
Une passion surréaliste : Collection Inna & Boris Salomon

Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.

Óscar Domínguez was a Spanish Surrealist painter and sculptor. He was born in San Cristóbal de La Laguna, Tenerife, in the Canary Islands, and later moved to Paris, where he became part of the Surrealist movement.
Domínguez's art was characterized by its dreamlike and surreal imagery, often featuring fantastic landscapes, strange creatures, and distorted human figures. He worked in a variety of media, including painting, drawing, sculpture, and collage, and was known for his use of automatic drawing and other Surrealist techniques.
In addition to his art, Domínguez was also involved in politics, and was a member of the French Communist Party. He fought in the Spanish Civil War as a member of the Republican Army, and later lived in exile in Paris.
Domínguez's work was exhibited widely during his lifetime, including at the Museum of Modern Art in New York City and the Tate Gallery in London.
Today, Domínguez is considered one of the leading figures of the Surrealist movement, and his work continues to inspire artists around the world.

Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.

Wifredo Óscar de la Concepción Lam y Castilla, better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture. Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists. Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life.

Paul Delvaux, a Belgian painter, stands out in the history of art for his dreamlike scenes that weave together elements of surrealism with classical influences. Born on September 23, 1897, Delvaux's early works were influenced by Flemish Expressionists and the palette of James Ensor, showcasing nudes in landscapes characterized by a somewhat stiff portrayal. His style evolved significantly over time, with a pivotal change around 1933 under the influence of Giorgio de Chirico's metaphysical art, leading to his hallmark style of semi-nude figures in classical ruins or dark forests.
Delvaux's unique approach to art was not confined to the traditional bounds of the Surrealist movement, despite the similarities in thematic content. His work is distinguished by the inclusion of motifs like skeletons and idealized female nudes, set against backgrounds that often feature classical architecture or eerie night scenes. This blend of motifs reflects Delvaux's lifelong fascination with themes of memory, dreams, and the subconscious, a fascination further inspired by the works of René Magritte, though Delvaux maintained a respectful but uneasy relationship with him.
Despite his influences, Delvaux was cautious about aligning too closely with any single art movement or 'ism,' including Surrealism. His visit to an exhibition of Giorgio de Chirico's work in 1926 left a lasting impression, shaping his aesthetic towards creating enigmatic landscapes filled with anachronistic elements. Yet, he kept a distance from the Surrealists, preferring to explore his unique blend of reality and fantasy.
Delvaux's artistry is also deeply personal, drawing heavily from his youth and early experiences. The impact of his childhood, including encounters with medical curiosities at the Midi Fair in Brussels and the poetry of Homer, can be seen in the recurring themes of his work. These personal motifs, alongside his sophisticated use of light and shadow, lend his paintings a poetic dimension that transcends the mere visual to evoke a deeper emotional resonance.
Paul Delvaux's contributions to art are celebrated worldwide, with his works residing in prestigious galleries, including the Tate collection, underscoring his significance in the art world. His ability to blend the surreal with the classical, the personal with the universal, has cemented his legacy as an artist who transcended the boundaries of his time to explore the endless possibilities of imagination and memory.
For collectors and art experts interested in the nuanced realms of culture, art, and the legacy of influential painters like Paul Delvaux, staying informed about new discoveries, sales, and auction events related to his work is essential. Signing up for updates can provide exclusive insights into the evolving appreciation of Delvaux's contributions to modern art.

