407-4: Modern Contemporary Art
Hermann Groeber was a German painter who was known throughout Germany as a portraitist and landscape artist.
Hermann Groeber gained early success as a self-employed painter. He joined the German Association of Artists, and after Ludwig Schmid-Reutte was appointed to Karlsruhe, Groeber took over his class of nude acts, which soon enjoyed great popularity.
Hermann Groeber was a German painter who was known throughout Germany as a portraitist and landscape artist.
Hermann Groeber gained early success as a self-employed painter. He joined the German Association of Artists, and after Ludwig Schmid-Reutte was appointed to Karlsruhe, Groeber took over his class of nude acts, which soon enjoyed great popularity.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Hermann Karl Hesse was a German-Swiss poet, novelist, and painter, known for delving into themes of authenticity, self-knowledge, and spirituality. Born in Calw, Germany, Hesse's exploration of the individual's quest for truth won him the Nobel Prize for Literature in 1946. His storytelling weaves a rich tapestry of philosophical thought, evident in masterpieces like "Steppenwolf" and "Siddhartha," which resonate deeply with the human experience.
Renowned for his lyrical prose and profound insights into the human spirit, Hesse's works are a cornerstone of 20th-century literature. They challenge readers to seek beyond the confines of society and find a deeper sense of self. His narrative style combines simplicity with a deep philosophical undercurrent, inviting reflection and introspection.
Collectors and connoisseurs of literature hold Hesse's works in high esteem, not just for their literary merit but also for their cultural significance. For those interested in the evolution of literary thought and the pivotal role of introspective narratives, Hesse’s works are invaluable. Delve into his writings to discover the essence of early 20th-century philosophical literature and consider adding them to your collection for both their historic and artistic value.
Friedrich Ahlers-Hestermann was a German painter and art writer from Hamburg. He was a member of the Hamburgische Künstlerclub of 1897, as well as of the Hamburg artist's workshop of 1832 and pupil of the Académie Matisse in Paris. After the First World War, he was a co-founder of the Hamburg Secession.
Walter Schulz-Matan was a German painter of magic realism. After training as a decorative painter, the Thuringian Walter Schulz-Matan led a life of wanderings across Europe. After military service and captivity in World War I, he lived in Munich from 1919, maintained his first studio in Munich-Schwabing from 1920 and worked as a stage painter for the "Neue Bühne". From 1930 he was one of the co-founders of the exhibition group 7 Munich painters. Schulz-Matan was also a member of the Neue Secession and the Deutscher Künstlerbund. In the New Objectivity art movement, Schulz-Matan developed his own artistic specificity in the Magic Realism movement. During the Second World War he worked as a war painter in France, then again as an artist in Munich.
Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Conrad Felixmüller was a twentieth-century German artist, born Conrad Felix Müller. He is known as a painter, graphic artist, illustrator and printmaker, a representative of the New Materiality movement, who worked in the Expressionist style.
Felixmüller created about 2,500 paintings and graphic drawings, the main motif of which was the human being. The artist considered himself a socially critical expressionist, and his works reflected scenes from everyday life. In the 1930s, many of his works were confiscated by the Nazis as examples of degenerate art and destroyed. As a result of the bombing of Berlin in 1944, Felixmüller lost much of his work.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Max Slefogt was a German Impressionist painter and illustrator, best known for his landscapes. He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of the plein air style.
Wilhelm Heinrich Otto Dix was a German artist whose work stands as a stark, unyielding reflection of the societal tumult and trauma of the early 20th century. Born in 1891 in Untermhaus, Germany, Dix's early life was steeped in the arts, his ambition to become an artist nurtured by both familial influence and formal education in Dresden. His experiences as a soldier in World War I deeply influenced his artistic direction, leading him to vividly depict the horrors of war and the decay of the Weimar Republic with a brutal realism that became his signature style.
Dix's association with the Dada movement and the New Objectivity (Neue Sachlichkeit) further honed his critical, often cynical portrayal of post-war society. His works, such as "The Trench" and "War Cripples," expose the visceral aftermath of conflict, while his engagement with the Dadaists imbued his art with a disruptive, confrontational energy against societal norms and the art establishment.
Perhaps most notable is Dix's ability to capture the psychological depth and societal critiques through his portraits and landscapes, which ranged from the grotesque to the surreal. Paintings like "Portrait of the Journalist Sylvia von Harden" and the triptychs "Metropolis" and "War" are emblematic of his keen observation and stark depiction of the era's social and political unrest.
