Graphics 19th-20th century — GEMÄLDE UND GRAPHIKEN VOM 15. BIS 20. JAHRHUNDERT
Johann Heinrich Bleuler the Elder was a Swiss landscape painter and engraver.
Bleuler the Elder first trained as a porcelain painter at the Kilchberg-Schooren porcelain manufactory near Zurich. In the early 1780s he settled in Feuertalen and became the founder of the dynasty of artists that is known as the "Bleulerische Malschule". His two sons, Johann Heinrich Bleuler the Younger (1787-1857) and Johann Ludwig Bleuler (1792-1850), also became artists and continued their father's work. And in total, there were up to 25 artists in the dynasty, including godchildren and other relatives.
Bleuler the Elder created mainly landscapes of the Rhine, painted in gouache and watercolor, panoramic views of Swiss cities. He also worked as an art teacher.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Ludwig Michael Schwanthaler, ennobled as Ritter von Schwanthaler, was a Bavarian sculptor and a key figure in the Classical movement in southern Germany. He was born on 26 August 1802 in Munich to a family that had been involved in sculpture for centuries.
Schwanthaler's journey began under his father's tutelage before he formally trained at the Munich Academy. His talent was so profound that he received commissions from royalty and mentorship from the likes of Peter von Cornelius. He further honed his skills in Rome, where he was influenced by Bertel Thorvaldsen. Returning to Munich, Schwanthaler met the demands for sculpture head-on, collaborating with architects and painters to revive the arts in Bavaria.
Among his many works, the statues in the Neues Palais and the figures in the Alte Pinakothek are notable. His versatility also shone in sacred art, with his contributions to St Ludwig and St Mariahilf churches. The Ruhmeshalle's metopes and the monumental Bavaria statue demonstrate his artistic bravery. Schwanthaler's life was dedicated to his craft, and upon his death on November 14, 1848, he bequeathed his models and studies to the Munich Academy, forming the Schwanthaler Museum.
For art enthusiasts, Schwanthaler's legacy offers a deep dive into classical sculpture's golden age. His works remain a testament to the neoclassical aesthetic and are celebrated for their historical and artistic significance.
Engage with the grandeur of Schwanthaler's art by signing up for updates, and take part in preserving the memory of one of Bavaria's master sculptors.
Heinrich Christian Wilhelm Busch was a German humorist, poet, illustrator, and painter. He published wildly innovative illustrated tales that remain influential to this day.
Busch drew on the tropes of folk humour as well as a profound knowledge of German literature and art to satirize contemporary life, any kind of piety, Catholicism, Philistinism, religious morality, bigotry, and moral uplift.
His mastery of drawing and verse became deeply influential for future generations of comic artists and vernacular poets. Among many notable influences, The Katzenjammer Kids was inspired by Busch's Max and Moritz. Today, the Wilhelm Busch Prize and the Wilhelm Busch Museum help maintain his legacy. The 175th anniversary of his birth in 2007 was celebrated throughout Germany. Busch remains one of the most influential poets and artists in Western Europe.
Frederic Leighton was a distinguished British artist renowned for his contributions to painting and sculpture during the Victorian era. His works, characterized by their classical themes and meticulous detail, have garnered appreciation from art collectors and historians alike. Notable for being the first painter to receive a peerage, Leighton's legacy in the art world is significant.
Frederic Leighton's art, particularly his paintings like "Flaming June" and "The Return of Persephone," showcases his mastery in depicting classical and mythological subjects with a unique blend of realism and idealism. His sculptures, such as "An Athlete Wrestling with a Python" and "The Sluggard," played a pivotal role in initiating the New Sculpture movement, emphasizing naturalism and dynamic forms.
Despite his illustrious career, Frederic Leighton's personal life remained private, with ongoing debates about his relationships and sexuality. His London home, now the Leighton House Museum, offers a glimpse into his artistic world, housing many of his works and collections that influenced his creations.
For art collectors and experts, Frederic Leighton's oeuvre represents a blend of academic tradition and innovative expression, making his works highly sought after in the realms of art and antiques. To stay informed about exhibitions and auction events featuring Frederic Leighton's art, subscribing to updates can be a valuable resource for enthusiasts eager to explore and acquire pieces from this influential Victorian artist.
Honoré Daumier, a French artist, is renowned for his profound impact on 19th-century art through his work as a caricaturist, painter, and sculptor. His art, which satirized French politics and society, is celebrated for its insightful commentary on the human condition and the social landscape of his time. While Daumier is perhaps best known for his incisive and humorous lithographs that critiqued the French bourgeoisie and political figures, his contributions to painting and sculpture are equally significant, demonstrating a keen observation of everyday life and a masterful use of expression.
Honoré Daumier's early involvement with lithography, a relatively new printmaking technique at the time, allowed him to produce works that were both accessible and impactful, resonating with a wide audience. His imprisonment in 1832 for his caricature of King Louis Philippe as Gargantua highlights the daring nature of his work and the personal risks he took to express his political views. Despite the challenges he faced, including eventual blindness, Daumier continued to create art that spoke to the societal issues of his day, transitioning to painting and sculpture while maintaining the critical edge that defined his earlier works.
His later years were spent in Valmondois, where he focused more on painting, capturing scenes of daily life with a technique that distanced itself from the caricatural style he was famous for but retained his keen observational skills. Despite his struggles with poverty and illness, Honoré Daumier's legacy endures, with his works housed in prestigious institutions like the British Museum and being recognized for their contribution to the development of modern art, particularly in their influence on Impressionist techniques.
For collectors and enthusiasts of art and antiques, Honoré Daumier's work offers a unique window into 19th-century French society, marked by a blend of humor, social critique, and poignant observation. His diverse body of work, from lithographs to paintings, continues to inspire and provoke thought, making him a pivotal figure in the history of art.
To stay informed about the latest exhibitions, sales, and events related to Honoré Daumier's work, signing up for updates is a valuable way to ensure you don't miss out on the opportunity to engage with the rich legacy of this influential artist.
Eduard von Grützner was a German painter of the late 19th and early 20th centuries. He went down in the history of European art as a portrait painter and a brilliant master of genre.
Eduard von Grützner in most of his paintings depicted the life of monks, who usually appear to the audience in the images of merry rioters, leading a not ideal lifestyle. The public liked the original humorous style of the painter, and Grützner's work had many admirers.
Grützner was awarded the Royal Order of St. Michael and also received the title of honorary professor at the Munich Academy of Fine Arts. He also became a Knight of the Order of Civil Merit of the Bavarian Crown and received the title of nobleman, with the prefix "von" added to his last name.
Von Grützner is also known as a collector of art and antiques. For many years he collected masterpieces of the Gothic and Renaissance masters, and towards the end of his life he became interested in Far Eastern art.
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Franz Seraph Lenbach was a German painter known primarily for his portraits of prominent personalities from the nobility, the arts, and industry. Because of his standing in society, he was often referred to as the "Malerfürst" (Painter Prince).
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Edward Theodore Compton was an English-born, German artist, illustrator and mountain climber. He is well known for his paintings and drawings of alpine scenery, and as a mountaineer made 300 major ascents including no fewer than 27 first ascents.