PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 1
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 2
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 3
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 4
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 5
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 6
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 7
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 8
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 9
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 10
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME - photo 11

PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME

Lot 19
12.03.2024 14:00UTC +01:00
Classic
Starting price
€ 40 000
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1164451
Lot 19 | PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME
Estimate value
€ 40 000 – 60 000
PAIRE DE BUSTES REPRÉSENTANT UNE FEMME ET UN HOMME

PAR SERVAIS CARDON (1607-1649), SECOND QUART DU XVIIe SIÈCLE

En marbre blanc, chacun monogrammé 'C.S.F[ecit]' à l'arrière, reposant sur des socles postérieurs en marbre Portor

Les bustes : H.: 78 cm. (30 ¾ in.) ; L.: 65 cm. (25 ½ in.)

H. totale : 95 cm. (37 2⁄3 in.)





Literature

L. E. Lock, Pair of all’antica busts. Rediscovery of an exceptional work by a major forgotten artist, Paris, 2019.



Bibliographie comparative :

P. Philippot, D. Coekelberghs, P. Loze et D. Vautier, L’architecture religieuse et la sculpture baroques dans les Pays-Bas méridionaux et la principauté de Liège 1600-1770, Sprimont, 2003, pp. 834-835.



Further details

A PAIR OF MARBLE BUSTS REPRESENTING A WOMAN AND A MAN, SIGNED BY SERVAIS CARDON (1607-1649), SECOND QUARTER 17TH CENTURY

This pair of busts bears the monogram of Servais Cardon (1607-1649). This latter came from a dynasty of sculptors established in Arras (Atrecht, Spanish Netherlands) at the end of the 16th century. Servais, trained with his brother Jean in their father Forci Cardon's sculpture workshop, joined the Saint-Luc guild in 1628. Of the two brothers, only a small number of works have survived.

Here, the subject of the pair of white marble busts poses a few difficulties ; the pair almost certainly belongs to Greco-Roman mythology - their larger-than-life size, material and typology cannot be explained in any other way - none of the portraits has any recognizable attribute that would allow a figure to be identified. The busts are identical in size and are intended to be displayed on a rectangular pedestal, the top of which is concealed at the front by the drapery. This dynamic can be compared with certain works by Rombout Verhulst (1624-1698).
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