European Art Part II
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Julien Dupré, a distinguished French artist, emerged as a pivotal figure in the realm of painting, celebrated for his vivid and heartfelt portrayals of peasant life. Born into a family of jewelers in 1851, Dupré's artistic journey commenced in an unexpected turn of events when the Franco-Prussian war led him to pursue art, eventually studying at the École des Beaux-Arts under renowned teachers like Isidore Pils and Henri Lehmann.
Julien Dupré's oeuvre is renowned for its realistic depiction of rural scenes, particularly in Normandy and Brittany, capturing the essence of peasant life with a blend of romanticism and realism. His commitment to depicting the rustic life earned him prestigious accolades, including a gold medal at the Exposition Universelle in 1889 and the esteemed Legion of Honour in 1892.
Among his notable works are "The Hay Harvest" at the Chimei Museum, "Haying Scene" at the St. Louis Art Museum, and "The Haymakers" at the Worcester Art Museum. These paintings not only illustrate Julien Dupré's masterful depiction of rural life but also resonate with art enthusiasts and collectors worldwide for their historical and cultural significance.
For collectors and art aficionados, Julien Dupré's paintings are a testament to a bygone era, offering a window into the pastoral life of 19th-century France. His works are not merely artistic endeavors but historical narratives woven onto canvas, celebrating the unvarnished beauty of the countryside and its inhabitants.
If you're captivated by Julien Dupré's artistic legacy and wish to stay informed about upcoming sales and auction events featuring his works, consider signing up for updates. This subscription is your gateway to exploring the enchanting world of Dupré, ensuring you're abreast of the latest opportunities to own a piece of French art history.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Jozef Israëls was a Dutch painter. He was a leading member of the group of landscape painters referred to as the Hague School and, during his lifetime, «the most respected Dutch artist of the second half of the nineteenth century».
Gabriel Cornelius Ritter von Max was a Prague-born Austrian painter.
Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art.