Paul Delvaux, a Belgian painter, stands out in the history of art for his dreamlike scenes that weave together elements of surrealism with classical influences. Born on September 23, 1897, Delvaux's early works were influenced by Flemish Expressionists and the palette of James Ensor, showcasing nudes in landscapes characterized by a somewhat stiff portrayal. His style evolved significantly over time, with a pivotal change around 1933 under the influence of Giorgio de Chirico's metaphysical art, leading to his hallmark style of semi-nude figures in classical ruins or dark forests.
Delvaux's unique approach to art was not confined to the traditional bounds of the Surrealist movement, despite the similarities in thematic content. His work is distinguished by the inclusion of motifs like skeletons and idealized female nudes, set against backgrounds that often feature classical architecture or eerie night scenes. This blend of motifs reflects Delvaux's lifelong fascination with themes of memory, dreams, and the subconscious, a fascination further inspired by the works of René Magritte, though Delvaux maintained a respectful but uneasy relationship with him.
Despite his influences, Delvaux was cautious about aligning too closely with any single art movement or 'ism,' including Surrealism. His visit to an exhibition of Giorgio de Chirico's work in 1926 left a lasting impression, shaping his aesthetic towards creating enigmatic landscapes filled with anachronistic elements. Yet, he kept a distance from the Surrealists, preferring to explore his unique blend of reality and fantasy.
Delvaux's artistry is also deeply personal, drawing heavily from his youth and early experiences. The impact of his childhood, including encounters with medical curiosities at the Midi Fair in Brussels and the poetry of Homer, can be seen in the recurring themes of his work. These personal motifs, alongside his sophisticated use of light and shadow, lend his paintings a poetic dimension that transcends the mere visual to evoke a deeper emotional resonance.
Paul Delvaux's contributions to art are celebrated worldwide, with his works residing in prestigious galleries, including the Tate collection, underscoring his significance in the art world. His ability to blend the surreal with the classical, the personal with the universal, has cemented his legacy as an artist who transcended the boundaries of his time to explore the endless possibilities of imagination and memory.
For collectors and art experts interested in the nuanced realms of culture, art, and the legacy of influential painters like Paul Delvaux, staying informed about new discoveries, sales, and auction events related to his work is essential. Signing up for updates can provide exclusive insights into the evolving appreciation of Delvaux's contributions to modern art.

Paul Delvaux, a Belgian painter, stands out in the history of art for his dreamlike scenes that weave together elements of surrealism with classical influences. Born on September 23, 1897, Delvaux's early works were influenced by Flemish Expressionists and the palette of James Ensor, showcasing nudes in landscapes characterized by a somewhat stiff portrayal. His style evolved significantly over time, with a pivotal change around 1933 under the influence of Giorgio de Chirico's metaphysical art, leading to his hallmark style of semi-nude figures in classical ruins or dark forests.
Delvaux's unique approach to art was not confined to the traditional bounds of the Surrealist movement, despite the similarities in thematic content. His work is distinguished by the inclusion of motifs like skeletons and idealized female nudes, set against backgrounds that often feature classical architecture or eerie night scenes. This blend of motifs reflects Delvaux's lifelong fascination with themes of memory, dreams, and the subconscious, a fascination further inspired by the works of René Magritte, though Delvaux maintained a respectful but uneasy relationship with him.
Despite his influences, Delvaux was cautious about aligning too closely with any single art movement or 'ism,' including Surrealism. His visit to an exhibition of Giorgio de Chirico's work in 1926 left a lasting impression, shaping his aesthetic towards creating enigmatic landscapes filled with anachronistic elements. Yet, he kept a distance from the Surrealists, preferring to explore his unique blend of reality and fantasy.
Delvaux's artistry is also deeply personal, drawing heavily from his youth and early experiences. The impact of his childhood, including encounters with medical curiosities at the Midi Fair in Brussels and the poetry of Homer, can be seen in the recurring themes of his work. These personal motifs, alongside his sophisticated use of light and shadow, lend his paintings a poetic dimension that transcends the mere visual to evoke a deeper emotional resonance.
Paul Delvaux's contributions to art are celebrated worldwide, with his works residing in prestigious galleries, including the Tate collection, underscoring his significance in the art world. His ability to blend the surreal with the classical, the personal with the universal, has cemented his legacy as an artist who transcended the boundaries of his time to explore the endless possibilities of imagination and memory.
For collectors and art experts interested in the nuanced realms of culture, art, and the legacy of influential painters like Paul Delvaux, staying informed about new discoveries, sales, and auction events related to his work is essential. Signing up for updates can provide exclusive insights into the evolving appreciation of Delvaux's contributions to modern art.

