ID 1064384
Lot 17 | ANDREW WYETH (1917-2009)
Estimate value
$ 4 000 000 – 6 000 000
Spring Fed
signed ‘Andrew Wyeth’ (lower right)
tempera on panel
27 ½ x 39 ½ in. (69.8 x 100.3 cm.)
Painted in 1967
Provenance
The artist.
M. Knoedler & Co., Inc., New York.
Mr. William E. Weiss, New York (acquired from the above, 1967).
By descent from the above to the present owner.
Literature
R. Meryman, Andrew Wyeth, Boston, 1968 (illustrated).
R. Meryman, Andrew Wyeth, Boston, 1969 (illustrated).
W. Corn, The Art of Andrew Wyeth, Connecticut, 1973 (illustrated).
“Andrew Wyeth” in Mizue: A Monthly Review of the Fine Arts, July 1973 (illustrated).
R. Rathbone and T. Miki, “Andrew Wyeth: A Japanese Viewpoint” and “And American Artist in Japan” in American Art Review, May 1974, pp. 83-93 (illustrated).
T. Hoving, Two Worlds of Andrew Wyeth–A Conversation with Andrew Wyeth, Boston, 1976 (illustrated).
D. and J. Abse, Voices in the Gallery–Poems & Pictures Chosen by Dannie & Joan Abse, London, 1986 (illustrated).
"Ein Bilderschatz in der alten Muhle wird zue Presseund Preissensation" in Art - Das Kunstmagazin, November 1986, pp. 88-92 (illustrated).
A. Chase, "Wyeth Country” in Vogue, October 1987, p. 316 (illustrated).
J. Duff, T. Hoving and L. Kirstein, "An American Vision" in Express, June 1987, pp. 6-9 and 52-53 (illustrated).
E. Sozanski, "The Wyeth works that Soviets saw" in The Philadelphia Inquirer, 5 July 1987, p. i1 (illustrated).
L. Sweeney, "The art of the Wyeths–After touring the USSR, a three-generation exhibition is on view in the US before going on to Japan, Italy, and England" in Christian Science Monitor, 8 July 1987, p. 23 (illustrated).
"An American Vision–three generations of Wyeth art" in Dallas News, 4 October 1987 (illustrated)."Wyeth art Dynasty–Dallas Museum features three generations of painters" in Telegraph, 1 October 1987 (illustrated).
J. Duff, "An American Vision: Three Generations of Wyeth Art" in U.S.A. Today, 1 January 1988, pp. 36-47 (illustrated).
Contemporary Great Masters–Andrew Wyeth, Tokyo, 1993 (illustrated).
R. Meryman, Andrew Wyeth–A Secret Life, New York, 1996 (illustrated).
B. Kalisher, "The Kuerner Farm" in Chronos, April 2004, pp. 40-44 (illustrated).
J. Kay, "Wyeth's Inspiration Opens to Public" in The Ledger, 9 June 2004.
D.S. Greben, "Wyeth's World" in Art News, October 2005, pp. 148-151 (illustrated).
T. Medoff, "Home of Inspiration" in AAA World, May 2005, p. 19 (illustrated).
A. Lisante, "Wyeth Country" in Philadelphia Daily News, 28 March 2006 (illustrated).
V. and S. Friedman, "Canvasing the world of Wyeth" in The Mercury, 9 April 2006 (illustrated).
J. Woolridge, "Wyeth Country: Pennsylvania's Brandywine Valley givers visitors an intimate glimpse of artist's world" in The Miami Herald, 14 May 2006 (illustrated).
K. Heller, "It feels good to say: She was wrong about Wyeth" in The Philadelphia Inquirer, 11June 2006, p. M3.
R. Rice, "Grim Fairy Tales: The Andrew Wyeth show is a matter of life, but more subtly, death" in Citypaper Philadelphia, 27 April 2006.
O. Nerdrum, Kitsch–Mer Enn Kunst, Oslo, 2009 (illustrated).
Nerdrum, Odd, Kitsch–More Than Art, Oslo, 2011 (illustrated).
