FELIX GONZALEZ-TORRES (1957-1996) - photo 1
FELIX GONZALEZ-TORRES (1957-1996) - photo 2
FELIX GONZALEZ-TORRES (1957-1996) - photo 3
FELIX GONZALEZ-TORRES (1957-1996) - photo 4
FELIX GONZALEZ-TORRES (1957-1996) - photo 5
FELIX GONZALEZ-TORRES (1957-1996) - photo 6
FELIX GONZALEZ-TORRES (1957-1996) - photo 7
FELIX GONZALEZ-TORRES (1957-1996) - photo 8
FELIX GONZALEZ-TORRES (1957-1996) - photo 9
FELIX GONZALEZ-TORRES (1957-1996) - photo 10
FELIX GONZALEZ-TORRES (1957-1996) - photo 11
FELIX GONZALEZ-TORRES (1957-1996) - photo 12
FELIX GONZALEZ-TORRES (1957-1996) - photo 13
FELIX GONZALEZ-TORRES (1957-1996) - photo 14
FELIX GONZALEZ-TORRES (1957-1996) - photo 15
FELIX GONZALEZ-TORRES (1957-1996) - photo 16

FELIX GONZALEZ-TORRES (1957-1996)

Lot 856
22.11.2024 00:00UTC +00:00
Classic
Sold
$ 214 200
AuctioneerCHRISTIE'S
Event locationUnited Kingdom, London
Buyer Premiumsee on Website%
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1336450
Lot 856 | FELIX GONZALEZ-TORRES (1957-1996)
Estimate value
$ 200 000 – 300 000
FELIX GONZALEZ-TORRES (1957-1996)
"Untitled" (Sand)
portfolio of eight photogravures on Somerset Satin paper in silk covered archival box
each image: 6 ¼ x 9 1/8 in. (15.8 x 23.1 cm.)
each sheet: 12 ½ x 15 ½ in. (30.4 x 39.4 cm.)
Executed in 1994. This work is number seven from an edition of twelve plus six artist's proofs.




Provenance

Andrea Rosen Gallery, New York
Acquired from the above by the present owner, 1994



Literature

C. Merewether, “Felix Gonzalez-Torres: El pasado por venir,” Atlantica International, Winter 1994-1995, p. 41 (detail of another example illustrated).
T. Folland, “In the Field at Margo Leavin,” Art Issues, January 1995, p. 44.
C. Chapman, “Personal Effects: On Aspects of Work by Felix Gonzalez-Torres,” BROADsheet, Spring 1996, p. 17.
L. Ericsson, “om det Verkliga - fran Datum till Constructum,” Index, March/April 1996, p. 73 (detail of another example illustrated).
D. Elger, Felix Gonzalez-Torres Catalogue Raisonné, Ostfildern-Ruit, 1997, p. 132, no. 264 (another example illustrated).
B. Arning, “a/drift,” World Art 13, 1997, p. 75.
V.P. Hoyningen-Huene, “Wissensfortschritt? Fortschritt der Skepsis,” Du Magazin, October 1997, pp. 1.18 and 1.36 (another example illustrated).
C. Merewether, “A Lasting Impression,” Trace: The Liverpool Biennial of Contemporary Art, Liverpool, 2000, pp. 164-171.
J. Ault, ed., Felix Gonzalez-Torres, Gottingen, 2006, pp. 221-223 (another example illustrated).
K. Rosenberg, “Modern Photography in a Brand-New Space,” The New York Times, 28 September 2007, n.p.
K. Johnson, “A Celebration of Sand in Vast Quantities or One Grain at a Time,” The New York Times, 11 July 2008, p. E32.
B. Genocchio, “Celebrating the Beach, Whether in Paint or Sand,” The New York Times, 27 July 2008, n.p.
B. Luca, Teatro del Sogno Da Chagall A Fellini, Milan, 2010, pp. 192-193 (another example illustrated).



