LOUIS DE BOULLOGNE (ATTR.) 19. November 1654 Paris - 21. No - photo 1

LOUIS DE BOULLOGNE (ATTR.) 19. November 1654 Paris - 21. No

Lot 3768
09.09.2023 10:00UTC +01:00
Classic
Starting price
€ 1 400
AuctioneerHargesheimer Kunstauktionen Düsseldorf
Event locationGermany, Düsseldorf
Buyer Premium28.56%
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ID 1015606
Lot 3768 | LOUIS DE BOULLOGNE (ATTR.) 19. November 1654 Paris - 21. No
Estimate value
€ 2 800 – 1 400
ATTRIBUTED TO LOUIS DE BOULLOGNE 19 November 1654 Paris - 21 November 1733 Ibid CHARMES D'AMOUR (LOVE CHARM) Pencil on bluish handmade paper. Viewed size: 22,8 x 25,7 cm, mount size: 30 x 33. Inscribed at lower margin by a later hand: 'Les charmes d'amour tirée de Cesar ripa'. Further numbered in pencil at the bottom: '24973'. Min. stained, firmly mounted on the passepartout. The iconography of the depiction shown here with the naked Venus with wings on her back, holding the harp in her hands, refers to a text by Cesare Ripa: 'Iconology, in which the most important things that can occur to one concerning the vices and virtues are represented in various figures'. This was translated by Jean Baudoin in 1643. Literally it says: 'This figure is taken from an old medal in which Venus is represented quite naked, with wings on her back and a harp in her hands. Her nakedness shows her lascivious mood, the wings, her inconstancy and the harp she plays. Being ingenious in her charms, she attracts hearts not only by sight but also by hearing. Add to this the fact that her son Cupid presents her with a fad (mask of joy?!) to show that she loves nothing but frolic and laughter; Which the lyric poet expresses very well when he says to this: That of all the deities. Is both the most charming and the most beautiful; The laughter, the fire, the joys, And the little cupids fly around her.' Provenance: Private collection Lower Saxony.
LOUIS DE BOULLOGNE (ATTR.) 19. November 1654 Paris - 21. November 1733 Ebenda CHARMES D'AMOUR (LIEBESZAUBER) Bleistift auf bläulichem Büttenpapier. Sichtmaß: 22,8 x 25,7 cm, Passepartoutmaß: 30 x 33. Unten am Bildrand von späterer Hand bezeichnet: 'Les charmes d'amour tirée de Cerar ripa'. Weiterhin unten mit Bleistift nummeriert: '24973'. Min. fleckig, auf dem Passepartout fest montiert. Die Ikonografie der hier gezeigten Darstellung mit der nackten Venus mit Flügeln auf dem Rücken, die die Harfe in den Händen hält, bezieht sich auf einen Text von Cesare Ripa: 'Ikonologie, in der die wichtigsten Dinge, die einem zu den Lastern und Tugenden einfallen können, in verschiedenen Figuren dargestellt sind'. Dieser wurde 1643 von Jean Baudoin übersetzt. Wörtlich heißt es dort: 'Diese Figur ist einer alten Medaille entnommen, auf der Venus ganz nackt dargestellt ist, mit Flügeln auf dem Rücken und einer Harfe in ihren Händen. Ihre Nacktheit zeigt ihre laszive Stimmung, die Flügel, ihre Unbeständigkeit und die Harfe, die sie spielt. Da sie genial in ihren Reizen ist, zieht sie Herzen nicht nur durch das Sehen, sondern auch durch das Hören an. Hinzu kommt, dass ihr Sohn Amor (Cupido) ihr eine Marotte (Maske der Freude?!) präsentiert, um zu zeigen, dass sie nichts außer Ausgelassenheit und Lachen liebt; Was der Lyriker sehr gut zum Ausdruck bringt, wenn er dazu sagt: Das von allen Gottheiten sowohl die Charmanteste als auch die Schönste sei; Das Lachen, das Feuer, die Freuden, Und die kleinen Amoretten fliegen um sie herum.' Provenienz: Privatsammlung Niedersachsen.
Auction house category:Old Master Paintings
Address of auction Hargesheimer Kunstauktionen Düsseldorf
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