First Open | Post-War & Contemporary Art
Noah Davis was an American painter, installation artist, and founder of the Underground Museum in Los Angeles, CA. When talking about his work, Davis has said, "if I’m making any statement, it’s to just show black people in normal scenarios, where drugs and guns are nothing to do with it," and describes his work as "instances where black aesthetics and modernist aesthetics collide."
Loie Hollowell is an American painter. She currently lives and works in New York City.
Hollowell creates abstract biomorphic paintings that suggest spirituality and sexuality. Hollowell's work is inspired by tantric painting traditions, and she has been compared to the artist Georgia O'Keeffe.
Kenny Scharf is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often includes pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting.
Nicole Eisenman is French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial (1995, 2012, 2019). On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."
Salman Toor is a Pakistani-born American painter. His works depict the imagined lives of young men of South Asian-birth, displayed in close range in either South Asia and New York City fantasized settings. Toor lives and works in New York City.
Kenneth Noland was an American painter, renowned for his pivotal role in the Color Field movement and his minimalist approach to art. Born in 1924, Noland's exploration of color and shape earned him a place among the most influential post-war American artists. His work is celebrated for its innovation in abstract painting, where he moved away from the gestural brushwork of Abstract Expressionism to a more structured, geometric form.
Noland's journey into the art world was nurtured by his "Sunday painter" father and propelled by his studies at Black Mountain College. There, luminaries like Josef Albers introduced him to the principles of color theory that became central to his practice. His iconic "Targets" series, featuring concentric circles on square canvases, showcased his fascination with the interaction of colors and their impact on the observer.
His pieces, often large-scale canvases, feature bold color blocks and striking patterns, which are housed in prestigious institutions worldwide, such as the Guggenheim Museum and the Tate. His chevron series, characterized by their V-like patterns, stand out as a testament to his minimalist yet powerful style, cementing his legacy in the realms of painting, art, and culture.
For collectors and art and antiques experts, Noland's works represent a transformative period in modern art, where simplicity and color spoke as loudly as the subject matter once did. His works are not just paintings; they are experiences crafted through the meticulous balance of form and hue.
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Bob Thompson was an African-American figurative painter known for his bold and colorful canvases, whose compositions were influenced by the Old Masters. His art has also been described as synthesizing Baroque and Renaissance masterpieces with the jazz-influenced Abstract Expressionist movement.
Bob Thompson was an African-American figurative painter known for his bold and colorful canvases, whose compositions were influenced by the Old Masters. His art has also been described as synthesizing Baroque and Renaissance masterpieces with the jazz-influenced Abstract Expressionist movement.
Jammie Holmes is an American painter and public artist. As a painter, he is known for work that represents scenes of Black life in the American deep south, paying particular attention to the contrast of Louisiana as a hub of hospitality and as a place with a deep history of poverty and racism. He has been described as a self-taught painter.
Abdoulaye Diarrassouba, also known as Aboudia, is an American-Ivorian contemporary artist.
Aboudia began his artistic career early and has drawn attention for his expressive and emotional style. His work reflects the complex realities of the city and the experiences of locals during political and social crises. The painter often uses bright colours, rough strokes and abstract shapes to convey the violence, chaos and hope that are present in his subjects' lives.
Aboudia's artistic style mixes elements of graffiti, street art, African folk painting and contemporary art.
Glenn Ligon is an American conceptual artist whose work explores race, language, desire, sexuality, and identity. Based in New York City, Ligon's work often draws on 20th century literature and speech of 20th century cultural figures such as James Baldwin, Zora Neale Hurston, Gertrude Stein, Jean Genet, and Richard Pryor. He is noted as one of the originators of the term Post-Blackness.
Stanley Whitney is a contemporary American artist. He is Professor Emeritus of Painting and Drawing in the Tyler School of Art and Architecture at Temple University in Philadelphia. His work is included in many public state collections.
Stanley Whitney is a contemporary American artist. He is Professor Emeritus of Painting and Drawing in the Tyler School of Art and Architecture at Temple University in Philadelphia. His work is included in many public state collections.
Peter Halley is an American artist and a central figure in the Neo-Conceptualist movement of the 1980s. Known for his Day-Glo geometric paintings, Halley is also a writer, the former publisher of index Magazine, and a teacher; he served as director of graduate studies in painting and printmaking at the Yale University School of Art from 2002 to 2011. Halley lives and works in New York City.
Frank Philip Stella, an American icon in the realms of painting, sculpture, and printmaking, has left an indelible mark on the art world with his pioneering work in minimalism and post-painterly abstraction. Born on May 12, 1936, in Malden, Massachusetts, Stella's artistic journey commenced with his studies in painting at Phillips Academy, Andover, and history at Princeton University. His move to New York City in 1958 heralded the start of an illustrious career that would see him challenge and redefine artistic boundaries.
Stella's work is celebrated for its innovative approach to form, color, and composition. His early endeavors in the late 1950s showcased black paintings characterized by bands of bare canvas, which played a pivotal role in emphasizing the flatness of the picture plane. This deliberate artificiality in his work garnered considerable attention and positioned him at the forefront of Post-Painterly Abstraction, a movement that reacted against the emotive excesses of Abstract Expressionism.
Throughout his career, Stella continued to push the limits of abstraction. His vocabulary expanded to include vibrant and dynamic assemblages that projected out from the wall, utilizing a variety of materials from steel to plastic. This evolution of his style is not only a testament to his ingenuity but also his influence on contemporary art. Notable works that exemplify his groundbreaking approach include "Grajau I," "Harran II," and "Eskimo Curlew," among others, which can be found in prestigious collections such as The Glass House and the Solomon R. Guggenheim Museum.
For art collectors and enthusiasts alike, Stella's oeuvre offers a captivating exploration into the possibilities of abstract art. His continued relevance and the profound impact of his work on both his peers and successive generations of artists underscore his status as a seminal figure in modern art.
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Sam Gilliam was an American color field painter and lyrical abstractionist artist. Gilliam was associated with the Washington Color School, a group of Washington, D.C.-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s. His works have also been described as belonging to abstract expressionism and lyrical abstraction. He worked on stretched, draped and wrapped canvas, and added sculptural 3D elements. He was recognized as the first artist to introduce the idea of a draped, painted canvas hanging without stretcher bars around 1965.
