france
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
Francesco Ubertini Verdi, nicknamed Bacchiacca, was an Italian late Renaissance painter of the Florentine school.
He was born into a creative family: his father was a goldsmith and his brothers were painters. Bacchiacca earned a reputation for his skill as a painter and became the court painter to the dukes, and carried out commissions to paint walls and ceilings for noble Italian families, painting portraits, allegories, altarpieces and images.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on vedute. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture.
Francesco Primaticcio was an Italian Mannerist painter, architect and sculptor who spent most of his career in France.
Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century.
Giovanni Francesco Gessi was an Italian Baroque painter, one of the greatest masters of the Bolognese school of painting in the first half of the 17th century. Around 1607 he was an apprentice in the studio of Guido Reni. Together with his teacher he worked in Rome, Mantua and Ravenna.
During his apprenticeship Giovanni Francesco Jesse studied different artistic movements in contemporary Italy (around 1600), in particular those of the Bolognese and Neapolitan schools, and was able to create his own, original style by combining them and their mutual influence. He painted mainly on religious themes, but also on mythological subjects.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on vedute. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture.
Frances Mary Hodgkins was a New Zealand painter chiefly of landscape and still life, and for a short period was a designer of textiles.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
Frances Mary Hodgkins was a New Zealand painter chiefly of landscape and still life, and for a short period was a designer of textiles.
Frances Mary Hodgkins was a New Zealand painter chiefly of landscape and still life, and for a short period was a designer of textiles.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
Stay updated on Frances Scholz's latest projects and exhibitions by signing up for newsletters focused on contemporary art and film. This subscription ensures you're informed about new sales, auction events, and exclusive insights into Scholz's evolving creative journey.
