Museo del Capodimonte and the Galleria dell'Arte Ricci Oddi.
William Scott was a Northern Irish artist, known for still-life and abstract painting. He is the most internationally celebrated of 20th-century Ulster painters.
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
Sign up for updates related to Bridget Louise Riley to stay informed about new product sales and auction events showcasing her groundbreaking work. Join us in celebrating the legacy and ongoing journey of one of the foremost exponents of optical art.
Patrick Heron was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall.
Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art.
Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for New Statesman and Arts New York, this continued periodically in later years.
William Scott was a Northern Irish artist, known for still-life and abstract painting. He is the most internationally celebrated of 20th-century Ulster painters.
Wifredo Óscar de la Concepción Lam y Castilla, better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.
Fernando Botero Angulo was a Colombian painter and sculptor, celebrated for his volumetric stylization of figures and objects in his works. Born in Medellín, Colombia, Botero's signature style, known as "Boterismo", portrays people and animals in exaggerated and inflated shapes, often conveying social criticism or humor.
Fernando Botero's journey into the art world was marked by his early rejection of traditional artistic paths, opting instead to explore an innovative style that would later dominate his career. His art, infused with a mix of political satire and playful humor, has graced numerous galleries and public spaces worldwide. Notable public installations include his sculptures in Park Avenue, New York City, and the Champs-Élysées in Paris. His works are in the collections of many major international museums and have fetched high sums at auctions.
Fernando Botero's ability to capture the human condition through rounded, corpulent figures has endeared him to a global audience. His notable works such as "The Presidential Family" and "The Death of Pablo Escobar" are poignant commentaries on Colombian politics and society. Furthermore, Botero donated significant numbers of his works to Colombian museums, enriching the cultural heritage of his native country.
His influence extends beyond paintings and sculptures, as Fernando Botero has also engaged with social issues through his art. His series on Abu Ghraib prison abuses reflects his commitment to human rights and his capacity to address painful subjects through his distinct aesthetic.
For those interested in the vibrant world of art and culture, Botero's work remains a testament to the power of visual satire and cultural commentary. To stay updated on exhibitions and auctions featuring Fernando Botero’s works, sign up for alerts and dive deeper into the rich legacy of this monumental artist.