ÉCOLE VÉNITIENNE VERS 1320 - photo 1
ÉCOLE VÉNITIENNE VERS 1320 - photo 2
ÉCOLE VÉNITIENNE VERS 1320 - photo 3

ÉCOLE VÉNITIENNE VERS 1320

Lot 114
18.05.2022 14:30UTC +01:00
Classic
Sold
€ 214 200
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 761490
Lot 114 | ÉCOLE VÉNITIENNE VERS 1320
Estimate value
€ 120 000 – 180 000
ÉCOLE VÉNITIENNE VERS 1320Vierge à l'Enfant avec deux angestempera et huile sur panneau et fond d'or, dans un cadre intégral32 x 22 cm (12 1⁄2 x 8 1⁄2 in.) Provenance Collection E. Christopher Norris (1907-1987), Londres, Grande-Bretagne, avant 1940.Agnew's, Londres, Grande-Bretagne, 1952 (comme 'école siennoise du début du XIVe siècle').Collection Gladys, Lady Robertson (1886-1977), Londres, Grande-Bretagne, de 1953 jusqu'en 1977. Galerie Sankt-Lukas, Vienne, Autriche, 1977 (comme 'école siennoise, XIV siècle'). Collection particulière, Vienne, Autriche, 1977.G. Sarti Antiques Ltd, Londres, Grande-Bretagne, 2005.Collection du Docteur André Convert (1931-2021), région Rhône-Alpes, France. Literature G. Sarti, Splendeurs de la peinture italienne 1250-1510, Paris, 2005, VI, pp. 24-31 (comme 'école vénitienne vers 1320'), reproduit en couleurs p. 25. Exhibited Prêt au Fogg Art Museum, Cambridge, États-Unis, 22 juillet 1940-12 décembre 1945 (inv. 534.1940) (comme 'italien, XIIe siècle').Prêt au Diözesanmuseum, Vienne, Autriche, 2002-2003. Post lot text VENITIAN SCHOOL AROUND 1320, VIRGIN AND CHILD WITH TWO ANGELS, TEMPERA AND OIL ON PANEL AND GOLD GROUND, IN AN INTEGRAL FRAMEThe Madonna tenderly embracing the Christ Child is an iconographic theme often referred to as the Glykophilousa, ‘Madonna of loving-kindness’. It was very popular in the Byzantine world of the 13th century. In the present panel, the child's movements are more passionate than one would usually expected; he throws himself against his mother to embrace her, his arms open, standing on tiptoes. In comparison the Madonna is all tenderness, gazing into the distance as if to indicate the tragic presentiment of her son's death. The Byzantine influence is immediately evident in this work. Various famous Marian icons may serve as models for the composition, such as The Mellon Madonna and The Kahn Madonna, both in the collection of the National Gallery in Washington. These examples, which date from the thirteenth century, have similar discs in the corners of the panel, but they are both more strictly Byzantine than our panel. Here the draperies of the two main figures and the angels are lighter, quivering from the movement of Christ. The latter’s red cloak and transparent shirt fall in small flowing folds very different to the geometric folds of the Washington panels. The influence of Venetian artists such as Paolo Veneziano (1300-1365) or the Master of the Coronation of 1324 (active around 1324) can also be found in the slender shape of the Madonna's fingers. Venice experienced a rapid development in painting during the first two decades of the 14th century, which saw a renewal of the Byzantine models. The image of the standing Child, of which our painting is an important example, enjoyed a fleeting fashion in the Serenissima at this time; we find other examples in Paolo Veneziano's work, such as the one now in the Norton Simon Museum, California, though the iconography of the seated Christ remained more popular. One of the names associated with this period is that of the Master of the Triptych of St. Clare, whose name comes from an altarpiece from the convent of the Poor Clares in Trieste, now in the Civico Museo Sartorio in Trieste. A comparison of our panel with the central part of this altarpiece places the artist of the Madonna and Child with two angels in the orbit of the Master of the Triptych of Saint Clare. In both instances we find an attempt at fluidity and a speed of execution, which is the logical extension of the style of Venetian paintings from around 1290, and which lends a certain grace to the composition that is not always found in strictly Byzantine models. An important aspect of our painting is the incision of the gold ground. The two angels have nimbus with scrolls and clusters of three points introduced by the Master of the Coronation of 1324, perhaps identifiable with Marco Veneziano (active in the first third of the 14th century), Paolo's father, which would indicate a date of execution of circa 1320. In the nimbus of the Virgin, on the other hand, there is a type of incision that was widespread in central Italy before Cimabue's revival, namely graining (dot-shaped incisions) from the background of which emerge in reserve (in negative) a series of alternating three-lobed arcades with rich foliage. A similar nimbus decorates the background of a Virgin and Child in the centre of a triptych in the Thyssen-Bornemisza museum in Madrid that is attributed to the Master of the Triptych of St. Clare.
Applied technique:Oil on panel
Art style:Old Masters
Place of origin:Italy, Europe
Auction house category:Paintings
Address of auction CHRISTIE'S
9 Avenue Matignon
75008 Paris
France
Preview
18.05.2022 – 18.05.2022
Phone +33 (0)1 40 76 85 85
Fax +33 (0)1 40 76 85 86
Email
4FQ.AYGKAGLUQ@AGLSDAYQG1LYAK3YGRQ@
Conditions of purchaseConditions of purchase
Shipping Postal service
Courier service
pickup by yourself
Payment methods Wire Transfer
Business hoursBusiness hours
Mo 09:00 – 00:00    00:00 – 18:00
Tu 09:00 – 00:00    00:00 – 18:00
We 09:00 – 00:00    00:00 – 18:00
Th 09:00 – 00:00    00:00 – 18:00
Fr 09:00 – 00:00    00:00 – 18:00
Sa closed
Su closed

Related terms

Frequently asked questions

First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.
?>