Paintings — American Art
Blanche Lazzell is an American graphic artist and designer. She became known for her works in the modernist style, especially in printmaking and woodcarving and white prints. Leisel began her artistic career in New York City, where she studied at the Art Students League and Art Students League.
In 1905, she continued her studies at the Académie Julien in Paris and studied printmaking under printmaker Paul Emile Beck. In 1912 Leisel returned to the United States and moved to Connecticut, where she became a member of the famous Stonington Art Colony. There she began experimenting with woodcarving and created a series of works called Woodblock Prints, which brought her great popularity. Leisel was one of the first artists to use the technique of card engraving (a technique in which the studio uses a card knife to carve an image onto a printed plate).
She also used many other techniques, including cast metal, wood engraving and linocut. The artist has received numerous awards and honors, including membership in the Academy of Folk Art Design, as well as fellowships and awards from national art organizations. Her work is in the permanent collections of many museums, including the Museum of Modern Art in New York and the National Museum of Women in the Arts in Washington, DC.
Edward Stuart Davis was an American artist, a representative of Cubism and Pop Art in painting. He was also active in politics; one of Davis's goals was to "reconcile abstract art with Marxism and modern industrial society. Along with his paintings, Davis was also an engraver and member of the Society of American Graphic Artists.
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
Milton Clark Avery was an American artist who, with his wife, the artist Sally Michelle Avery, created his own "Avery style. Avery was one of the most influential abstract artists in the United States in the mid-20th century.
His work is characterized by bright colors and recognizable geometric shapes. He often used these elements to create abstract compositions in which he placed great emphasis on the harmony of color and line. In addition to abstract works, Avery also created figurative paintings, often depicting landscapes and portraits. He used bright colors and strong contrasts to create emotional depth in his works.
Avery's work is held in many museums, including the Museum of Modern Art in New York, the Guggenheim Museum, and the National Gallery of Art in Washington, DC.
Rockwell Kent is an American artist, illustrator, and writer. He was born and raised in New York City and began his art career in the early 1920s.
Kent worked in a variety of genres and styles, including realism, expressionism, and cubism. Kent became known for his book illustrations as well as his paintings and prints. His work was frequently published in Harper's Weekly, The New York Times, and Vanity Fair magazines and newspapers.
He also illustrated many books, including famous works by Ernest Hemingway and Herman Melville. Kent was also an activist and political activist. He was an advocate of socialist ideals and participated in political movements. In addition, he was a traveler and explorer, having made several trips to Alaska and other far northern territories.
Kent was also a writer and author of several books, including the autobiographical novel It's Me, O Lord! and a book about his travels. Kent's style was recognizable and original, and he was known for his powerful compositions, bright colors, and pronounced contours. His work remained popular even after his death in 1971, and many can be seen in museums and art galleries around the world.
Thomas Hart Benton was an American artist renowned for his role in defining the Regionalist art movement, which emphasized scenes of everyday life in the United States. Born in Neosho, Missouri, in 1889, Benton came from a family deeply rooted in politics, but he chose to channel his energies into art, moving away from his prescribed path in politics to a more creative and influential trajectory in the visual arts.
Benton's work often carried a narrative quality, depicting the lives and struggles of working-class Americans with a focus on the Midwest. His major works include large-scale murals such as America Today and The Arts of Life in America, which showcased his unique blend of detailed realism and dynamic composition. Benton's ability to convey profound social messages through his art made his works both celebrated and controversial during his time.
Many of Benton's pieces are displayed in prominent museums across the United States. Notable among these are his murals in the Metropolitan Museum of Art and the powerful scenes captured in his final major work, The Sources of Country Music, at the Country Music Hall of Fame in Nashville. This work, completed towards the end of his life, encapsulates the essence of American cultural history that Benton so loved.
If you're passionate about the dynamic and storytelling art of Thomas Hart Benton, consider signing up for updates. You'll receive news on new product sales and auction events specifically related to Benton's art. This is a wonderful opportunity for collectors and experts in art and antiques to stay informed about one of America's defining Regionalist painters.
Thomas Hart Benton was an American artist renowned for his role in defining the Regionalist art movement, which emphasized scenes of everyday life in the United States. Born in Neosho, Missouri, in 1889, Benton came from a family deeply rooted in politics, but he chose to channel his energies into art, moving away from his prescribed path in politics to a more creative and influential trajectory in the visual arts.
Benton's work often carried a narrative quality, depicting the lives and struggles of working-class Americans with a focus on the Midwest. His major works include large-scale murals such as America Today and The Arts of Life in America, which showcased his unique blend of detailed realism and dynamic composition. Benton's ability to convey profound social messages through his art made his works both celebrated and controversial during his time.
