LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372) - photo 1
LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372) - photo 2
LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372) - photo 3
LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372) - photo 4
LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372) - photo 5

LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372)

Lot 30
09.06.2022 10:00UTC -05:00
Classic
Starting price
$ 800 000
AuctioneerCHRISTIE'S
Event locationUSA, New York
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 773398
Lot 30 | LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372)
Estimate value
$ 800 000 – 1 200 000
LORENZO VENEZIANO (ACTIVE VENICE, 1356-C. 1372)
Saint Catherine of Alexandria; and Saint Sigismund of Burgundy
tempera and gold on panel, shaped top
The first: 39 1⁄8 x 13 1⁄2 in. (99.4 x 34.3 cm)
The second: 39 x 14 in. (99 x 35.6 cm.)
The first: inscribed 'CATA / RINA' (upper center)
The second: inscribed 'SIGIS / MONDO' (upper center)
a pair




Provenance

Anonymous sale; Sotheby's, New York, 4 April 1973, lot 162, as 'Venetian School 1340-1350'.
with Longari, Milan.
Anonymous sale; Sotheby's, London, 3 July 1996, lot 185, as 'Attributed to Lorenzo Veneziano', where acquired after the sale by,
Banca della Svizzera Italiana, Lugano.
with Fabrizio Moretti, London and New York; his sale, Sotheby's, New York, 29 January 2015, lot 116, where acquired by the present owner.



Literature

A. De Marchi, 'Una tavola nella Narodna Galeria di Ljubijana e una proposta per Marco di Paolo Veneziano', Gothika V Sloveniji: Svet Predmentov, Ljubljana, 1995, p. 241, no. 5.
A. De Marchi, Italies. Peintures des musées de la region centre, Paris, 1996, pp. 66-68, under no. 11, note 3, illustrated.
C. Beddington ed., Galerie Adriano Ribolzi, Monte Carlo, Peintures italianes du XIVe au XVIIIe siècle, Monte Carlo 1998, p. 66-67 (entry by S. Chiodo).
A. de Marchi, in Restauri e ricerche. Opere d'arte nelle province di Siracusa e Ragusa, G. Barbera ed., Siracuse, 1999, pp. 18-23.
M. Medica, Un secolo d'arte a San Giacomo Maggiore, Ferrara, 2003, p. 46 and 49, illustrated.
A. De Marchi, 'Polyptyques vénetiens. Anamnèse d’une identité méconnue', Autour de Lorenzo Veneziano: Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Tours, 2005, pp. 28-29, illustrated.
C. Guarnieri, 'Le polyptique pour l'église de San Giacomo a Bologne dans l'oeuvre de Lorenzo Veneziano', Autour de Lorenzo Veneziano: Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Tours, 2005, pp. 112-113, nos. 32 a and 32b, illustrated.
E. Rivaud, 'Contribution des examens radiographiques à la reconstitution de retables vénitiens au XVIe siècle', Autour de Lorenzo Veneziano: Fragments de Polyptyques vénitiens du XIVe siècle, exhibition catalogue, Tours, 2005, pp. 49-50, fig 54.
C. Guarnieri, Lorenzo Veneziano, Milan, 2006, pp. 201- 202, nos. 32a and 32b, pls. XL and XLI.



Exhibited

Tours, Musée de Beaux Arts , Autour de Lorenzo Venéziano: Fragments de Polyptyques Vénetien du XIVe Siècle, 23 October 2005-23 January 2006, nos. 9a and 9b.
Paris, Musée Jaquemart-André, La Collection Alana: Chefs-d'œuvre de la peinture italienne, 13 September-20 January 2020, nos. 19 and 20 (entry by M. Vinco).
Artist:Lorenzo Veneziano (1336 - 1379)
Applied technique:Painted, Tempera
Medium:Gold ground panel
Art style:Baroque, Renaissance, Old Masters
Place of origin:Italy, Europe
Auction house category:Paintings
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