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Carl von Steuben (Carl August Wilhelm von Steuben) was a German and French Romantic painter and lithographer, an honorary Fellow of the Imperial Academy of Arts in St. Petersburg.
Steuben is known as the author of portraits and historical scenes in the style of classical painting. In addition to many exquisite portraits of famous contemporaries, he created a series of portraits of kings of France of the past. For 11 years Steuben lived in St. Petersburg, where he created seven murals for the St. Isaac's Cathedral.
Steuben taught painting to his son Alexander Joseph von Steuben, who then also worked in St. Petersburg, where he painted for St. Isaac's Cathedral.


Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.


Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).


Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).


Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).


Hugo Mühlig was a German Impressionist painter. From 1881, he lived in Düsseldorf as a painter of landscapes and genre scenes.


Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.


Hubert Salentin was a German genre painter.
He studied painting at the Düsseldorf Academy of Art. Salentin became famous for his interesting paintings depicting scenes from rural life in West Germany, often with children and in nature.




Johann Peter Hasenclever was a German painter of the first half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of art, who is considered one of the founders of German genre painting.
Hasenclever began his work by interpreting biblical, mythological and romantic subjects, but eventually found his calling in humorous scenes from bourgeois life, especially Pyrenean towns and cities. Among his famous works are "The Amusing Examination," "The Reading Room," and "The Trial of Wine," distributed in engravings and lithographs.


Franz Roubaud (Russian: Франц Алексеевич Рубо) was a Russian painter, known for his panoramic paintings and battle scenes. Born in Odessa in 1856, Roubaud studied at the Imperial Academy of Arts in St. Petersburg and furthered his education in Munich. His works are celebrated for their meticulous detail and dynamic composition.
One of his most famous works is the "Siege of Sevastopol," a monumental panorama depicting a key event from the Crimean War. This masterpiece is housed in the Panorama Museum in Sevastopol and stands as a testament to Roubaud's ability to convey historical grandeur and emotional intensity.
Roubaud's contributions to Russian art extend beyond his canvases, as he was also a respected professor at the Academy of Arts in St. Petersburg. His legacy continues to influence modern Russian painters, and his works are sought after by collectors and art enthusiasts worldwide.
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Franz Roubaud (Russian: Франц Алексеевич Рубо) was a Russian painter, known for his panoramic paintings and battle scenes. Born in Odessa in 1856, Roubaud studied at the Imperial Academy of Arts in St. Petersburg and furthered his education in Munich. His works are celebrated for their meticulous detail and dynamic composition.
One of his most famous works is the "Siege of Sevastopol," a monumental panorama depicting a key event from the Crimean War. This masterpiece is housed in the Panorama Museum in Sevastopol and stands as a testament to Roubaud's ability to convey historical grandeur and emotional intensity.
Roubaud's contributions to Russian art extend beyond his canvases, as he was also a respected professor at the Academy of Arts in St. Petersburg. His legacy continues to influence modern Russian painters, and his works are sought after by collectors and art enthusiasts worldwide.
Stay updated on new product sales and auction events related to Franz Roubaud (Rubo) by signing up for our newsletter. Don’t miss the chance to own a piece of history!



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Rosa Bonheur, born Marie-Rosalie Bonheur, was a French artist known best as a painter of animals (animalière). She also made sculpture in a realist style. Her paintings include Ploughing in the Nivernais, first exhibited at the Paris Salon of 1848, and now in the Musée d'Orsay in Paris, and The Horse Fair, which was exhibited at the Salon of 1853 (finished in 1855) and is now in the Metropolitan Museum of Art in New York City. Bonheur was widely considered to be the most famous female painter of the nineteenth century.








































