1210. Auction ONLINE ONLY | From Beuys to Warhol
Victor Vasarely, a seminal figure in the Op art movement, was a Hungarian-French artist celebrated for his pioneering contributions to geometric abstract art. Born Győző Vásárhelyi in Pécs, Hungary, in 1906, Vasarely's artistic journey led him to Paris, where he honed a distinctive style marked by optical illusions and kinetic art. By the late 1940s, he had developed his iconic approach, utilizing geometric shapes and a limited color palette to create artworks that seemed to move and vibrate. His work "Zebra," created in 1937, is often cited as one of the earliest examples of Op art, showcasing his fascination with creating the illusion of depth and movement on a flat surface.
Throughout the 1950s and 1960s, Vasarely's exploration into optical effects deepened, leading to significant series like his "Vega" works. These pieces are characterized by their illusionary three-dimensional space, seemingly pushing and pulling the viewer into the canvas. His dedication to optical and geometric abstraction was not just a pursuit of aesthetic innovation but also an exploration of the viewer's perception, making the observer an integral part of the artwork.
Vasarely's influence extended beyond the canvas, impacting architecture, sculpture, and even space exploration. In 1970, he founded the first museum dedicated to his works in Gordes, followed by the establishment of the Fondation Vasarely in Aix-en-Provence in 1976, showcasing his vision of integrating art with the environment. His artworks have found homes in prestigious institutions like the Museum of Modern Art and have been celebrated in exhibitions worldwide.
For collectors and experts in art and antiques, Vasarely's works offer a mesmerizing blend of scientific precision and artistic expression, encapsulating a moment in art history where the boundaries between viewer and artwork blurred. His legacy is a testament to the power of visual perception and the endless possibilities of abstract art.
For those interested in delving deeper into Victor Vasarely's visionary world and perhaps acquiring a piece of this history, signing up for updates on new product sales and auction events related to Vasarely's works is highly recommended. Stay informed and embrace the opportunity to own a part of the optical and geometric abstraction movement that Vasarely so brilliantly pioneered.
Ulrich Erben is a German painter. From 1980 to 2005, he was a Professor of Painting at the Kunstakademie Münster (University of Fine Arts Münster). He is known as a master of the color field style of abstract painting, closely related to abstract expressionism, in which he creates tension between a defined surface structure, his own method of applying paint to a canvas, and the relationship of various shades of white or color to each other in their placement as part of a composition on the flat plane of a canvas. In 1986 and 2008, he was awarded the Konrad-von-Soest Prize for Visual Arts by the Landschaftsverband Westfalen-Lippe (Landscape Society Westphalia-Lippe).
Ulrich Erben is a German painter. From 1980 to 2005, he was a Professor of Painting at the Kunstakademie Münster (University of Fine Arts Münster). He is known as a master of the color field style of abstract painting, closely related to abstract expressionism, in which he creates tension between a defined surface structure, his own method of applying paint to a canvas, and the relationship of various shades of white or color to each other in their placement as part of a composition on the flat plane of a canvas. In 1986 and 2008, he was awarded the Konrad-von-Soest Prize for Visual Arts by the Landschaftsverband Westfalen-Lippe (Landscape Society Westphalia-Lippe).
Arnulf Rainer is an Austrian artist who painted in the genre of informal abstract art.
From his early works the artist was inspired by the ideas of Surrealism. He also created works of art where he applied paint over photographs and works of other artists.
In the 1950s, Rainer painted a series of blindfold paintings in the technique of Surrealist automatism. In 1978 he received the Austrian Grand National Prize. Rainer has exhibited in New York, London, Vienna, Paris, Berlin and Munich. His works are in the collections of the Albertina, the Pompidou Center, the Stedelijk Museum, the Metropolitan Museum of Art and the Museum of Modern Art.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Heinz Mack is a German artist. Together with Otto Piene he founded the ZERO movement in 1957. He exhibited works at documenta in 1964 and 1977 and he represented Germany at the 1970 Venice Biennale. He is best known for his contributions to op art, light art and kinetic art.