Exhibited

Museum of the City of St. Petersburg, Julie Sylvester Editions/St. Petersburg: Editions by Mike Kelley, Felix Gonzalez-Torres, Richard Prince, Sue Williams, David Salle, July 1994 (another example exhibited).
Los Angeles, Margo Leavin Gallery, In the Field: Landscape in Recent Photography, October-November 1994 (another example exhibited).
New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, March-May 1995, pp. 33, 88, 114-115, 138, 180 and 196 (another example exhibited, illustrated and illustrated on the cover).
Munich, Akademie der Bildenden Künste, Felix Gonzalez-Torres, Roni Horn, May-October 1995, pp. 44-45 (another example exhibited and illustrated).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, A/Drift, October 1996-January 1997, pp. 12 and 104 (another example exhibited and illustrated).
Caracas, Museo Alejandro Otero, Sin Fronteras, November 1996-March 1997, pp. 51 and 74, no. 26 (another example exhibited and illustrated).
New York, Kent Fine Art, Is There Still Life, September-October 1997 (another example exhibited).
Vienna, Museum Moderner Kunst Stiftung Ludwig Wien, Felix Gonzalez-Torres, September-November 1998 (another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, Felix Gonzalez-Torres: Snapshots, September-December 1999 (another example exhibited).
Stamford, The Whitney Museum of American Art at Champion, Contemporary Narratives in American Prints, November 1999-February 2000, n.p. (another example exhibited and illustrated).
Frankfurt am Main, Museum für Moderne Kunst, Change of Scene XVIII: Paare (Couples): Gilbert & George and Felix Gonzalez-Torres, September 2000-March 2001, pp. 33-59 (another example exhibited and illustrated).
Paris, Galerie Jennifer Flay, Always Paris, November-December 2000 (another example exhibited).
Baltimore Art Museum, Body Space, February-May 2001 (another example exhibited).
Mexico City, Ecatapec, La Colección Jumex, Theory of Leisure, January-August 2002 (another example exhibited).
Munich, Museum Villa Stuck, Hautnah: Die Sammlung Goetz, May-August 2002, pp. 39-41 (another example exhibited and illustrated).
Mexico City, Antiguo Colegio de San Ildefonso and Bogotá, Biblioteca Luis Ángel Arango, Edén, March-June 2003, pp. 128-129 (another example exhibited and illustrated).
Paris, Galerie Emmanuel Perrotin, Empreinte Moi: Une Exposition de Philippe Ségalot, October-December 2005, n.p. (another example exhibited and illustrated).
New York, Whitney Museum of American Art, Skin is a Language, January-May 2006 (another example exhibited).
New York, El Museo del Barrio, Felix Gonzalez-Torres: Early Impressions, February-May 2006 (another example exhibited and illustrated on the cover and inside cover).
New York, Metropolitan Museum of Art, Depth of Field: Modern Photography at the Metropolitan, September 2007-March 2008 (another example exhibited).
Annandale-on-Hudson, Bard College, Center for Curatorial Studies, Hessel Museum of Art, Second Thoughts, March-May 2008 (another example exhibited).
Southampton, Parrish Art Museum, SAND: Memory, Meaning and Metaphor, June-September 2008, pp. 4-5, 48 and 134 (another example exhibited and illustrated).
Miami, de la Cruz Collection, Selections from the de la Cruz Collection: 2009-2010 Exhibition, December 2010-November 2011.
Mexico City, Ecatepec, La Colección Jumex, Destello [Glimmer], April-September 2011, p. 243, no. 33 (another example exhibited and illustrated).
Boston, Museum of Fine Arts; Milan, Museo del Novecento and Dublin, Irish Museum of Modern Art, Conversations: Photography from the Bank of America Collection, February 2011-May 2012, pp. 103 and 105 (another example exhibited and illustrated).
Address of auction CHRISTIE'S
8 King Street, St. James's
SW1Y 6QT London
United Kingdom
Preview
22.11.2024 – 22.11.2024
Phone +44 (0)20 7839 9060
Email
4FQ.AYGKAGLUQ@FO3G@
Buyer Premium see on Website
Conditions of purchaseConditions of purchase

More from Creator

FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)
$150 000
FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)
£20 000
Félix González-Torres. Untitled (for Parkett 39)
Félix González-Torres. Untitled (for Parkett 39)
€6 000
FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)
$400 000
FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)
$150 000
FELIX GONZALEZ-TORRES (1957-1996)
FELIX GONZALEZ-TORRES (1957-1996)
$8 000 000
Gonzélez-Torres, Félix
Gonzélez-Torres, Félix
€150
Felix Gonzalez-Torres. Untitled (for Parkett 39)
Felix Gonzalez-Torres. Untitled (for Parkett 39)
€6 000

Related terms

Frequently asked questions

First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.
?>