Despite facing significant adversity, including being labeled a degenerate artist by the Nazi regime and facing professional and personal setbacks, Dix's legacy as a painter and printmaker endures. His works are not only historical documents but also profound reflections on humanity, war, and society, resonating with collectors and art experts alike.
For enthusiasts of culture, art, and history, Dix's oeuvre offers an unflinching look into the human condition under the strain of societal and political upheaval. His contributions to painting and printmaking continue to be celebrated in museums and galleries worldwide, underscoring the enduring relevance of his work.
For those interested in exploring the profound depth and historical significance of Otto Dix's work, signing up for updates on new product sales and auction events related to his art can provide invaluable insights. This subscription is a gateway to staying informed about opportunities to engage with the tangible pieces of Dix's enduring legacy.
Anton Gutknecht was a German-American landscape painter known for his maritime seascapes of southern California and rural Europe. With a particular interest in the tumultuous nature of the ocean, the artist often focused on capturing waves crashing on the shore or on the boughs of a ship rendered in a high level of realistic detail. Gutknecht spent his early life traveling between different areas of the country, notably Munich and Hamburg, observing the mountainous terrain that would later be the focus of his work and bring him recognition. Gutknecht taught at the Royal Academy in Vienna before frequently traveling to southern California in the 1930s, eventually moving there to settle in Palm Springs and focus on capturing the landscape there.
Paul Signac, a French Neo-Impressionist painter, played a pivotal role in the development of the Pointillist style alongside Georges Seurat. Born on November 11, 1863, in Paris, Signac's artistic journey was marked by significant collaborations and encounters, including meeting Vincent van Gogh and Toulouse Lautrec in Paris. His relationship with van Gogh was notably influential, as they painted together at Asnières-sur-Seine, focusing on river landscapes and cafés.
Signac was deeply invested in anarchist ideas, which he explored through his readings of Élisée Reclus, Kropotkin, and Jean Grave. His political leanings were also evident in his art, as seen in his 1893 painting, "In the Time of Harmony," which was initially titled "In the Time of Anarchy." This change was necessitated by the political repression of anarchists in France at the time.
A lover of sailing, Signac began traveling in 1892, which greatly influenced his art. He would sail to various ports, bringing back vibrant watercolors sketched from nature. These sketches later served as the basis for his larger studio canvases, which were composed of small, mosaic-like squares of color, differing from Seurat's tiny, variegated dots.
Signac's contribution to art extended beyond his own works. As president of the Société des Artistes Indépendants from 1908 until his death, he encouraged younger artists and exhibited controversial works of the Fauves and Cubists. He was notably the first patron to buy a painting by Henri Matisse, demonstrating his support for emerging artists.
In his personal life, Signac married Berthe Roblès on November 7, 1892, and his interactions with other artists, including Henri Matisse and André Derain, were instrumental in the evolution of Fauvism. Despite initially not admiring the Fauve style, Signac played a decisive role in its development.
Signac's impact on culture, art, and painting is undeniable. His works, found in various museums and galleries, continue to inspire art collectors and experts. For those interested in exploring Signac's contributions further, signing up for updates on new product sales and auction events related to Paul Signac is highly recommended. This subscription is an excellent way for collectors and art experts to stay informed about the latest developments and opportunities related to Signac's enduring legacy.
Louis Valtat was a French painter and printmaker associated with the Fauves ("the wild beasts", so named for their wild use of color), who first exhibited together in 1905 at the Salon d'Automne. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Louis Valtat was a French painter and printmaker associated with the Fauves ("the wild beasts", so named for their wild use of color), who first exhibited together in 1905 at the Salon d'Automne. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Louis Valtat was a French painter and printmaker associated with the Fauves ("the wild beasts", so named for their wild use of color), who first exhibited together in 1905 at the Salon d'Automne. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Bernard Buffet was a French artist renowned for his distinctive style of painting, printmaking, and sculpture. His work, characterized by expressive, angular lines and somber themes, has captivated collectors and art enthusiasts worldwide. Buffet's art, deeply influenced by the post-war period in France, reflects themes of despair, loneliness, and the human condition, often portrayed through his iconic clowns and desolate landscapes. His approach to art, marked by stark compositions and a vivid portrayal of existential angst, positioned him as a leading figure in the modern expressionist movement.