Damien Hirst is a seminal figure in contemporary art, well-known for his provocative and often controversial works that explore themes of death, rebirth, and the boundaries of art itself. As a leading member of the Young British Artists (YBAs) in the 1990s, Hirst catapulted to fame with his innovative approach to art that combines the techniques of installation, sculpture, and painting.
Damien Hirst's early career was marked by his organization of the pivotal "Freeze" exhibition in 1988, showcasing his and his peers' work, which caught the attention of influential art collectors. This period laid the groundwork for his signature works, including the 'Natural History' series, where animals such as sharks, sheep, and cows are preserved in formaldehyde, challenging viewers to confront the nature of existence and the inevitability of death.
Among Damien Hirst's most iconic pieces is "The Physical Impossibility of Death in the Mind of Someone Living," featuring a tiger shark suspended in formaldehyde, and "For the Love of God," a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds. These works exemplify Hirst's exploration of mortality and the commodification of art.
Damien Hirst's 'Spot Paintings' and 'Spin Paintings' further demonstrate his challenge to traditional notions of authorship and the creative process, often involving teams of assistants in their production. These series play with concepts of randomness, control, and the aesthetic joys of color and form, pushing the boundaries of painting as a medium.
In 2017, Hirst embarked on "Treasures from the Wreck of the Unbelievable," an ambitious project that filled Venetian museums with artifacts from a fictional ancient shipwreck. This project, blending reality and fiction, invited audiences to question the authenticity and value of art, showcasing Hirst's ongoing interest in storytelling and myth-making within the context of contemporary culture.
For collectors and experts in art and antiques, Damien Hirst represents a pivotal figure whose works challenge, provoke, and inspire. His ability to blur the lines between art, science, and commerce has left an indelible mark on the art world, making his pieces highly sought after by collectors around the globe.
Stay updated on Damien Hirst's latest projects, exhibitions, and sales by signing up for dedicated art newsletters. This subscription will ensure you're informed about new opportunities to engage with the work of one of the most influential artists of our time.
Damien Hirst is a seminal figure in contemporary art, well-known for his provocative and often controversial works that explore themes of death, rebirth, and the boundaries of art itself. As a leading member of the Young British Artists (YBAs) in the 1990s, Hirst catapulted to fame with his innovative approach to art that combines the techniques of installation, sculpture, and painting.
Damien Hirst's early career was marked by his organization of the pivotal "Freeze" exhibition in 1988, showcasing his and his peers' work, which caught the attention of influential art collectors. This period laid the groundwork for his signature works, including the 'Natural History' series, where animals such as sharks, sheep, and cows are preserved in formaldehyde, challenging viewers to confront the nature of existence and the inevitability of death.
Among Damien Hirst's most iconic pieces is "The Physical Impossibility of Death in the Mind of Someone Living," featuring a tiger shark suspended in formaldehyde, and "For the Love of God," a platinum cast of an 18th-century human skull encrusted with 8,601 flawless diamonds. These works exemplify Hirst's exploration of mortality and the commodification of art.
Damien Hirst's 'Spot Paintings' and 'Spin Paintings' further demonstrate his challenge to traditional notions of authorship and the creative process, often involving teams of assistants in their production. These series play with concepts of randomness, control, and the aesthetic joys of color and form, pushing the boundaries of painting as a medium.
In 2017, Hirst embarked on "Treasures from the Wreck of the Unbelievable," an ambitious project that filled Venetian museums with artifacts from a fictional ancient shipwreck. This project, blending reality and fiction, invited audiences to question the authenticity and value of art, showcasing Hirst's ongoing interest in storytelling and myth-making within the context of contemporary culture.
For collectors and experts in art and antiques, Damien Hirst represents a pivotal figure whose works challenge, provoke, and inspire. His ability to blur the lines between art, science, and commerce has left an indelible mark on the art world, making his pieces highly sought after by collectors around the globe.
