ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770) - photo 1
ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770) - photo 2
ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770) - photo 3

ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770)

Lot 47
15.06.2023 15:00UTC +01:00
Classic
Sold
€ 23 940
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 974642
Lot 47 | ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770)
Estimate value
€ 12 000 – 18 000
ATTRIBUÉ À MARIA FELICE TIBALDI (1707-1770)

Le triomphe d'Arlequin

huile sur toile

26,2 x 50,6 cm. (10 1/3 x 19 7/8 in.)





Provenance

Collection de Jules Strauss (1861-1943) ; puis par descendance à sa fille, Francoise Hélène Juliette Sorbac (1900-1986) ; puis par descendance à l'actuel propriétaire.



Post lot text

ATTRIBUTED TO MARIA FELICE TIBALDI, THE TRIUMPH OF HARLEQUIN, OIL ON CANVAS

This joyfully colourful company grouped around a fairy-tale float brings together various figures in Harlequin garb. A couple of lovers who sit atop the float, their exaggerated gestures very much in keeping with the aesthetics of the Comedia dell'Arte, are particularly prominent in this matrimonial procession. The main figure of Harlequin in this composition is borrowed from a painting by Watteau (1684-1721) known from the engraving by Charles-Nicolas Cochin (1715-1790), Pour garder l'honneur d'une belle (British Museum, London, inv. no. 1838,0526.1.83), while the chariot itself recalls an engraving of 1735 by Jean-Baptiste Marie Pierre (1714-1789), the Mascarade chinoise (Metropolitan museum of Art, New York, inv. no. 53.600.4449).

With its frieze of harlequins, the composition of the present painting is similar to a one by Pierre Subleyras (1699-1749) from the collection of Cardinal Valenti-Gonzaga (1690-1756), which was sold in 2001 (anonymous sale, Christie's London, 2 November 2001, lot 101). This latter, more densely populated and decorated with greater theatricality, was perhaps a intended as a design for an interior decoration. The idea of composition was taken up by his wife, Maria Felice Tibaldi (1707-1770), in a painting of similar format and composition to the present work kept in the Musée des Augustins (Toulouse, no. inv. 55 1 1). The hemispherical format of the Toulouse painting leaves no doubt as to its purpose: it is the design for a fan, believed to have been intended for the Spanish queen, Elisabeth Farnese (1692-1766). An actual fan based on this composition is now in the Victoria and Albert Museum in London (inv. no. T.153-1920).

Maria Tibaldi was a brilliant miniaturist who, like her husband, was a member of the Academy of St. Luke in Rome from 1742. She was only the second woman to join the Academy after Rosalba Carriera (1673-1757). Her interpretation of Pierre Subleyras' painting seems to have been well received. It is believed that several fans were constructed after it, that the composition was repeated by the artist herself and that it inspired others. Indeed, a painting by Hubert Robert (1733-1808), once attributed to Watteau (present location unknown) repeats the composition imagined by Maria Subleyras in a walled park (see M. Roland Michel, 'Notes on a Painting by Hubert Robert Formerly Attributed to Watteau', The Burlington Magazine, November 1960, 102, 962, pp.ii-iii).
Applied technique:Oil on canvas
Art style:Old Masters
Genre:Genre art
Place of origin:Italy, Europe
Auction house category:Paintings
Address of auction CHRISTIE'S
9 Avenue Matignon
75008 Paris
France
Preview
15.06.2023
Phone +33 (0)1 40 76 85 85
Fax +33 (0)1 40 76 85 86
Email
4FQ.AYGKAGLUQ@AGLSDAYQG1LYAK3YGRQ@
Conditions of purchaseConditions of purchase
Shipping Postal service
Courier service
pickup by yourself
Payment methods Wire Transfer
Business hoursBusiness hours
Mo 09:00 – 00:00    00:00 – 18:00
Tu 09:00 – 00:00    00:00 – 18:00
We 09:00 – 00:00    00:00 – 18:00
Th 09:00 – 00:00    00:00 – 18:00
Fr 09:00 – 00:00    00:00 – 18:00
Sa closed
Su closed

Related terms

Frequently asked questions

First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.
?>