Many of Benton's pieces are displayed in prominent museums across the United States. Notable among these are his murals in the Metropolitan Museum of Art and the powerful scenes captured in his final major work, The Sources of Country Music, at the Country Music Hall of Fame in Nashville. This work, completed towards the end of his life, encapsulates the essence of American cultural history that Benton so loved.
If you're passionate about the dynamic and storytelling art of Thomas Hart Benton, consider signing up for updates. You'll receive news on new product sales and auction events specifically related to Benton's art. This is a wonderful opportunity for collectors and experts in art and antiques to stay informed about one of America's defining Regionalist painters.
Paul Jackson Pollock was an emblematic figure of the American art scene, celebrated for his pioneering role in the abstract expressionist movement. Born in Cody, Wyoming, in 1912, and passing away tragically in 1956 in Springs, New York, Pollock revolutionized the world of painting with his distinctive "drip technique." This method involved pouring or splashing paint onto a horizontal surface, allowing him to engage with the canvas from various angles. This innovative approach, often associated with action painting and all-over painting, captivated some critics while drawing skepticism from others due to its apparent randomness and the intense physicality involved in its creation.
Pollock's journey into the art world was deeply influenced by his upbringing and early experiences. Raised in a family where artistic talent was encouraged, he moved to New York City in his late teens to study under Thomas Hart Benton at the Art Students League. His early encounters with the works of Mexican muralists and the symbolic and psychological depth of his paintings, particularly during his "poured" painting phase, marked a significant departure from traditional painting techniques.
Throughout his career, Pollock's work was celebrated in major galleries and museums. Notable pieces such as "Number 17A," "No. 5, 1948," and "Blue Poles" have been acknowledged not only for their aesthetic and technical innovation but also for their profound impact on the art world. These works, among others, have been featured in prestigious institutions such as the Museum of Modern Art (MoMA) in New York City and the Tate in London, solidifying Pollock's legacy as a central figure in modern art.
Despite his success, Pollock's life was marked by personal struggles, including a battle with alcoholism, which ultimately led to his untimely death in an automobile accident at the age of 44. Yet, his influence endures, with his technique and style continuing to inspire artists and collectors alike.
For collectors and experts in art and antiques, Pollock's work represents not just a financial investment but a deep engagement with a transformative period in American art. His ability to convey emotion and movement through his unique method of painting makes his works highly sought after in the art community.
To stay updated on sales and auction events related to Paul Jackson Pollock, subscribing to specialized updates can offer exclusive insights and opportunities to acquire pieces by this groundbreaking artist. This ensures that enthusiasts and collectors are always informed about the latest developments and available works of one of the most influential figures in the history of modern art.
Norman Rockwell was an American illustrator and painter, renowned for his vivid and humane portrayal of American life. Born in New York City in 1894, Rockwell showed artistic promise from an early age, which led him to leave high school and pursue art full-time at prestigious institutions like the National Academy of Design and the Art Students League.
Rockwell's career blossomed early; by the age of 22, he had painted his first cover for The Saturday Evening Post, a relationship that would last nearly five decades and produce 323 covers. His depictions of everyday life and pivotal American moments captured the spirit of the nation.
Perhaps his most significant works were the "Four Freedoms" series, inspired by President Franklin D. Roosevelt's vision of a world founded on four essential human freedoms. These paintings not only graced the covers of The Saturday Evening Post but also played a crucial role in the U.S. war effort during World War II, raising over $130 million through the sale of war bonds.
In his later years, Rockwell did not shy away from addressing social issues. His move to Look magazine allowed him to focus on subjects such as civil rights and poverty, marking a significant shift from his earlier work. "The Problem We All Live With," depicting Ruby Bridges integrating a New Orleans school, remains a powerful symbol of the Civil Rights Movement and showcases Rockwell's ability to engage with contemporary social issues through his art.
For those interested in exploring Rockwell's extensive body of work, the Norman Rockwell Museum in Stockbridge, Massachusetts, holds the largest collection of his original art, providing insights into his artistic journey and the historical context of his works.
If you're keen on further updates and insights into the world of Norman Rockwell, consider signing up for our newsletter. This subscription will keep you informed about new exhibitions, sales, and auction events related to Rockwell's art.
Norman Rockwell was an American illustrator and painter, renowned for his vivid and humane portrayal of American life. Born in New York City in 1894, Rockwell showed artistic promise from an early age, which led him to leave high school and pursue art full-time at prestigious institutions like the National Academy of Design and the Art Students League.
Rockwell's career blossomed early; by the age of 22, he had painted his first cover for The Saturday Evening Post, a relationship that would last nearly five decades and produce 323 covers. His depictions of everyday life and pivotal American moments captured the spirit of the nation.
