British and European Art
Jessica Ellen Hayllar is a British artist and painter.
Jessica was born into the family of English painter James Hayllar (1829-1920). Besides her, his three other daughters - Edith, Mary and Kate were also famous artists. Jessica studied under her father and began exhibiting her work in 1879. In her paintings, she most often depicted members of her family in everyday life and holidays, in quiet interiors and surrounded by flowers. Moreover, much of Jessica Hayllar's work represents an idealized view of female domestic life in the Victorian era.
Henri Fantin-Latour was a French painter and lithographer renowned for his exquisite flower paintings and insightful group portraits of Parisian artists and writers. His artistic journey began in Grenoble, where he was born in 1836, but it flourished in Paris, where he moved at a young age to study art. Despite his associations with Impressionists like Édouard Manet and Claude Monet, Fantin-Latour carved his unique path, focusing on still life and portraiture rather than adopting the Impressionist style.
Henri Fantin-Latour's knack for capturing the essence of his subjects is evident in his group portraits, which were not just mere representations but insightful depictions of the artistic and literary circles of his time. His notable works like "A Studio at Les Batignolles" illustrate the camaraderie among artists like Manet, Renoir, and Monet, offering a window into the vibrant Parisian art scene of the 19th century. His still lifes, particularly his flower paintings, are celebrated for their realism and delicate precision, making them a favorite among collectors and art enthusiasts.
In addition to his painting, Henri Fantin-Latour's lithographs, inspired by classical music and imbued with a poetic and symbolic quality, reveal another dimension of his talent, showcasing his ability to transcend the boundaries of realism and delve into the realm of imagination.
For art collectors and experts, Henri Fantin-Latour's works offer a blend of technical mastery and a deep understanding of the interplay between art, music, and literature. His contributions to the art world are remembered and celebrated in museums around the globe, where his works continue to inspire and captivate audiences.
For those interested in exploring more about Henri Fantin-Latour's life and works, visiting exhibitions or keeping abreast of auctions featuring his art can provide valuable insights into his creative genius. To stay updated on related events and opportunities, consider subscribing to updates from art institutions or galleries specializing in 19th-century French art.
Eleanor Fortescue-Brickdale was a British Pre-Raphaelite painter, illustrator and stained glass artist.
At the age of 17, she enrolled at Crystal Palace School of Art and was later admitted to the Royal Academy of London and she initially worked with illustration. In 1897, Eleanor won a prize for her painting "Spring", which allowed her to begin work on her first large-scale oil painting, "The Pale Color of True Love". The painting was exhibited at the Royal Academy in 1899.
In 1902 Eleanor Fortescue-Brickdale was elected the first female member of the Institute of Oil Painters. She illustrated many books, including Tennyson's Royal Idylls in 1911. She taught at the Byam Shaw School of Art in Kensington. During the First World War, the artist designed posters for government departments and later several commemorative stained glass windows and a memorial in York Cathedral. In 1919 she became a member of the Royal Society of Watercolor Painters.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
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Lawrence Alma-Tadema was a Dutch-British artist renowned for his detailed and romanticized portrayals of ancient civilizations, particularly Rome and Egypt. His meticulous attention to historical accuracy and the lavish representation of marble and luxurious settings distinguished his work. Notably, his fascination with ancient cultures was sparked by his honeymoon visit to Italy and Pompeii, influencing his artistic focus for decades.
Lawrence Alma-Tadema's early work, such as "The Education of the Children of Clovis," showcased his interest in historical subjects and established his reputation. This painting, alongside others like "The Sad Father," demonstrates his commitment to historical detail and narrative depth.
After moving to England due to the Franco-Prussian War and personal reasons, Lawrence Alma-Tadema's career flourished. His works, characterized by their bright palette and refined details, resonated with Victorian audiences, earning him considerable fame and financial success. He was knighted in 1899 and continued to be a pivotal figure in Victorian art, influencing peers and future generations alike.
Lawrence Alma-Tadema's legacy experienced a decline posthumously but saw a resurgence in the 1970s. Today, he is celebrated for his contributions to the Neoclassical and Victorian art movements, with his works featured in prominent collections worldwide, including the Getty Museum and the Tate Gallery.
If you are fascinated by Lawrence Alma-Tadema's artwork and wish to stay updated on sales and auction events related to his works, consider signing up for updates. This will ensure you remain informed about new opportunities to explore and possibly acquire pieces of his illustrious legacy.
Henri Fantin-Latour was a French painter and lithographer renowned for his exquisite flower paintings and insightful group portraits of Parisian artists and writers. His artistic journey began in Grenoble, where he was born in 1836, but it flourished in Paris, where he moved at a young age to study art. Despite his associations with Impressionists like Édouard Manet and Claude Monet, Fantin-Latour carved his unique path, focusing on still life and portraiture rather than adopting the Impressionist style.
Henri Fantin-Latour's knack for capturing the essence of his subjects is evident in his group portraits, which were not just mere representations but insightful depictions of the artistic and literary circles of his time. His notable works like "A Studio at Les Batignolles" illustrate the camaraderie among artists like Manet, Renoir, and Monet, offering a window into the vibrant Parisian art scene of the 19th century. His still lifes, particularly his flower paintings, are celebrated for their realism and delicate precision, making them a favorite among collectors and art enthusiasts.
