20th / 21st Century: London Evening Sale
Tracey Karima Emin is a British artist known for her autobiographical and confessional artwork. Emin produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué.
Tracey Karima Emin is a British artist known for her autobiographical and confessional artwork. Emin produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué.
Agnes Martin was an American abstract painter. Her work has been defined as an "essay in discretion on inward-ness and silence". Although she is often considered or referred to as a minimalist, Martin considered herself an abstract expressionist and was one of the leading practitioners of Abstract Expressionism in the 20th century. She was awarded a National Medal of Arts from the National Endowment for the Arts in 1998. She was elected to the Royal Canadian Academy of Arts in 2004.
Vincent van Gogh, the Dutch Post-Impressionist painter, is recognized as one of the most influential figures in the history of Western art. Born on March 30, 1853, in Zundert, Netherlands, he lived a life marked by passionate artistry and personal hardship. Initially working as an art dealer and doing missionary work, Van Gogh turned to painting at the age of 27. His decision to pursue art, which at first was not seen as a sign of his extraordinary talent, led to a rapid transformation into a master known for his bold and harmonious color effects and simple but memorable compositions.
Van Gogh's creative career included a significant period of life in Paris, where he met Impressionist and Post-Impressionist painters who had a profound influence on his style. He became famous for creating some 2,100 works of art in just ten years, notable among them landscapes, still lifes, portraits and self-portraits. His art is characterized by vivid colors, dramatic brushwork, and expressive symbolism, which helped form the foundations of modern art. Despite his prolific output, only one of his paintings was sold during his lifetime.
Some of his famous works include Sunflowers, Bedroom at Arles, Starry Night, and Wheat Field with Crows. These works are notable for their innovative use of color and brushwork, demonstrating Van Gogh's ability to convey emotion and beauty in everyday objects.
Unfortunately, Van Gogh suffered from mental illness throughout his life, which led to his suicide at the age of 37. However, his legacy grew posthumously, with his work being widely recognized and displayed in major museums around the world, including the Van Gogh Museum in Amsterdam and the Art Institute of Chicago. Van Gogh's art, correspondence, and history continue to fascinate and inspire viewers, cementing his place as a key figure in art history.
For collectors and art experts, Van Gogh's works represent not only significant artistic achievements, but also epitomize the artist's intensely personal journey and contribution to the development of modern art.
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Alexej Georgewitsch von Jawlensky (Russian: Алексе́й Гео́ргиевич Явле́нский), a prominent Russian painter active in Germany, is renowned for his significant contributions to the Expressionist movement. Born in Russia in 1864, Jawlensky's artistic journey led him to Germany, where his career flourished alongside contemporaries such as Wassily Kandinsky. His work is celebrated for its vibrant use of color and emotional depth, qualities that have established him as a key figure in modern art.
Jawlensky's art evolved through various phases, from early landscapes and portraits to his later, more abstract works. Perhaps most notable among these are his "Mystical Heads" and "Saviour's Faces" series, inspired by the spiritual iconography of his Russian heritage, and his "Abstract Heads," where he explored the synthesis of spiritual expression and modernist aesthetics. These series reflect Jawlensky's lifelong quest to capture the soul's essence through the human face, a theme that resonates throughout his oeuvre.
His legacy extends beyond his artistic output; Jawlensky's influence is evident in the formation of The Blue Four, a group that played a crucial role in promoting modern art in Europe and the United States. Despite facing severe arthritis in his later years, which eventually halted his ability to paint, Jawlensky's dedication to his craft remained unwavering. He dictated his memoirs, ensuring his artistic philosophies and insights were preserved for future generations.
Jawlensky's works are held in high esteem and are featured in prestigious collections worldwide, including the Museum Wiesbaden, which boasts the most extensive collection of his works in Europe. His contributions to art have been recognized posthumously through significant sales at auction and the establishment of the Jawlensky Award, which honors contemporary artists' achievements in his memory.
For collectors and art and antiques experts, Jawlensky's work offers a profound insight into the evolution of Expressionism and the enduring power of the visual arts to convey deep emotional and spiritual truths. His life and work continue to inspire and influence, a testament to his significant impact on the art world.
For those interested in exploring the depths of Expressionist art and the legacy of Alexej Georgewitsch von Jawlensky, staying informed about upcoming sales and auction events related to his work is invaluable. Signing up for updates can provide access to the latest opportunities to engage with his impactful and beautiful creations.
