ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 1
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 2
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 3
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 4
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 5
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) - photo 6

ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594)

Lot 35
18.05.2022 14:30UTC +01:00
Classic
Sold
€ 12 600
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 761303
Lot 35 | ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594)
Estimate value
€ 10 000 – 15 000
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594)Ensemble de six dessins représentant divers métiers et des animauxnuméroté '6', '33', '41' (recto) et inscrit 'ASA/ R' (verso) (1)pierre noire, plume et encre noire et brune, rehaussé de blanc23,5 x 16,3 cm (9 1⁄4 x 6 3⁄8 in.) Post lot text ATTRIBUTED TO PIERRE REYMOND, SET OF THREE DRAWINGS OF OCCUPATIONS AND ANIMALS (RECTO AND VERSO), PEN AND BROWN AND BLACK INK, HEIGHTENED WITH WHITE, ON BLUE GREY WASHED PAPEROriginally from Limoges, Pierre Reymond managed an important studio of painted enamels during the 16th century (E. Rupin, ‘Pierre Reymond, émailleur à Limoges’, in Bulletin de la Société Scientifique, Historique et Archéologique de la Corrèze, VII, 1885, pp. 5-13). Even though he used color, Reymond specialised in grisaille for his enamels, as the present three double-sided drawings show. Each is made on a sheet of blue-grey paper: on the recto of the sheets we can see a miniaturist, a squirrel and a tavern-keeper, while the verso depicts a squirrel, a peacock and a portrait of a man in profile, respectively. Each sheet is numbered, suggesting they are pages from a dismantled album. Three drawings from the same series, attributed to Pierre Reymond and conserved at the Princeton University Art Museum, confirm this idea (inv. x1953-13, x1953-12, x1944-301). Did these drawings constitute a repertoire of models for this renowned enameller? In the same manner, the Musée du Louvre hold a round saltcellar in painted enamel and grisaille attributed to Pierre Reymond, on which one can identify the same figure of the peacock.
Place of origin:Western Europe, France, Europe
Address of auction CHRISTIE'S
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