Gouache — Auction price
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Oska Gutheil is a German painter. Oska Gutheil is regarded as a new star in the art world: galleries in metropolises such as New York, Berlin and Vienna are vying for the artist's pictures, who combine naïve painting with punk and comic elements. Oska Gutheil creates colourful, crazy worlds full of hybrid creatures – and with it his own biography.
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Mary Hildegard Ruth Bauermeister was a German artist who worked in sculpture, drawing, installation, performance, and music. Influenced by Fluxus artists and Nouveau Réalisme, her work addresses esoteric issues of how information is transferable through society. Beginning in the 1970s, her work concentrated on the themes surrounding New Age spirituality, specifically geomancy, the divine interpretation of lines on the ground.
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George Chinnery was a British painter best known for his work in India and China.
George studied at the Royal Academy schools, painting portraits and sketches, but in 1802, shortly after his marriage, trying to straighten out his family's financial situation, he traveled to India. In Calcutta, Chinnery became the leading artist of the British community in India. And in 1825 he went to China and lived in Macau for the rest of his life.
Chinnery painted portraits of Chinese and Western merchants, visiting sea captains and their families. Chinnery also painted landscapes (both in oil and watercolor) and made many vivid drawings of Macau residents of the time engaged in their daily activities. Among the heroes of his portraits are the Scottish opium merchants who patronized him. In addition to their artistic value, Chinnery's paintings also have historical value, as he was the only Western artist living in South China during the early to mid-19th century.
There are still many architectural sites in Macau recognizable from his sketches that have changed little since then. Today, Chinnery's paintings are in public and private collections around the world. The Macau Museum and the Macau Art Museum have a good selection of his work.
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Joseph Mallord William Turner, a seminal figure in British painting, was born in 1775 and left an indelible mark on the Romantic movement. Known for his expressive coloration, imaginative landscapes, and turbulent marine paintings, Turner's work transcends the traditional boundaries of art to capture the sublime force of nature. His career was distinguished by early talent, evidenced by his acceptance into the Royal Academy at the young age of 14, and a prolific output that included over 2,000 paintings and 19,000 drawings and sketches.
William Turner's unique approach to landscape painting, characterized by dramatic skies and atmospheric effects, set a new standard for capturing mood and emotion on canvas. His innovative use of light and color influenced countless artists, elevating landscape painting to rival the status of history painting. Turner's legacy is also marked by his eccentricity and reclusiveness, traits that only added to the mystique surrounding his artistic genius.
Among his most famous works are "The Fighting Temeraire," symbolizing the passing of the old world, and "Rain, Steam and Speed," capturing the Industrial Revolution's impact. These paintings not only showcase William Turner's technical skill but also his philosophical engagement with the changing world around him.
For collectors and experts in art and antiques, William Turner's works represent the pinnacle of Romantic art, offering insight into the 19th-century aesthetic and philosophical landscape. His influence on subsequent generations of artists underscores his position as a pivotal figure in the history of Western art.
To stay informed about Joseph Mallord William Turner's works and related events, signing up for updates from reputable art institutions can provide valuable insights into new discoveries and auction events related to this master of the British landscape.
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![](https://veryimportantlot.com/uploads/art_data/Artist/2650/Статья 9 (1) Серж Поляков. Фотопортрет художника.jpg)
Serge Poliakoff was a Russian-born French modernist painter belonging to the 'New' Ecole de Paris (Tachisme).
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![](https://veryimportantlot.com/uploads/art_data/Artist/2650/Статья 9 (1) Серж Поляков. Фотопортрет художника.jpg)
Serge Poliakoff was a Russian-born French modernist painter belonging to the 'New' Ecole de Paris (Tachisme).
![](https://veryimportantlot.com/cache/catalog/4289/3oYlx8oiddiIPWIi71WwVyV9ntvn4oCIo_pbrjWJ7dKhOyKEjwOqbp2SwgyWlNcG_1715681237-172x196_center_100.jpg)
![](https://veryimportantlot.com/uploads/art_data/Artist/2650/Статья 9 (1) Серж Поляков. Фотопортрет художника.jpg)
Serge Poliakoff was a Russian-born French modernist painter belonging to the 'New' Ecole de Paris (Tachisme).
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![](https://veryimportantlot.com/uploads/art_data/Artist/112/Gabriele Münter1.jpg)
Gabriele Münter, a prominent German painter, left an indelible mark on the art world with her expressionist style and vibrant use of color. Born in Berlin in 1877, Münter was not just an artist but a trailblazer in the early 20th-century avant-garde movement in Munich. Her relationship with Wassily Kandinsky, both personal and professional, greatly influenced her artistic development and vice versa. Together, they explored Europe and North Africa, absorbing influences that would shape their styles. This period was crucial for Münter's transition from impressionistic to more abstract and expressive works, incorporating intense colors and simplified forms that became hallmarks of her style.
Münter's artistic evolution was significantly shaped by her time in Murnau, a Bavarian town that became a refuge and inspiration for her work. Here, she experimented with the Blaue Reiter aesthetic, emphasizing the emotional and spiritual over the representational. Münter's landscapes from this period are notable for their bold use of color and simplified forms, reflecting an intimate interaction with nature. Works like "Jawlensky and Werefkin" and "Lower Main Street, Murnau" exemplify her mastery of color and form, showcasing her ability to capture the essence of her subjects through a unique visual language.
Throughout her career, Münter contributed significantly to the German Expressionist movement, particularly through her involvement with Der Blaue Reiter group. Despite the challenges of World War I and the subsequent estrangement from Kandinsky, she continued to innovate and express her vision through her art. In her later years, Münter's commitment to preserving the legacy of the Blaue Reiter group was demonstrated through her donation of a substantial collection of artworks to the Städtische Galerie im Lenbachhaus in Munich.
