Contemporary paintings, drawings, watercolors — 1210. Auction ONLINE ONLY | From Beuys to Warhol
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Jerry Zeniuk, a German and American artist of Ukrainian origin, is celebrated for his pioneering role in the realms of analytical, fundamental, and radical painting, movements that flourished primarily in the USA, Italy, and Germany during the 1970s. His art is distinguished by a meticulous focus on the essence of painting, exploring its potential and experiential spaces through a minimalist yet profound approach. Zeniuk's notable participation in documenta 6 in Kassel in 1977 underscored his significant contribution to these artistic trends, which has been recognized in numerous retrospectives.
Jerry Zeniuk's career includes an influential tenure as a professor at the Academy of Fine Arts in Munich from 1993 to 2011, further cementing his impact on the art world. His works, characterized by their subtle yet impactful exploration of color and form, have been included in the collections of prestigious institutions such as the Lenbachhaus in Munich, Neue Galerie in Kassel, Neues Museum Weserburg in Bremen, and internationally at the FRAC - Pays de la Loire in France and Kunstmuseum Winterthur in Switzerland, among others.
For collectors and art experts, Jerry Zeniuk's work represents a nuanced and intellectual approach to modern painting, offering depth and contemplation in each piece. His contributions have not only shaped the trajectory of contemporary art but also offer a timeless appeal to those who appreciate the layered complexities of visual expression.
Stay updated on Jerry Zeniuk's exhibitions and available works by signing up for newsletters tailored for art collectors and enthusiasts. This subscription ensures you remain informed about the latest sales and auction events featuring Zeniuk's work, providing unique opportunities to engage with the evolving landscape of contemporary art.
Peter Schmersal is a German painter who lives and works in his native city and in Berlin. His work is characterized by a stylistic variety. Schmersal studied graphic design in Wuppertal from 1971 to 1975 and then worked as a graphic designer. From 1978 he engaged in painting. In the mid-1980s, primarily still lifes, landscapes and architectural depictions were created. There is already a certain casualness to the motifs from this period, they appear in fleeting snapshots that are characterized by a fragmentary execution. The still lifes show classic subjects: flowers, fruits, dead animals and everyday objects such as bottles, serviettes, stools or tables. At the beginning of the 1990s, in addition to urban landscapes, there were above all examinations of the portrait, which is also often fragmented, not only from the front, but often also in an unusual top or bottom view, up to a physiognomic detail representation, for example the mouth and mouth eye area. Since the beginning of the millennium, the choice of motifs at Schmersal could hardly have been more heterogeneous. Due to the well-considered incoherence of individual motifs, Schmersal juxtaposes the most diverse types of authorship, style, genre and context of exploitation. In terms of motifs, there are still no self-imposed specific guidelines, but figures, still lifes and landscapes continue to dominate
Igor Oleinikov is a German artist and painter of Russian origin, living and working in Berlin since 2007.
After graduating from the Krasnodar Art Academy the artist had his first exhibitions in Krasnodar and Moscow. Then, after moving to Germany, he studied at the Art Academy in Karlsruhe and at the Dusseldorf Academy of Art.
In magical portraits and hybrid compositions with wolves and other forest dwellers, Oleinikov uses the traditions of modernism, romanticism, including them in surrealist color and abstraction.
Peter Schmersal is a German painter who lives and works in his native city and in Berlin. His work is characterized by a stylistic variety. Schmersal studied graphic design in Wuppertal from 1971 to 1975 and then worked as a graphic designer. From 1978 he engaged in painting. In the mid-1980s, primarily still lifes, landscapes and architectural depictions were created. There is already a certain casualness to the motifs from this period, they appear in fleeting snapshots that are characterized by a fragmentary execution. The still lifes show classic subjects: flowers, fruits, dead animals and everyday objects such as bottles, serviettes, stools or tables. At the beginning of the 1990s, in addition to urban landscapes, there were above all examinations of the portrait, which is also often fragmented, not only from the front, but often also in an unusual top or bottom view, up to a physiognomic detail representation, for example the mouth and mouth eye area. Since the beginning of the millennium, the choice of motifs at Schmersal could hardly have been more heterogeneous. Due to the well-considered incoherence of individual motifs, Schmersal juxtaposes the most diverse types of authorship, style, genre and context of exploitation. In terms of motifs, there are still no self-imposed specific guidelines, but figures, still lifes and landscapes continue to dominate