Sonia Delaunay-Terk (Russian: Соня Делоне-Терк) was a Russian-French painter and designer of Jewish descent. She received the name Sonia Terk, by which she is known, in 1890 after being adopted by her uncle. She is also called Sonia Delaunay in literature. She is considered a representative of geometric abstraction. Her artistic role models include Vincent van Gogh and Paul Gauguin. From 1912, she developed the so-called Orphism with her husband Robert Delaunay.
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
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Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
Oscar-Claude Monet, a French painter, revolutionized the art world with his Impressionist style, fundamentally altering the path of modern art. Born in Paris on November 14, 1840, Monet's journey into art was a defiance of his father's business aspirations for him, fueled instead by his mother's support. His early education in the arts began at Le Havre secondary school, where he honed his skills through charcoal caricatures and later, under the mentorship of Eugène Boudin, delved into outdoor painting, a technique that would later define his career.
Monet's works, characterized by their vibrant light and brushed color, are renowned for capturing the essence of their subjects. He often painted the same scene multiple times to depict the changing light and seasons, which is vividly displayed in his series of Haystacks, Rouen Cathedral, and the famed Water Lilies. These pieces, among others, showcase his unique ability to blend color and light, bringing scenes to life in a way that was never seen before.
His most notable works, including "Impression, Sunrise" and the "Water Lilies" series, are celebrated worldwide and remain an integral part of major museum collections, such as the Musée d'Orsay in Paris and the Metropolitan Museum of Art in New York. Monet's dedication to capturing the natural world around him led him to reject traditional approaches to composition, color, and perspective. This approach not only set a new standard for art but also laid the groundwork for the Impressionist movement, influencing generations of artists to come.
As an art collector or enthusiast, the legacy of Monet offers an unparalleled glimpse into the genesis of modern art. His works are not just paintings; they are historical landmarks that mark the transition of art from traditional to modernist ideologies.
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Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style.
Lucian Michael Freud was a British painter and draughtsman, specialising in figurative art, and is known as one of the foremost 20th-century English portraitists. He was born in Berlin, the son of Jewish architect Ernst L. Freud and the grandson of Sigmund Freud. Freud got his first name "Lucian" from his mother in memory of the ancient writer Lucian of Samosata. His family moved to England in 1933 to escape the rise of Nazism. From 1942 to 1943 he attended Goldsmiths College, London. He served at sea with the British Merchant Navy during the Second World War.
Edgar Degas, a French artist, was a master of painting, sculpture, and drawing, celebrated for his profound influence on the Impressionist movement despite his preference for being called a realist. Degas was born into a well-off family in Paris, France, and demonstrated a keen interest in art from an early age, eventually shaping his path to become one of the most sophisticated draftsmen of his time. His rigorous academic training and close study of classical art initially aimed him towards a career in history painting, but Degas soon pivoted towards contemporary subject matter, thus cementing his role as a classical painter of modern life.
Degas is renowned for his dynamic portrayals of movement, particularly in his depictions of dancers, racehorses, and everyday Parisian life. His works are characterized by their psychological depth and the isolation of his figures, showcasing his unique ability to capture the essence of his subjects with both empathy and critical distance. More than half of his oeuvre focuses on dancers, reflecting not only his fascination with the ballet but also his innovative approach to composition and form. This focus on the human figure, explored in various media including oil, pastel, and sculpture, underscores Degas's commitment to studying the nuances of human movement and expression.
Degas's artistic career is marked by his experimentation with various techniques and materials, as seen in his bronze sculptures and pastel nudes. One of his most famous sculptures, the study of the young ballet student Marie van Goethem, showcases his pioneering use of real objects in sculpture, a practice that prefigured later artistic innovations. Despite the controversies that sometimes surrounded his work, particularly in his depictions of the female nude, Degas's legacy as an artist who bridged the gap between traditional academic art and the modern movements of the early 20th century remains undisputed.
For collectors and experts in art and antiques, Degas's work offers a fascinating study in the evolution of modern art, highlighting the artist's deep engagement with the cultural and social dynamics of his time. His pieces, whether in the form of paintings, sculptures, or prints, continue to captivate audiences with their complexity, beauty, and innovative spirit.
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Henry Spencer Moore was an influential English sculptor and artist, renowned for his semi-abstract monumental bronze sculptures that have found homes around the world as public works of art. Born on July 30, 1898, in Castleford, Yorkshire, Moore showed early talent in art, but his journey towards becoming a sculptor was not straightforward. His experiences as a young teacher and a soldier in the First World War, where he was injured in a gas attack, significantly shaped his perspectives and artistic direction.