For collectors and experts in art and antiques, Gabriele Münter's work represents a pivotal moment in the history of expressionism, offering insights into the movement's evolution and the role of women artists in shaping modern art. Her contributions, both in her vibrant landscapes and in her pioneering spirit, continue to inspire and captivate audiences around the world.
To stay updated on new product sales and auction events related to Gabriele Münter, signing up for updates is an invaluable resource for enthusiasts keen on exploring the depths of expressionism and the enduring legacy of this remarkable artist.
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Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
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![](https://veryimportantlot.com/uploads/art_data/Artist/250/глез (1).jpg)
Albert Gleizes was a pioneering French artist, theoretician, and philosopher, renowned for his contributions to Cubism and his influence on the School of Paris. Born in Paris in 1881, Gleizes' artistic journey began in his late teens, inspired by Impressionism and later evolving through Post-Impressionist and Symbolist phases. His early work, such as "La Seine à Asnières" exhibited in 1902, showcases his initial foray into painting. Gleizes' commitment to developing art free from commercial constraints led him to co-found the Abbaye de Créteil, a self-supporting artist community, although it was short-lived due to financial difficulties.
Gleizes' exploration of Cubism began around 1910, in collaboration with artists like Jean Metzinger, with whom he wrote "Du Cubisme," the first major treatise on the movement. This period marked a significant shift in his style towards the geometric simplification of forms, a hallmark of Cubism. His works from this era, including "Portrait de Jacques Nayral" and "Landschaft bei Paris," exemplify his innovative approach to capturing the essence of subjects through cubist principles. Gleizes was also a member of the Section d'Or group, further establishing his role in the Cubist movement.
In addition to his painting, Gleizes was deeply involved in writing and promoting Cubism, influencing the acceptance and understanding of modern art globally, including his significant impact in New York. His later works, such as "Pour Contemplation," reflect a spiritual and theological depth, moving towards a synthesis of the physical and metaphysical. Gleizes' art is celebrated for its revolutionary approach to form and color, contributing significantly to the development of modern art. His works are held in prestigious collections worldwide, including the Tate Modern and the Musée des Beaux-Arts in Lyon.
For those intrigued by the revolutionary spirit and profound impact of Albert Gleizes on modern art, signing up for updates on new product sales and auction events related to his work offers a unique opportunity to connect with the legacy of this Cubist master. This subscription is an invaluable resource for collectors and experts in art and antiques, promising exclusive insights into the world of Albert Gleizes.
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George Grosz was a twentieth-century German painter, graphic artist, and cartoonist. In his work one can find features of various styles of avant-garde art, including Dadaism, Expressionism, and Futurism.
George Grosz drew in every style in a sharp-grotesque and satirical spirit, ridiculing the vices of society. The erotic theme, which occupied a prominent place in Gross's work, was executed in the same spirit.
Grosz devoted more than 20 years to teaching at the Art Students League of New York, and was elected an honorary member of the American and Berlin Academies for his outstanding services to the arts.
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Max Pechstein, a German Expressionist painter and printmaker, was a significant figure in the art world known for his vibrant use of color and dynamic compositions. Born in Zwickau in 1881, Pechstein's journey into the realms of expressionism began with his training as a decorator's apprentice before moving to Dresden to further his studies at the Kunstgewerbeschule. His career took a pivotal turn in 1906 when he met Erich Heckel and joined the Die Brücke group, alongside other notable artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, which marked the beginning of his foray into revolutionary art and expressionism.
Pechstein's art was not just confined to painting; he was also a master printmaker, with a prolific output that included 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, predominantly etchings. His works often depicted scenes from nature, social gatherings, and elements of primitive art, reflecting his interest in the raw and unrefined aspects of culture and humanity. This diverse body of work was recognized for its bold innovation and unique perspective, which significantly contributed to the expressionist movement.
The Nazis' rise to power in 1933 had a profound impact on Pechstein's career. His works were deemed degenerate, and he faced severe repression, including the removal of 326 of his paintings from German museums and his dismissal from his teaching position at the Preussische Akademie der Künste. Despite these challenges, Pechstein's legacy endured, and after World War II, he was reinstated to his teaching post and received numerous accolades for his contributions to art.
Pechstein's works are held in high esteem in museums and galleries worldwide. Notably, his etchings, which depicted the grim realities of war, are housed in the Imperial War Museum in London, showcasing his ability to convey profound emotional and psychological experiences through art. Additionally, his painting "Summer in Nidden," which captures the idyllic beauty of the Baltic coast, is part of the collection at the Museo Nacional Thyssen-Bornemisza in Madrid, illustrating his love for natural landscapes and vibrant, expressive use of color.
For collectors and experts in art and antiques, Hermann Max Pechstein's works offer a fascinating glimpse into the early 20th-century expressionist movement, characterized by a bold exploration of color, form, and social commentary. His contributions to modern art are invaluable, providing insight into the cultural and historical context of his time.
To stay informed about new product sales and auction events related to Hermann Max Pechstein, we invite you to sign up for updates. This subscription will ensure that you are the first to know about opportunities to acquire works by this influential artist, allowing you to add to your collection of significant expressionist art.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
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Marcel Dzama is a contemporary artist from Winnipeg, Manitoba, Canada who currently lives and works in New York City. His work has been exhibited internationally, in particular his ink and watercolor drawings. Dzama works extensively in sculpture, painting, collage, and film. The artist is also known for his intricate dioramas and large scale polyptychs that draw from his talents across a range of media. Dzama works in multiple disciplines to bring his cast of human figures, animals, and imaginary hybrids to life, and has developed an international reputation and following for his art that depicts fanciful, anachronistic worlds.
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