P. Eliasoph, R. Jackson, Paintings, Atglen, Pennsylvania, 2012 (illustrated).
R. Meryman, Andrew Wyeth: A Spoken Self-Portrait, Washington, D.C., 2013 (illustrated).
G. Fabrikant, "In a Patch of Pennsylvania, Three Faces of Wyeth" in The New York Times, 26 May 2013, p. TR8.
A. Guglielmetti, "Le temps dans la peinture d'Andrew Wyeth" in Mirabilia, September 2014, pp. 88-109 (illustrated).
J. Balestrieri, "Painting Windows and A Family Affair" in American Fine Art, May 2014, pp. 48-55 (illustrated).
S. Doherty, "New Exhibition Highlights Wyeth's New Windows" in Plein Air, August 2014, pp. 30-32 (illustrated).
"Andrew Wyeth: Looking Out, Looking In" in American Art Review, October 2014, pp. 122-125 (illustrated).
National Gallery of Art, Exhibitions, Washington, D.C., 2014 (illustrated on the cover).
S. Takahashi, Bulletin of the Aichi Prefectural Museum of Art, 2014 (illustrated).
F. Sellers, "In Chadds Ford, Pa., they still tell stories about Andrew Wyeth, but plenty of mysteries remain" in The Washington Post, 24 April 2014 (illustrated).
C. Elvidge, "The Report: Mr. Andrew Wyeth" in Mr. Porter, 22 April 2014 (illustrated).
L. Mallonee, "Finding Refuge in Wyeth's Windows" in Hyperallergic.com, 12 November 2014 (illustrated).
K. Baumgartner, Andrew Wyeth: People and Places, Chadds Ford, Pennsylvania, 2017 (illustrated).
S. Takahashi, Andrew Wyeth, Tokyo, 2017 (illustrated).
B. Sokol, "A Dynasty of Light" in American Way, July 2017, pp. 52-60 (illustrated).
T. Hine, "Wyeth's World" in The Philadelphia Inquirer, 25 June 2017, H1, H7 (illustrated).
R. Colvin, "Retrospective of Andrew Wyeth, a Painter Both Loved and Loathed" in Hyperallergic.com, 5 December 2017 (illustrated).
Exhibited
Boston, Massachusetts, Museum of Fine Arts, Andrew Wyeth, July-September 1970 (illustrated).
Tokyo, The National Museum of Modern Art, and elsewhere, Andrew Wyeth, April-June 1974 (illustrated).
New York, The Metropolitan Museum of Art, Two Worlds of Andrew Wyeth: Kuerners and Olsons, October 1976-February 1977.
London, Royal Academy of Arts, Andrew Wyeth, June-August 1980 (illustrated).
Chadds Ford, Pennsylvania, Brandywine River Museum of Art; Leningrad, Academy of the Arts of USSR; Moscow, Academy of the Arts of the USSR; Washington, D.C., Corcoran Gallery of Art; Dallas Museum of Art; Chicago, Terra Museum of American Art; Tokyo, Setagaya Art Museum; Milan, Palazzo Reale; Cambridge, Fitzwilliam Museum, An American Vision: Three Generations of Wyeth Art, March 1987-November 1988 (illustrated).
Chadds Ford, Pennsylvania, Brandywine River Museum of Art, The Kuerner Farm, April-October 2004.
Atlanta, High Museum of Art and Philadelphia Museum of Art, Andrew Wyeth: Memory and Magic, November 2005-July 2006 (illustrated).
Chadds Ford, Pennsylvania, Brandywine River Museum of Art, A Painter's View: Andrew Wyeth's Studio, March-November 2012.
Washington, D.C., National Gallery of Art, Andrew Wyeth: Looking Out, Looking In, May-November 2014 (illustrated).
Chadds Ford, Pennsylvania, Brandywine River Museum of Art and Seattle, Washington, Seattle Art Museum, Andrew Wyeth: In Retrospect, June 2017-January 2018 (illustrated).
Chadds Ford, Pennsylvania, Brandywine River Museum of Art, 1988-2023 (on extended loan).
Further Details
The Andrew & Betsy Wyeth Study Center of the Brandywine Museum of Art confirms that this object is recorded in Betsy James Wyeth’s files.
Address of auction |
CHRISTIE'S 20 Rockefeller Plaza 10020 New York USA | ||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Preview |
| ||||||||||||||
Phone | +1 212 636 2000 | ||||||||||||||
Fax | +1 212 636 4930 | ||||||||||||||
Conditions of purchase | Conditions of purchase | ||||||||||||||
Shipping |
Postal service Courier service pickup by yourself | ||||||||||||||
Payment methods |
Wire Transfer | ||||||||||||||
Business hours | Business hours
|
More from Creator
Related terms
Frequently asked questions
First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.