Paintings — Auction 100-III. Sculptures. Old master paintings
Herri met de Bles is a Flemish artist, along with Joachim Patinir, one of the founders of European landscape painting. He painted mainly landscapes with multi-figured compositions. Like Patinir, his style is characterized by stylized images of rocks and a careful rendering of aerial perspective.
Jan van Dornicke was a South Netherlandish painter who was born in Doornik (nowadays also known as Tournai) in about 1470 and died about 1527. His first name is sometimes spelled "Janssone", and his last name is sometimes spelled "van Doornik" or "van Dornick". He was active in Antwerp from about 1509 to about 1525. His paintings are classified stylistically as Antwerp Mannerism, and he may be the same person as the Master of 1518. This Jan van Dornicke should not be confused with an eighteenth-century Dutch artist who had the same name.
Paolo Veronese, born Paolo Caliari, was a distinguished painter of the 16th-century Venetian school. Renowned for his vibrant use of color and majestic compositions, Veronese's artworks often depicted allegorical, biblical, or historical subjects set within grandiose settings of Renaissance architecture. His mastery in color and illusionary compositions that expand beyond the canvas' confines made him a pivotal figure in the Venetian Renaissance.
His early years were marked by an apprenticeship with Antonio Badile, leading to a significant influence from Mannerist artists and a development of his unique style, characterized by radiant palettes and elegant figures. Paolo Veronese's works, including major altarpieces and large-scale feast scenes, were celebrated for their elaborate detail and classical harmony, reflecting influences from artists like Titian, Raphael, and Parmigianino.
One of Paolo Veronese's specialties was grand scenes of feasts, such as "The Wedding at Cana" and "The Feast in the House of Levi," which showcased his ability to blend narrative with ornate details, often sparking controversy and admiration alike. His significant contributions to the art world, from the full-scale decoration of the Venetian church of S. Sebastiano to the splendid ceiling and wall paintings for the library of S. Marco, left an indelible mark on the Renaissance art scene.
For collectors and experts in art and antiques, Paolo Veronese's works represent a blend of classical beauty, innovative use of color, and narrative depth, making his paintings a significant focus for art historical study and appreciation.
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Tiziano Vecellio, an Italian Renaissance painter from Venice, stands out as a pivotal figure in the art world, renowned for his versatility across various genres like portraits, landscapes, and religious subjects. His influence on the development of Western art, particularly through his revolutionary use of color, is profound and long-lasting.
Born around 1488/90 in Pieve di Cadore, part of the then Republic of Venice, Titian's talent was evident early on. He began his artistic journey in the studio of the Bellini brothers in Venice, later joining forces with Giorgione, another influential painter of the time. This collaboration marked the beginning of a distinguished career that would see Titian become the most sought-after painter in Europe, working for nobility, the Habsburgs, and the papacy.
Titian's style evolved significantly throughout his career. He initially gained recognition for his vibrant, luminous colors and later became famous for his loose brushwork and subtle tonality. This shift was not just a matter of aesthetics but also represented a deeper understanding of color and light. Titian's approach to painting, particularly his use of colore, where he juxtaposed colors to define compositions, contrasted sharply with the line-focused disegno technique of the time. This method contributed significantly to the distinctiveness of Venetian art.
Among his many patrons, Emperor Charles V and his son, Philip II of Spain, were perhaps the most notable. As their official painter, Titian created numerous portraits and mythological works that were celebrated for their psychological depth and expressive use of color. His 'poesie' series for Philip II, including famous works like "Diana and Actaeon," showcased his skill in portraying mythological narratives with a sense of drama and sensuality.
Titian's later works, created in the 1560s and 1570s, are particularly revered for their experimental nature, pushing his art towards what has been termed 'magic impressionism'. These works, like "The Death of Actaeon" and the unfinished "Pietà", demonstrate a radical departure from his earlier style and reflect a continued evolution even in his later years.
For art collectors and experts, Titian's oeuvre represents a crucial link in the history of European art, illustrating the transition from the Renaissance to a more modern, expressive form of painting. His mastery of color and light, combined with his ability to convey deep emotional resonance, continues to influence artists and captivate viewers centuries later.