Mikhail Fyodorovich Larionov (Russian: Михаил Фёдорович Ларионов) was a distinguished Russian avant-garde artist, painter, and founder of the Rayonism movement, whose contributions significantly influenced early 20th-century modern art. Born in Tiraspol, then part of the Russian Empire, Larionov's pioneering spirit in both painting and stage design left an indelible mark on the realms of culture and art. His dedication to exploring new artistic techniques and expressions made him a central figure among Russian artists, pushing the boundaries of traditional painting and engaging in innovative artistic dialogues.
Larionov's artistry was not confined to a single genre; he was instrumental in the development of Russian avant-garde art, exploring and contributing to various movements such as Neo-Primitivism before founding Rayonism. This movement, which he developed alongside Natalia Goncharova, his lifelong partner and fellow artist, sought to express the dynamic interplay of light and color, breaking away from the conventional forms and perspectives of the time. Larionov's work in this area highlighted his belief in the power of abstract forms and the potential of art to capture the energy and rhythm of modern life.
His contributions are celebrated in major museums and galleries worldwide, with his works being pivotal in understanding the evolution of modern art. Notable works by Larionov are held in prestigious institutions such as the Russian Museum in St. Petersburg, the Tretyakov Gallery in Moscow, and the Museum of Modern Art in New York, underscoring his international recognition and the lasting impact of his artistic innovations.
For collectors and experts in art and antiques, Mikhail Fyodorovich Larionov's legacy offers a rich field of study and appreciation. His works not only embody the innovative spirit of early 20th-century art but also represent a bridge between Russian cultural heritage and the broader currents of European modernism. To stay informed about new product sales and auction events related to Mikhail Fyodorovich Larionov, we invite you to sign up for updates. This subscription is a valuable resource for enthusiasts keen to explore the depth and diversity of Larionov's contributions to modern art.

Francis Picabia, born Francis-Marie Martinez de Picabia, was a French avant-garde painter, poet, and typographist, whose work is celebrated for its diversity and innovation. His journey through various art movements, including Impressionism, Cubism, Dadaism, and Surrealism, showcases his refusal to be confined by any one style. Picabia's art is known for its eclectic nature, often blending mechanical elements with organic forms, thereby challenging traditional perceptions of art and beauty.
Picabia's significant contribution to the art world lies not just in his varied artistic output but also in his philosophical approach to creation. He believed in the freedom of expression, often using his art to critique societal norms and the art establishment itself. This rebellious spirit made him a pivotal figure in the Dada movement, where his works were celebrated for their irony and disdain for conventional art values.
Among his notable works, "Amorous Parade" and "I See Again in Memory My Dear Udnie" stand out, housed in prestigious institutions like the Museum of Modern Art in New York. These pieces exemplify Picabia's mastery over blending different elements of art movements, creating works that remain influential to this day. His legacy is not just in the pieces he created but also in his attitude towards art, encouraging future generations to challenge and redefine the boundaries of creativity.
For collectors and experts in art and antiques, Picabia's works represent not only significant artistic achievements but also valuable insights into the evolution of modern art. To stay informed about new product sales and auction events related to Francis Picabia, sign up for updates. This subscription is an essential resource for enthusiasts looking to enrich their collections with pieces from one of the most innovative artists of the 20th century.

Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.

Hans Bellmer was a German graphic artist, sculptor, photographic artist, illustrator, and writer who spent most of his life in France.
In the 1930s Bellmer began working on the eroticized image of the deformed doll, contrasting it with the aesthetics of the "classical" body in Hitler's Germany. His graphic and literary explorations focus on the dismemberment and liberation of bodies. Bellmer's surrealist works are violent and provocative: they include puppet sculptures composed of the bodies of nude models, photographs, and prints.
In 1934, 18 photographs of dolls were published in the Parisian surrealist magazine Minotaur, and the Nazi regime declared Bellmer's art degenerate. In 1938, Bellmer emigrated to France.
After the end of the war, the artist continued his work, adding poetry to painting. He also authored illustrations for many works, particularly on erotic themes.

