Mixed media — Auction
Norbert Schwontkowski is a German painter. He studied freehand painting at the University of Design in Bremen and at the University of Fine Arts in Hamburg.
Norbert Schwontkowski's work lies between abstraction, realistic representation and caricature. He mixes the unconscious and surreal with the real, the figures and subjects in the artist's paintings resemble complex dreams.
Schwontkowski created his paints from hand-crushed pigments mixed with various materials to produce a multitude of textures.
Kuno Gonschior was a German painter.
Emil Schumacher was a German painter. He was an important representative of abstract expressionism in post-war Germany.
In 2009 the Kunstquartier Hagen was inaugurated combining the Karl Ernst Osthaus-Museum Hagen as well as the newly built Emil Schumacher Museum in one Museum complex.
Emil Schumacher was a German painter. He was an important representative of abstract expressionism in post-war Germany.
In 2009 the Kunstquartier Hagen was inaugurated combining the Karl Ernst Osthaus-Museum Hagen as well as the newly built Emil Schumacher Museum in one Museum complex.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Fred Thieler was a German abstract artist known for his colorful, gestural paintings. He was born in Königsberg, Germany, and studied at the Academy of Fine Arts in Königsberg before moving to Berlin in 1945.
Thieler's early work was influenced by the Expressionist and Surrealist movements, but he soon developed his own unique style characterized by bold colors and dynamic brushstrokes. He often used a palette knife to apply paint to the canvas, creating thick, impasto layers that added depth and texture to his works.
Throughout his career, Thieler participated in numerous exhibitions in Germany and internationally, including the Venice Biennale and Documenta in Kassel. He was also a member of the influential German art group "Quadriga," which included artists such as Bernard Schultze, Karl Otto Götz, and Otto Greis.
In addition to painting, Thieler also worked as a graphic designer and a teacher. He was a professor at the Academy of Fine Arts in Berlin from 1965 to 1981, where he had a significant impact on the next generation of German artists.
Thieler's work can be found in many private collections and museums, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Museum Ludwig in Cologne.
Gerhard Hoehme was a German expressionist painter.
Walter Stöhrer is a German painter and graphic artist, a representative of gesture-figure painting.
He studied painting at the Academy of Arts in Karlsruhe and was a member of the Academy of Arts in Berlin.
Gotthard Graubner was a German abstract painter associated with the post-war Zero and Informel movements. Graubner's work is known for its focus on color and its relationship to space and perception.
Graubner studied at the Kunstakademie Düsseldorf under the painter Georg Meistermann. In the 1950s, he became associated with the Zero group, a movement of artists who sought to create a new art form that was free of traditional artistic conventions and focused on the use of unconventional materials.
In the 1960s, Graubner began creating his signature "color-space bodies," large canvases that were mounted away from the wall and filled with thick layers of pigment. These works were designed to be experienced as three-dimensional objects that were both paintings and sculptures, and they often created a sense of depth and spatial ambiguity.
Graubner's work was exhibited widely in Europe and the United States, and he was the recipient of numerous awards and honors throughout his career. He also taught at several art schools, including the Kunstakademie Düsseldorf and the Städelschule in Frankfurt.
Graubner's innovative approach to painting and his exploration of the relationship between color, space, and perception continue to be an important influence on contemporary art.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Bernard Schultze was a German painter who co-founded the Quadriga group of artists along with Karl Otto Götz and two other artists.
Jürgen Klauke is a German artist. Beginning in the 1960s, he used his own body as a subject of his photographs. He also experimented with minimalism and surrealism. The ZKM in Karlsruhe exhibits his work. Since 1968 he lives and works in Cologne.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Martin Disler was a Swiss painter, draughtsman and writer. He is associated with the Neue Wilde painting style.
Louise Nevelson was an American sculptor, renowned for her innovative and monumental monochromatic, wooden wall pieces and outdoor sculptures. Born in Kiev, Russia (now Ukraine), she moved to the United States as a child, settling first in Rockland, Maine, before embarking on her storied career in New York City. Nevelson's work broke new ground in abstract art through her assemblages of found wooden forms and her exploration of space within room-sized environments. Her early life and artistic journey were marked by a continuous struggle for recognition in a male-dominated art world, eventually gaining attention in the 1950s for her unique constructions.
Nevelson's sculptures, often created from wood, were characterized by their puzzle-like complexity, with intricately cut pieces arranged into both wall sculptures and freestanding pieces. The works are typically painted in monochromatic black or white, emphasizing their textural and volumetric qualities. A key figure in 20th-century American sculpture, Nevelson's contributions extend beyond her artistic creations; she was also a pioneer in the realm of public art, engaging broader audiences with her monumental installations.
Her pieces are celebrated worldwide and can be found in museum and corporate collections across Europe and North America. Nevelson's legacy is that of a trailblazer who used her vision to transform everyday materials into profound expressions of space and narrative.
For collectors and experts in art and antiques, the exploration of Louise Nevelson's work offers an insightful glimpse into the evolution of American sculpture and the pivotal role she played in it. To stay informed about new sales and auction events related to Nevelson's work, sign up for updates and ensure you never miss an opportunity to engage with the history and future of this influential artist's contributions to the art world.