Perhaps his most significant works were the "Four Freedoms" series, inspired by President Franklin D. Roosevelt's vision of a world founded on four essential human freedoms. These paintings not only graced the covers of The Saturday Evening Post but also played a crucial role in the U.S. war effort during World War II, raising over $130 million through the sale of war bonds.
In his later years, Rockwell did not shy away from addressing social issues. His move to Look magazine allowed him to focus on subjects such as civil rights and poverty, marking a significant shift from his earlier work. "The Problem We All Live With," depicting Ruby Bridges integrating a New Orleans school, remains a powerful symbol of the Civil Rights Movement and showcases Rockwell's ability to engage with contemporary social issues through his art.
For those interested in exploring Rockwell's extensive body of work, the Norman Rockwell Museum in Stockbridge, Massachusetts, holds the largest collection of his original art, providing insights into his artistic journey and the historical context of his works.
If you're keen on further updates and insights into the world of Norman Rockwell, consider signing up for our newsletter. This subscription will keep you informed about new exhibitions, sales, and auction events related to Rockwell's art.
Newell Convers Wyeth, better known as N.C. Wyeth, was an American painter and illustrator, celebrated for his vivid and dramatic illustrations that brought to life classic literature for the Scribner’s Illustrated Classics series. Born on October 22, 1882, in Needham, Massachusetts, Wyeth displayed artistic talent from an early age, encouraged by his supportive mother. He trained under the tutelage of Howard Pyle, the "father of American illustration," who influenced him deeply, instilling a penchant for romanticism and historical accuracy in his work.
Wyeth’s illustrations for books like "Treasure Island," "The Last of the Mohicans," and "Robinson Crusoe" are among his most famous and have left a lasting legacy in the field of American illustration. His work was characterized by a robust, painterly style that effectively conveyed the adventure and emotion of the stories he illustrated. Beyond book illustrations, Wyeth also excelled in creating murals and was commissioned to paint for various public and private institutions, including banks and schools, depicting scenes that ranged from historical narratives to allegorical themes.
Despite his commercial success, Wyeth often expressed a desire to be recognized for his personal paintings, and he struggled with the commercial constraints of illustration. He explored a variety of artistic styles throughout his career, including Impressionism and Realism, and was an adept muralist as well as a studio artist. His legacy continues to influence artists and captivates art collectors and experts in the field, securing his place as a key figure in American art history.
For those interested in staying updated on exhibitions and sales related to N.C. Wyeth, consider signing up for updates focused on his works and related auction events.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Albert Bierstadt, a German-American painter, became renowned for his expansive and romanticized landscapes of the American West. Born in Solingen, Germany, in 1830, Bierstadt moved to New Bedford, Massachusetts, at the age of two with his family. Largely self-taught, he initially worked as a drawing teacher before traveling to Europe to hone his skills. Bierstadt's European studies, particularly in Düsseldorf, greatly influenced his artistic style, equipping him with the techniques that he would later apply to his majestic depictions of the American wilderness.
Bierstadt's first major expedition to the West in 1859 marked the beginning of his lifelong fascination with the region. His works from this period, such as "The Rocky Mountains, Lander's Peak" (1863), captured the public imagination and established him as a leading figure in the Hudson River School. These paintings were celebrated for their detailed and idealized portrayal of the rugged landscapes and played a role in shaping the perception of the American West during a time of rapid territorial expansion and exploration.
Despite his success, Bierstadt's style fell out of favor towards the end of his career as tastes shifted towards realism and Impressionism. His later works, including "The Last of the Buffalo" (1888), were criticized for their perceived theatricality and excessive romanticism. Bierstadt's popularity waned, and he faced financial difficulties, but his legacy experienced a resurgence in the mid-20th century as interest in his technique and contributions to American art history grew.
For collectors and enthusiasts of American landscape painting, Bierstadt’s works offer a vivid, albeit embellished, glimpse into the 19th-century frontier spirit. His paintings are housed in major institutions like the Metropolitan Museum of Art and the National Gallery of Art, serving as testaments to his skill and vision.
To stay updated on exhibitions and sales related to Albert Bierstadt's works, consider signing up for alerts tailored to his artistic contributions. This subscription will keep you informed about new discoveries and auction events specifically linked to Bierstadt's enduring legacy.
Thomas Hill was an English-born American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Sanford Robinson Gifford was an American landscape painter and a leading member of the second generation of Hudson River School artists. A highly-regarded practitioner of Luminism, his work was noted for its emphasis on light and soft atmospheric effects.