Stay updated on Damien Hirst's latest projects, exhibitions, and sales by signing up for dedicated art newsletters. This subscription will ensure you're informed about new opportunities to engage with the work of one of the most influential artists of our time.
Ladislas Kijno is a French artist of Polish origin, one of the greatest abstractionists of the twentieth century.
In 1958 he moved to Paris and was accepted into the Salon de Mai committee. In Paris Kijno invented the technique of froissage - work with crumpled paper. During the same period the artist began experimenting with spray can paints, thus creating a synthesis between traditional painting techniques and modern inventions. Through the use of spray cans, Ladislas Kijno became known as one of the "spiritual fathers" of French street art.
In 1980 at the Venice Biennale Kijno exhibited 30 monumental paintings in the recognizable "crumpled" technique under the general title "Theater of Neruda".
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
Ladislas Kijno is a French artist of Polish origin, one of the greatest abstractionists of the twentieth century.
In 1958 he moved to Paris and was accepted into the Salon de Mai committee. In Paris Kijno invented the technique of froissage - work with crumpled paper. During the same period the artist began experimenting with spray can paints, thus creating a synthesis between traditional painting techniques and modern inventions. Through the use of spray cans, Ladislas Kijno became known as one of the "spiritual fathers" of French street art.
In 1980 at the Venice Biennale Kijno exhibited 30 monumental paintings in the recognizable "crumpled" technique under the general title "Theater of Neruda".
Ladislas Kijno is a French artist of Polish origin, one of the greatest abstractionists of the twentieth century.
In 1958 he moved to Paris and was accepted into the Salon de Mai committee. In Paris Kijno invented the technique of froissage - work with crumpled paper. During the same period the artist began experimenting with spray can paints, thus creating a synthesis between traditional painting techniques and modern inventions. Through the use of spray cans, Ladislas Kijno became known as one of the "spiritual fathers" of French street art.
In 1980 at the Venice Biennale Kijno exhibited 30 monumental paintings in the recognizable "crumpled" technique under the general title "Theater of Neruda".
Ladislas Kijno is a French artist of Polish origin, one of the greatest abstractionists of the twentieth century.
In 1958 he moved to Paris and was accepted into the Salon de Mai committee. In Paris Kijno invented the technique of froissage - work with crumpled paper. During the same period the artist began experimenting with spray can paints, thus creating a synthesis between traditional painting techniques and modern inventions. Through the use of spray cans, Ladislas Kijno became known as one of the "spiritual fathers" of French street art.
In 1980 at the Venice Biennale Kijno exhibited 30 monumental paintings in the recognizable "crumpled" technique under the general title "Theater of Neruda".
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Norbert Prangenberg was an abstract painter, sculptor, and engraver. Though he had no formal training and did not fully engage with art until his 30s, Prangenberg did finally come up with a style that was uniquely his own, not fitting comfortably into the neo-expressionist or neo-geo movements of his time, in the 1970s and 1980s. At this time, he was considered a major figure in contemporary German art. Though he got his start with abstract paintings, he also became known for making sculptures of all sizes; and while his work initially appears abstract, the titles given sometimes allude to the human body or a landscape. As a trained gold- and silversmith, as well as a glassblower, he always showed an attention to materials and how they could be physically engaged with. He was interested in how his own two hands could affect the painting or sculpture's surface. Traces of the artist's hand appear literally throughout his entire oeuvre, before he lost the battle with liver cancer in 2012.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Anton Räderscheidt was a German painter who was a leading figure of the New Objectivity. Räderscheidt was born in Cologne. His father was a schoolmaster who also wrote poetry. From 1910 to 1914, Räderscheidt studied at the Academy of Düsseldorf. He was severely wounded in the First World War, during which he fought at Verdun. After the war he returned to Cologne, where in 1919 he cofounded the artists' group Stupid with other members of the local constructivist and Dada scene. The group was short-lived, as Räderscheidt was by 1920 abandoning constructivism for a magic realist style. In 1925 he participated in the Neue Sachlichkeit ("New Objectivity") exhibition at the Mannheim Kunsthalle.