In addition to his painting, Henri Fantin-Latour's lithographs, inspired by classical music and imbued with a poetic and symbolic quality, reveal another dimension of his talent, showcasing his ability to transcend the boundaries of realism and delve into the realm of imagination.
For art collectors and experts, Henri Fantin-Latour's works offer a blend of technical mastery and a deep understanding of the interplay between art, music, and literature. His contributions to the art world are remembered and celebrated in museums around the globe, where his works continue to inspire and captivate audiences.
For those interested in exploring more about Henri Fantin-Latour's life and works, visiting exhibitions or keeping abreast of auctions featuring his art can provide valuable insights into his creative genius. To stay updated on related events and opportunities, consider subscribing to updates from art institutions or galleries specializing in 19th-century French art.
Jean-Louis André Théodore Géricault was a French painter and lithographer, celebrated for his pivotal role in the Romantic movement. Born in Rouen, France, in 1791, and educated among the elite in Paris, Géricault developed a profound connection with art from a young age, influenced by his training under notable figures like Carle Vernet and Pierre-Narcisse Guérin. This foundation set him on a path that diverged significantly from the classical traditions of his time.
Géricault's artistry is best known for its vibrant energy and emotional intensity, characteristics that marked a departure from the Neoclassical style predominant in the early 19th century. His most famous work, "The Raft of the Medusa" (1818–19), is a monumental canvas that dramatizes the tragic aftermath of the French shipwreck, Méduse, capturing the public and critical imagination for its raw portrayal of human despair and resilience. This painting not only criticized the French government but also showcased Géricault's masterful handling of drama, becoming an iconic symbol of Romanticism.
Throughout his career, Géricault remained deeply engaged with contemporary issues and the human condition, exploring themes of mental illness, social injustice, and the raw power of nature versus human vulnerability. His series of portraits depicting patients with mental illnesses, created towards the end of his life, highlighted his empathy and innovative approach to capturing human emotion and psychological depth.
Géricault's fascination with the dynamic forms and emotional potential of horses also led to some of the most stirring equestrian art of his time, reflecting his personal passion for horseback riding and his exceptional understanding of equine anatomy. This interest is evident in works like "A Horse Frightened by Lightning", showcasing his ability to capture motion and emotion in both human and animal forms.
Despite his premature death at the age of 32, Géricault's legacy endures, with his works residing in prestigious institutions like the Louvre in Paris. His artistic vision and dedication to portraying the realities and turbulences of his era have cemented his status as a pioneer of Romanticism, influencing subsequent generations of artists, including his contemporary and friend, Eugène Delacroix.
For collectors and experts in art and antiques, Géricault's oeuvre offers a profound insight into the Romantic spirit, embodying the tumult, passion, and innovation of an era on the cusp of modernity. His works continue to inspire and captivate audiences, reminding us of the power of art to provoke thought and evoke deep emotional responses.
To stay updated on exhibitions and auction events featuring Géricault's works, sign up for updates. This subscription will keep you informed on new discoveries and sales related to this influential artist, ensuring you never miss an opportunity to engage with the legacy of Jean-Louis André Théodore Géricault.
Henri-Pierre Picou was a French painter. His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.
He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-Léon Gérôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
Eleanor Fortescue-Brickdale was a British Pre-Raphaelite painter, illustrator and stained glass artist.
At the age of 17, she enrolled at Crystal Palace School of Art and was later admitted to the Royal Academy of London and she initially worked with illustration. In 1897, Eleanor won a prize for her painting "Spring", which allowed her to begin work on her first large-scale oil painting, "The Pale Color of True Love". The painting was exhibited at the Royal Academy in 1899.
In 1902 Eleanor Fortescue-Brickdale was elected the first female member of the Institute of Oil Painters. She illustrated many books, including Tennyson's Royal Idylls in 1911. She taught at the Byam Shaw School of Art in Kensington. During the First World War, the artist designed posters for government departments and later several commemorative stained glass windows and a memorial in York Cathedral. In 1919 she became a member of the Royal Society of Watercolor Painters.
Henry Holiday was a British historical genre and landscape painter, stained-glass designer, illustrator, and sculptor. He is part of the Pre-Raphaelite school of art.
Walter Crane was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.
Crane's work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children's stories for decades to come. He was part of the Arts and Crafts movement and produced an array of paintings, illustrations, children's books, ceramic tiles, wallpapers and other decorative arts. Crane is also remembered for his creation of a number of iconic images associated with the international Socialist movement.
Alfred Émile Léopold Stevens was a Belgian painter, known for his paintings of elegant modern women. After gaining attention early in his career with a social realist painting depicting the plight of poor vagrants, he achieved great critical and popular success with his scenes of upper-middle class Parisian life. In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting.
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work.
Hippolyte Camille Delpy was a French painter.
He came from a moderately wealthy family from Joigny, in the Burgundy region of France. His son, Henry Jacques Delpy (1877-1957), also became a painter, as did a cousin on his father's side, Lucien-Victor Delpy (1898-1967).
Delpy studied with Charles-François Daubigny as well as Corot. A contemporary of the Impressionists, Delpy blended the subject matter that he adopted from Daubigny with the brighter colors and looser paint handling that were trademarks of his own generation to create distinctive new visions of many of the landscapes first explored by the Barbizon artists.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.
