ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608) - photo 1
ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608) - photo 2
ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608) - photo 3

ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608)

Lot 1
15.11.2023 14:30UTC +01:00
Classic
Sold
€ 35 280
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1071560
Lot 1 | ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608)
Estimate value
€ 15 000 – 20 000
ATTRIBUÉ À GEÓRGIOS KLÓNTZAS (1530-1608)

La Crucifixion

tempera et huile sur panneau, cintré dans la partie supérieure

dans un cadre intégral

16,5 x 13 cm. (6 ½ x 5 1⁄8 in.)





Provenance

Johann Anton Ramboux (1790-1866) ; sa vente, Lempertz, Cologne, (Me Heberle), 23 mai 1867, lot 284 (comme 'Imitation neo-grecque. Revers d'un triptyque: le Crucifiement du Christ').

Collection particulière, Belgique.



Further Details

ATTRIBUTED TO GEÓRGIOS KLÓNTZAS, THE CRUCIFIXION, TEMPERA AND OIL ON PANEL, ARCHED-TOP, IN AN INTEGRAL FRAME

George Klontzas (circa 1535-1608) belonged to the Cretan school of painting. This was deeply influenced by Venetian trends from the 15th to 17th centuries, as the island belonged to the Venetian Republic until the Ottoman invasion of 1645. This period, known as the 'Cretan Renaissance', saw the Byzantine motifs and iconographic codes of the Orthodox Church mixed with those originating in the Serenissima; associated in the 16th century with the figures of Titian (1488/1490-1576), Tintoretto (1518-1594) and Veronese (1528-1588).

In this jewel-like painting, Klontzas treats the Crucifixion, an iconographic subject dear to both the Orthodox and Roman Churches, in the manner of an icon, its small format implying that it was an object of private devotion. This post-Byzantine heritage is combined with motifs from Venetian painting, such as the horsemen and their mounts, and the bell tower in the background – all reminiscent of the Crucifixion by Vivarini (active around 1415-1480) in the Art Museum of Ravenna. Our Crucifixion can also be compared with that of another painter who left his mark on the Cretan Renaissance, Georgios Markazinis (active in the 17th century), which also features a cityscape in the background (Istituto Ellenico di Studi Bizantini e Postbizantini di Venezia, Venice).

The treatment of the drapery, with its accentuated folds, and of the figures in the foreground - including the Virgin and Saint John - recalls that of El Greco (1541-1614) in his icon of the Dormition of the Virgin (fig. 1), still in its eponymous church in Ermoúpoli. This is not surprising, as the two painters definitely knew one another; in 1564, Klontzas was hired by El Greco to estimate an icon (M. Constantoudaki, 'Klontzas, Georgios c. 1535-1608', in G. Speak, Encyclopedia of Greece and the Hellenic Tradition, Abingdon-on-Thames, 2021, II, p. 893).

The provenance of this small panel is also worth noting, as it appeared in the posthumous sale of Johann Anton Ramboux (1790-1866), who, as the catalogue of his sale states, was the 'Curator of the Cologne City Museum' at the end of his career. Born in Trier, Prussia, he quickly discovered a talent for drawing that enabled him to join the Paris studio of Jacques-Louis David (1748-1825) in 1812. On the strength of this training, he entered the Academy of Fine Arts in Munich in 1815 before moving to Rome the following year. In the Eternal City, he frequented the Nazarene milieu. This first Italian sojourn (1816-1822) left its mark on Ramboux, who returned to live there a decade later. Here he painted in all genres - religious scenes, genre scenes and landscapes, as well as making a number of copies of Renaissance works. The Museum Kunstpalast in Düsseldorf has an interesting copy by Ramboux of Saint Francis of Assisi Receiving the Stigmata by Giotto (1267-1337) (inv. no. R50). His appointment to Cologne in 1844 as head of the collection of Ferdinand Franz Wallraf (1748-1824) – now the Wallraf Richartz Museum – eventually led him to return to Prussia. Ramboux's career perfectly exemplifies the 'connoisseur-artist' so highly revered in the Nineteenth Century.
Artist:Georgios Klontzas (1535 - 1608)
Applied technique:Oil on panel
Art style:Old Masters
Place of origin:Greece, Europe
Auction house category:Paintings
Address of auction CHRISTIE'S
9 Avenue Matignon
75008 Paris
France
Preview
11.11.2023 10:00 – 18:00
12.11.2023 14:00 – 18:00
13.11.2023 10:00 – 18:00
14.11.2023 10:00 – 18:00
15.11.2023 10:00 – 14:30
Phone +33 (0)1 40 76 85 85
Fax +33 (0)1 40 76 85 86
Email
4FQ.AYGKAGLUQ@AGLSDAYQG1LYAK3YGRQ@
Conditions of purchaseConditions of purchase
Shipping Postal service
Courier service
pickup by yourself
Payment methods Wire Transfer
Business hoursBusiness hours
Mo 09:00 – 00:00    00:00 – 18:00
Tu 09:00 – 00:00    00:00 – 18:00
We 09:00 – 00:00    00:00 – 18:00
Th 09:00 – 00:00    00:00 – 18:00
Fr 09:00 – 00:00    00:00 – 18:00
Sa closed
Su closed

Related terms

Frequently asked questions

First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.
?>