After the war, Moore pursued his passion for art, winning a scholarship to the Royal College of Art in London, where he began to experiment with modernist influences and direct carving techniques, moving away from the traditional Victorian style. His works, characterized by organic shapes and a blend of abstraction and figuration, were inspired by a wide range of sources, including primitive art, the human body, and the natural world.
Moore's sculptures are celebrated for their unique ability to blend form with space in the landscape, offering viewers a dynamic interaction with his works. His dedication to public art made his sculptures accessible to a wide audience, contributing to his status as one of the 20th century's most significant sculptors. Moore's legacy is preserved through the Henry Moore Foundation, which supports artists and promotes public appreciation of sculpture.
For collectors and experts in art and antiques, Moore's work remains a testament to the power of sculpture to evoke emotion and thought. His contributions to modern art and sculpture continue to inspire and influence artists around the world.
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Max Pechstein, a German Expressionist painter and printmaker, was a significant figure in the art world known for his vibrant use of color and dynamic compositions. Born in Zwickau in 1881, Pechstein's journey into the realms of expressionism began with his training as a decorator's apprentice before moving to Dresden to further his studies at the Kunstgewerbeschule. His career took a pivotal turn in 1906 when he met Erich Heckel and joined the Die Brücke group, alongside other notable artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, which marked the beginning of his foray into revolutionary art and expressionism.
Pechstein's art was not just confined to painting; he was also a master printmaker, with a prolific output that included 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, predominantly etchings. His works often depicted scenes from nature, social gatherings, and elements of primitive art, reflecting his interest in the raw and unrefined aspects of culture and humanity. This diverse body of work was recognized for its bold innovation and unique perspective, which significantly contributed to the expressionist movement.
The Nazis' rise to power in 1933 had a profound impact on Pechstein's career. His works were deemed degenerate, and he faced severe repression, including the removal of 326 of his paintings from German museums and his dismissal from his teaching position at the Preussische Akademie der Künste. Despite these challenges, Pechstein's legacy endured, and after World War II, he was reinstated to his teaching post and received numerous accolades for his contributions to art.
Pechstein's works are held in high esteem in museums and galleries worldwide. Notably, his etchings, which depicted the grim realities of war, are housed in the Imperial War Museum in London, showcasing his ability to convey profound emotional and psychological experiences through art. Additionally, his painting "Summer in Nidden," which captures the idyllic beauty of the Baltic coast, is part of the collection at the Museo Nacional Thyssen-Bornemisza in Madrid, illustrating his love for natural landscapes and vibrant, expressive use of color.
For collectors and experts in art and antiques, Hermann Max Pechstein's works offer a fascinating glimpse into the early 20th-century expressionist movement, characterized by a bold exploration of color, form, and social commentary. His contributions to modern art are invaluable, providing insight into the cultural and historical context of his time.
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Lucio Fontana was an Argentine-Italian artist known for his pioneering work in the field of Spatialism, an artistic movement that explored the relationship between space and art.
Fontana studied sculpture at the Academy of Fine Arts in Milan, Italy. In the 1940s, he began experimenting with a technique he called "Spatial Concept," in which he punctured or cut holes into the canvas to create a sense of depth and dimensionality.
Throughout the 1950s and 1960s, Fontana continued to explore the possibilities of Spatialism, creating works in a variety of media, including sculpture, ceramics, and painting. One of his most famous series of works is the "Tagli" (Cuts), which consist of monochromatic canvases with one or more slashes or punctures.
Fontana's work had a significant influence on the development of the Arte Povera movement in Italy, as well as on the development of Minimalism and Conceptual Art. He exhibited his work widely in Europe and the United States, and his legacy continues to be celebrated by artists and critics today.
Fontana's innovative approach to art and his exploration of the relationship between space and form continue to be a source of inspiration for artists working in a wide range of media.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
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Francis Bacon was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures. Rejecting various classifications of his work, Bacon said he strove to render "the brutality of fact." He built up a reputation as one of the giants of contemporary art with his unique style.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Lynne Mapp Drexler was an American abstract and representational artist, painter and photographer.
In the late 1950s, she was an abstract expressionist and was "counted among an important group of women artists whose figural and landscape works were often overlooked during the heyday of post-abstract expressionist modernism — artists such as Jane Freilicher, Lois Dodd, and Jane Wilson."
She would often go to opera and symphony performances with a sketchpad and colored crayons in hand to make sketches inspired by the music.