20th/21st Century Art Sale
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.
Yoshitomo Nara is a Japanese artist. He lives and works in Nasushiobara, Tochigi Prefecture, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. His art work has been housed at the MoMA and the Los Angeles County Museum of Art (LACMA).
Chiharu Shiota is a Japanese performance and installation artist. Educated in Japan, Australia, and Germany, Shiota interweaves materiality and the psychic perception of the space to explore ideas around the body and flesh, personal narratives that engage with memory, territory, and alienation. Her signature installations, which consist of dazzling, intricate networks of threads stretching across gallery rooms, made the artist rise to fame in the 2000s. Shiota has exhibited worldwide and represented Japan in the 56th Venice Biennale in 2015.
Zhang Enli (traditional Chinese: 張恩利) is a professional artist living and working in Shanghai. He graduated from the Arts & Design Institute of Wuxi Technical University, China in 1989, and teaches at the Arts and Design Institute of Donghua University.
His paintings depict the familiar and overlooked, everyday objects connected through the artist's immediate surroundings, often from unusual viewpoints or focusing on seemingly insignificant details. He produces works that invite universal interpretation. He often works in series. He is represented by Xavier Hufkens gallery, Hauser & Wirth and ShanghART Gallery.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Zhao Wou-Ki (Chinese: 赵无极, pinyin: Zhào Wújí) was a Chinese-French painter. He was a member of the Académie des Beaux-Arts in Paris. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, where he studied under Fang Ganmin and Wu Dayu.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
Chu Teh-Chun or Zhu Dequn was a Chinese-French abstract painter acclaimed for his pioneering style integrating traditional Chinese painting techniques with Western abstract art. Chu Teh-Chun enrolled in the National School of Fine Arts (now China Academy of Art), where he studied under Fang Ganmin and Wu Dayu. He was the first ethnic Chinese member of the Académie des Beaux-Arts of France, and together with Wu Guanzhong and Zao Wou-Ki were dubbed the "Three Musketeers" of modernist Chinese artists trained in China and France.
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Sanyu (Chinese: 常玉) or Chang Yu was a French painter of Chinese origin. He is known as one of the pioneers of modernism in Chinese art.
Sanyu's artistic style was characterised by a unique fusion of Western influences, such as Fauvism and Cubism, with traditional Chinese painting techniques. His works often depicted simple and elegant subjects, including flowers, animals and nudes, with a minimalist and poetic touch. His use of bold colours and flowing brushstrokes created a sense of harmony and tranquility in his compositions.
Ju Ming (Chinese: 朱銘; pinyin: Zhū Míng) is a Taiwanese sculptor. Ju Ming was trained as a woodcarver, apprenticed to Lee Chinchuan as a teenager. He developed his skill and applied it to a range of media, including bronze, styrofoam, ceramics, and stainless steel.
Ju Ming (Chinese: 朱銘; pinyin: Zhū Míng) is a Taiwanese sculptor. Ju Ming was trained as a woodcarver, apprenticed to Lee Chinchuan as a teenager. He developed his skill and applied it to a range of media, including bronze, styrofoam, ceramics, and stainless steel.
Nam June Paik (Korean: 백남준) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