Buffet's career was meteoric from its onset; by his early twenties, he was celebrated alongside cultural icons of the time, earning him a spot among the "Fabulous Five" of post-war France. Despite his early acclaim, Buffet's later years were marked by controversy and a decline in popularity, as shifts in artistic trends and criticism over his lifestyle choices overshadowed his contributions. Nevertheless, his work remained prolific, with more than 8,000 paintings to his name, illustrating an unwavering commitment to his art until his tragic death in 1999.
Today, Bernard Buffet's legacy is undergoing a renaissance, with a renewed appreciation for his artistic achievements. Exhibitions and retrospectives across the globe, particularly in Japan and Europe, have reignited interest in his oeuvre, showcasing the enduring relevance of his work. Notably, the Bernard Buffet Museum in Japan, founded during his lifetime, stands as a testament to his impact and the global admiration for his art.
For collectors and experts in the field of art and antiques, Buffet's work offers a unique insight into the complexities of the human psyche and the existential dilemmas of the 20th century. His ability to evoke profound emotional responses through his distinctive visual language makes his work highly sought after in the art market today.
To stay informed about new product sales and auction events related to Bernard Buffet, we encourage you to sign up for updates. This subscription service is tailored specifically for enthusiasts keen on exploring the profound legacy of Bernard Buffet, ensuring you remain at the forefront of notable developments in the art world.
Bernard Buffet was a French artist renowned for his distinctive style of painting, printmaking, and sculpture. His work, characterized by expressive, angular lines and somber themes, has captivated collectors and art enthusiasts worldwide. Buffet's art, deeply influenced by the post-war period in France, reflects themes of despair, loneliness, and the human condition, often portrayed through his iconic clowns and desolate landscapes. His approach to art, marked by stark compositions and a vivid portrayal of existential angst, positioned him as a leading figure in the modern expressionist movement.
Buffet's career was meteoric from its onset; by his early twenties, he was celebrated alongside cultural icons of the time, earning him a spot among the "Fabulous Five" of post-war France. Despite his early acclaim, Buffet's later years were marked by controversy and a decline in popularity, as shifts in artistic trends and criticism over his lifestyle choices overshadowed his contributions. Nevertheless, his work remained prolific, with more than 8,000 paintings to his name, illustrating an unwavering commitment to his art until his tragic death in 1999.
Today, Bernard Buffet's legacy is undergoing a renaissance, with a renewed appreciation for his artistic achievements. Exhibitions and retrospectives across the globe, particularly in Japan and Europe, have reignited interest in his oeuvre, showcasing the enduring relevance of his work. Notably, the Bernard Buffet Museum in Japan, founded during his lifetime, stands as a testament to his impact and the global admiration for his art.
For collectors and experts in the field of art and antiques, Buffet's work offers a unique insight into the complexities of the human psyche and the existential dilemmas of the 20th century. His ability to evoke profound emotional responses through his distinctive visual language makes his work highly sought after in the art market today.
To stay informed about new product sales and auction events related to Bernard Buffet, we encourage you to sign up for updates. This subscription service is tailored specifically for enthusiasts keen on exploring the profound legacy of Bernard Buffet, ensuring you remain at the forefront of notable developments in the art world.
Bruno Voigt was a German political painter, draftsman and graphic artist. Bruno Voigt's work consists mainly of works on paper in ink and watercolor techniques. The first works were created around 1929; they address metropolitan cafés and street scenes as well as the emerging SA terror. After controls by the SA and the NSDAP, he moved to Ulrichshalbe in 1936 and renounced any direct political activity. The inconspicuous life in the village offered him a relative personal security. So his work was created in isolation, without the support of an art scene and unadvised by criticism or rejection. Voigt's works were shown publicly for the first time in the exhibition Revolution and Realism. The artist himself estimated his work from the beginning to the end of the war (1929-1945) at around 20 paintings, 30 etchings and around 500 drawings.
Jeanne Mammen was a twentieth-century German artist. She is known as a graphic artist and draftsman, a representative of modernism, a prominent figure in the artistic life of the Weimar Republic.
Jeanne Mammen developed an artistic style close to the New Materialism school. As she grew older, her work became more symbolic; after 1945, the artist moved towards abstractionism. She worked for fashion magazines, created movie posters, and illustrated erotic poetry. Mammen actively developed collage techniques, as well as creating portraits and caricatures, and sketching street types.
Christian Schad was a German painter and photographer. He was associated with the Dada and the New Objectivity movements. Considered as a group, Schad's portraits form an extraordinary record of life in Vienna and Berlin in the years following World War I.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988.