oil on canvas
Leon de Smet was a Belgian painter who is known for his contributions to the development of Fauvism and Post-Impressionism. He was studied at the Academy of Fine Arts in Ghent before moving to Paris to further his artistic education.
De Smet's early work was heavily influenced by the Impressionist movement, but he soon became interested in the use of bold colors and expressive brushstrokes that were characteristic of the Fauvist style. His paintings often featured rural landscapes, still lifes, and portraits, and he was known for his ability to capture the fleeting effects of light and color in his scenes.
During World War I, de Smet returned to Belgium and began to focus more on still lifes and interiors. His style became more subdued and introspective, reflecting the difficult conditions of the war years. In the 1920s and 30s, he returned to the use of bright colors and bold brushstrokes, and his work continued to evolve throughout his career.
His work continues to be celebrated for its contribution to the development of modern art in Belgium and beyond, and his paintings are highly valued by collectors and art enthusiasts around the world.
Leon de Smet was a Belgian painter who is known for his contributions to the development of Fauvism and Post-Impressionism. He was studied at the Academy of Fine Arts in Ghent before moving to Paris to further his artistic education.
De Smet's early work was heavily influenced by the Impressionist movement, but he soon became interested in the use of bold colors and expressive brushstrokes that were characteristic of the Fauvist style. His paintings often featured rural landscapes, still lifes, and portraits, and he was known for his ability to capture the fleeting effects of light and color in his scenes.
During World War I, de Smet returned to Belgium and began to focus more on still lifes and interiors. His style became more subdued and introspective, reflecting the difficult conditions of the war years. In the 1920s and 30s, he returned to the use of bright colors and bold brushstrokes, and his work continued to evolve throughout his career.
His work continues to be celebrated for its contribution to the development of modern art in Belgium and beyond, and his paintings are highly valued by collectors and art enthusiasts around the world.
Léon Zak, birth name Lev Vasilyevich Zak (Russian: Лев Васильевич Зак), was a Russian poet, painter, graphic artist, stage designer and sculptor, theorist and ideologist of Futurism.
Leon Zak belonged to the Paris School. After years of figurative painting, his art moved increasingly towards abstraction. From 1950 he also turned to sacred art and created crucifixes, sculptures for church interiors and stained glass windows.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Jean Siméon Chardin was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
Louis-Léopold Boilly was a French painter and draftsman. A gifted creator of popular portrait paintings, he also produced a vast number of genre paintings vividly documenting French middle-class social life. His life and work spanned the eras of monarchical France, the French Revolution, the Napoleonic Empire, the Bourbon Restoration and the July Monarchy. His 1800 painting Un Trompe-l'œil introduced the term trompe-l'œil ("trick the eye"), applied to the technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, though the "unnamed" technique itself had existed in Greek and Roman times.