Wolfgang Robert Paalen was an Austrian-Mexican painter, sculptor, and art philosopher. A member of the Abstraction-Création group from 1934 to 1935, he joined the influential Surrealist movement in 1935 and was one of its prominent exponents until 1942. Whilst in exile in Mexico, he founded his own counter-surrealist art-magazine DYN, in which he summarized his critical attitude towards radical subjectivism and Freudo-Marxism in Surrealism with his philosophy of contingency. He rejoined the group between 1951 and 1954, during his sojourn in Paris.
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Max Ernst was a pivotal figure in the 20th-century art world, whose work transcended the boundaries of nationality and genre to leave an indelible mark on culture, art, sculpture, and painting. Born in Germany on April 2, 1891, and later becoming a naturalized American and French citizen, Ernst's career was a testament to his relentless innovation and creativity. Known primarily as an artist and painter, Ernst was a founding member of the Dada movement in Cologne before becoming a major proponent of Surrealism in Paris. His early encounters with the works of Pablo Picasso, Vincent van Gogh, and Paul Gauguin at the Sonderbund exhibition in 1912 deeply influenced his artistic direction, infusing it with elements of Cubism and Expressionism. Despite his lack of formal artistic training, Ernst's experimentation with techniques such as collage and frottage showcased his unique ability to blend the absurd with the sublime, making him a central figure in the artistic avant-garde of his time.
Ernst's work is notable for its exploration of the unconscious, using dreamlike imagery and symbolic figures to critique societal norms and delve into the chaos of the human psyche. His experiences in World War I profoundly impacted his worldview, leading to a deep skepticism of Western culture and an enduring search for meaning through art. This is evident in works such as "Europe After the Rain II," which reflects the devastation of war and "The Fireside Angel," inspired by the political turmoil of the Spanish Civil War, showcasing his ability to address contemporary issues through a surreal lens.
Ernst's contributions to art are preserved in major museums and galleries worldwide, including the Tate in the United Kingdom and the Museum of Modern Art in New York. His sculptures, paintings, and collages continue to be celebrated for their innovative techniques and imaginative scope, marking him as a revolutionary figure in modern art. Among his most significant works are "Ubu Imperator," "The Elephant Celebes," and "The Virgin Spanking the Christ Child before Three Witnesses," each reflecting his mastery over a diversity of mediums and themes.
For collectors and experts in art and antiques, Max Ernst remains a symbol of artistic freedom and exploration. His ability to navigate through various artistic movements while maintaining a distinct, innovative voice is a testament to his enduring legacy in the art world. To stay updated on new product sales and auction events related to Max Ernst, signing up for updates is a valuable opportunity for those deeply invested in the nuances of modern and surreal art.

Salvador Dalí, a Spanish Surrealist painter and printmaker, is celebrated for his vivid and imaginative works that delve into subconscious imagery. Born on May 11, 1904, in Figueres, Catalonia, Spain, Dalí's early exposure to Impressionism and Renaissance masters significantly influenced his artistic development. His education in fine arts in Madrid further shaped his style, leading him to experiment with Cubism and avant-garde movements. In the late 1920s, Dalí embraced Surrealism, joining the Surrealist group in 1929 and rapidly becoming one of its most prominent figures.
Dalí's most famous work, "The Persistence of Memory," completed in 1931, epitomizes the Surrealist movement with its iconic melting clocks symbolizing the fluidity of time. His artistic repertoire was diverse, including painting, graphic arts, film, sculpture, design, and photography, often incorporating themes of dreams, the subconscious, sexuality, religion, and science. Despite his remarkable artistic contributions, Dalí's eccentric and flamboyant public persona often overshadowed his work. He faced criticism for his public support of the Francoist regime and the authenticity of some of his late works.
Dalí's legacy is preserved in major museums, notably the Dalí Theatre-Museum in Figueres and the Salvador Dalí Museum in St. Petersburg, Florida. These institutions showcase his extensive and varied body of work, illustrating his profound impact on Surrealism, pop art, and contemporary artists.
If you're captivated by the surreal world of Salvador Dalí and want to stay informed about new sales and auction events featuring his works, sign up for our updates. Our service is tailored specifically for art collectors and experts, providing timely information and insights into the vibrant market of Dalí's art. Remember, this subscription is focused solely on bringing you the latest in product sales and auction events related to Salvador Dalí. Don't miss out on the opportunity to enrich your collection with pieces from one of the most influential surrealists of all time. Sign up now and be the first to know about these exclusive events.