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Jacopo Bassano, known also as Jacopo dal Ponte, was an Italian painter who was born and died in Bassano del Grappa near Venice, and took the village as his surname. Trained in the workshop of his father, Francesco the Elder, and studying under Bonifazio Veronese in Venice, he painted mostly religious paintings including landscape and genre scenes. He often treated biblical themes in the manner of rural genre scenes, portraying people who look like local peasants and depicting animals with real interest. Bassano's pictures were very popular in Venice because of their depiction of animals and nocturnal scenes. His four sons: Francesco Bassano the Younger, Giovanni Battista da Ponte, Leandro Bassano, and Girolamo da Ponte, also became artists and followed him closely in style and subject matter.
Giorgione, a seminal figure of the Italian Renaissance, was an artist whose work left an indelible mark on Venetian painting. Born Giorgio Barbarelli da Castelfranco around 1477/78 in Castelfranco Veneto, Republic of Venice, and passing in 1510, Giorgione's career was luminous yet brief, his life shrouded in mystery much like the enigmatic quality of his paintings. His influence extended deeply into the fabric of the Venetian school, shaping its future through his innovative use of color, mood, and atmospheric landscapes.
Giorgione's artistry was distinguished by its lyrical and romantic sensibility, often focusing on pastoral scenes devoid of specific narratives but rich in mood and atmosphere. This departure from storytelling to evoke emotion through setting and color was groundbreaking, positioning him as a pioneer alongside contemporaries such as Leonardo da Vinci and influencing successors including Titian. His works, notably "The Sleeping Venus" and "The Tempest," are celebrated for their poetic grace and the use of sfumato, a technique that imbues his subjects with an almost magical glow of light.
Despite his brief life, Giorgione's contributions to the Renaissance are monumental. He brought a new depth to the Venetian school through his mastery of color and light, and his landscapes became a backdrop to the human condition, merging the natural with the emotive in ways previously unseen. His innovative approach to painting influenced not only his peers but also set a standard that would echo through the annals of art history.
Giorgione's works are housed in some of the world's most prestigious museums, including the Kunsthistorisches Museum in Vienna and the Gemäldegalerie Alte Meister in Dresden, providing testament to his enduring legacy. These pieces remain subjects of study and admiration, capturing the imagination of art collectors and experts alike with their beauty and depth.
For collectors and enthusiasts of Renaissance art, Giorgione's oeuvre offers a window into the soul of Venetian culture during its most vibrant period. His work not only reflects the artistic innovations of his time but also the sensuous and imaginative spirit of Venice itself.
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Michelangelo Merisi da Caravaggio, an Italian painter, was a pivotal figure in the transition to Baroque art. Born in Milan or the town of Caravaggio in 1571, his work is renowned for its realistic depiction of human emotion, dramatic use of lighting, and less-than-idealized portrayal of subjects, which broke away from the Mannerist style prevalent at the time.
Caravaggio's life was as dramatic as his art. In 1592, he moved to Rome, where, despite initial hardships, his unique style caught the eye of Cardinal Francesco del Monte, leading to his first public commissions. His success, however, was marred by a tumultuous life filled with brawls and legal troubles. Notably, in 1606, he fled Rome after killing Ranuccio Tommasoni in a brawl, an act that led to a death sentence. He sought refuge in Naples, Malta, and Sicily, continuing to create influential works while attempting to secure a papal pardon.
His most significant contributions to art include introducing a style that combined naturalistic detail with dramatic lighting (chiaroscuro) and psychological realism. This approach had a profound impact on the evolution of Baroque painting. Some of his notable works include "Basket of Fruit," "The Calling of St. Matthew," "The Beheading of St. John the Baptist," and "Supper at Emmaus." These works are characterized by their innovative composition and the intense emotional state they convey.
Caravaggio's fame waned after his death in 1610 under mysterious circumstances while traveling from Naples to Rome. However, the 20th century saw a resurgence in interest in his work, acknowledging his significant influence on Western art.
For collectors and art experts, Caravaggio's works represent a pivotal moment in the history of art, where the transition from Renaissance ideals to Baroque realism is profoundly evident. His paintings can be seen in various museums and galleries, offering a glimpse into the dramatic and emotive potential of art.
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