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
John Singer Sargent was an American artist celebrated for his captivating portraits, which mirrored the luxury of the Edwardian era. Born to American parents in Florence, Italy, Sargent was a well-traveled individual, fluent in multiple languages, and exposed to European art from a young age. His early artistic training came under the tutelage of Carolus-Duran in Paris, which significantly influenced his style and approach to art. Sargent's work, characterized by its striking realism and attention to detail, gained international acclaim, especially among the aristocracy in England and the United States.
Noteworthy is John Singer Sargent's "Carnation, Lily, Lily, Rose," a piece that, after its display at the Royal Academy in 1887, solidified his status in the London art scene. This painting, along with many others, showcases his ability to capture the essence of his subjects, earning him numerous commissions from prominent figures of his time. However, by the early 20th century, Sargent shifted his focus to watercolors and murals, seeking respite from the demands of portrait commissions. His mural works, like those for the Boston Public Library, highlight his versatility and commitment to art beyond portraiture.
For collectors and art experts, understanding John Singer Sargent's journey—from his early days in Florence and Paris to his ultimate success as a portraitist and muralist—offers valuable insights into his artistic evolution and the historical context of his work. His pieces, housed in prestigious institutions worldwide, continue to captivate audiences with their elegance and technical prowess.
If you're keen on staying updated with events and sales related to John Singer Sargent's art, consider signing up for updates. This subscription will keep you informed about new product sales and auction events specifically related to Sargent's works, ensuring you don't miss out on valuable opportunities.
Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Abbott Fuller Graves was an American painter and illustrator who specialized in decorative open air garden paintings and floral still lifes. His use of thick brushstrokes, bright colors, and natural light shows the influence of European impressionism.
William McGregor Paxton was an American painter. He was known for his realistic, highly polished portraits and genre scenes that often depicted wealthy, fashionable women in elegant settings.
Paxton studied at the Cowles Art School in Boston and the Academie Julian in Paris, where he was influenced by the work of the French Academic painters. He later became a prominent member of the Boston School of painters, who were known for their meticulous attention to detail and focus on classical technique.
Paxton's paintings were highly sought after by collectors and he received numerous awards and honors during his career, including the Lippincott Prize from the Pennsylvania Academy of the Fine Arts in 1906 and the National Academy of Design's Altman Prize in 1913. He also taught at several art schools, including the Museum of Fine Arts, Boston and the Art Students League of New York.
Today, Paxton's paintings are held in many important public and private collections, and his legacy continues to inspire and influence contemporary realist painters.
Edward Henry Potthast was an US-American Impressionist painter. He is known for his paintings of people at leisure in Central Park, and on the beaches of New York and New England.
Robert Henri was an influential American painter and teacher, born on June 25, 1865, in Cincinnati, Ohio. He played a pivotal role in the Ashcan School, a movement that sought to depict urban life in a realistic manner. Henri's work was known for its vibrant brushwork and focus on everyday subjects.
Henri's early career was marked by a strong influence from European modernist styles, which he encountered during his studies in Paris at the Académie Julian. Despite his classical training, he later rebelled against the rigid conventions of academic art in America. This rebellion was epitomized in 1908 when he organized an exhibition for The Eight, a group of like-minded artists, which showcased their more realistic and expressive urban scenes.
Throughout his career, Henri also dedicated himself to teaching, influencing a generation of artists, including Edward Hopper and George Bellows. He encouraged his students to portray real life and to express their individual perspectives through art. Henri's teaching and artistic philosophies left a lasting impact on American art, bridging the gap between traditional techniques and modernist experiments.
To stay updated on exhibitions, sales, and auction events featuring the captivating works of Robert Henri, sign up for our newsletter. This service offers exclusive insights and opportunities for collectors and art enthusiasts to engage deeply with Henri's legacy. Don't miss out on the chance to explore more about this pivotal figure in American realism.
William Glackens was an American painter, illustrator, and journalist, one of the leading artists of American impressionism. In his youth he worked for a newspaper where he was an illustrator. Glackens later moved to New York City, where he worked as an artist and illustrator for the New York Herald and Philadelphia Press magazines and newspapers.
In the early twentieth century Glackens became known for his vivid and energetic paintings reflecting life in the city, theater productions, cafes, and parks. He was one of the founders of the Association of American Artists and was involved in the organization of the famous Armory Show in New York in 1913, which was an important event in American art history. In 1912 Gluckens met the French impressionist Pierre Auguste Renoir, who greatly influenced his style.
Gluckens was also inspired by the work of European artists Edouard Manet, Jean-Louis Forain and Gustave Caybotte. Gluckens left behind a rich legacy of vibrant, emotional works that to this day remain among the most significant in American art history.