ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667) - photo 1
ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667) - photo 2
ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667) - photo 3
ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667) - photo 4

ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667)

Lot 8
23.05.2024 14:00UTC -05:00
Classic
Sold
$ 47 880
AuctioneerCHRISTIE'S
Event locationUSA, New York
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1196531
Lot 8 | ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595/5-1667)
Estimate value
$ 50 000 – 70 000
ATTRIBUTED TO CORNELIS VAN POELENBURCH (?UTRECHT 1595⁄5-1667)

A capriccio of the Campo Vaccino with merchants selling cattle and a washerwoman at a fountain in the foreground, and the Castel Sant'Angelo beyond

inscribed ‘MCXX’ (on the fountain)

oil on silvered copper

16 ¼ x 22 in. (41.3 x 55.8 cm.)





Provenance

[The Property of Mrs. J.S. Braddel]; Christie’s, London, 2 July 1965, lot 2, as Bartholomeus Breenbergh, where acquired for 3,600 gns. by the following,

with Edward Speelman, London, where acquired by,

Sir Charles Clore (1904-1979), London.

Anonymous sale; Sotheby’s, London, 11 December 1985, lot 122, as Cornelis van Poelenburgh.

Anonymous sale; Christie’s, London, 8 December 1989, lot 27, as Cornelis van Poelenburgh, where acquired by the present owner.



Literature

Nederlandse 17e eeuwse Italianiserende landschapschilders, exhibition catalogue, Utrecht, 1965, p. 64-65, under no. 11, as Cornelis van Poelenburgh.

Le siècle de Rembrandt: tableaux hollandais des collections publiques françaises, exhibition catalogue, Paris, 1970-71, p. 156, under no. 157, as Cornelis van Poelenburgh.

M. Roethlisberger, Bartholomeus Breenbergh: The Paintings, Berlin and New York, 1981, p. 30, under no. 12; p. 31, no. 16, as Cornelis van Poelenburgh.

N. Sluijter-Seijffert, Cornelis van Poelenburgh, 1594⁄5-1667: The paintings, Amsterdam and Philadelphia, 2016, p. 367, under no. 231, as a copy of a version in the Musée du Louvre, Paris.
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