"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 1
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 2
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 3
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 4
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 5
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 6
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 7
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 8
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 9
"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya - photo 10

"Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya

Lot 1850
14.06.2023 09:30UTC +01:00
Classic
Sold
€ 8 000
AuctioneerNagel Auktionen GmbH
Event locationGermany, Stuttgart
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ID 972891
Lot 1850 | "Pata" (Pitchwai) der Jain Pilgerstadt Satrunyaya
Estimate value
€ 5 000 – 8 000
Pata (Pichvai) of the Jain Pilgrimage centre of Satrunyaya - North West India, Rajasthan, 18th/ 19th c. - Opaque pigments on cotton. The painting shows an aerial view on the shrine, with various processions of men, women and monks in pilgrimage to the different Jain shrines. The Jain Gods are arranged in niches within larger temples, set in a hilly landscape with trees and caved. This is where "Rishabhanatha", the first Jain, attained perfect knowledge. Monumental paintings such as this one served a surrogate for those unable to visit the shrines. The complex is divided in two parts, the one on the left was built by Kumarapala in 1213 and dedicated to the Jain Adinath, while the one on the right was established later by Jain merchants. - From an important private collection in Northern Germany, collected mainly in India from the early 1950s to the 1980s - Published in the Tantra exhibition, Tokyo, 26.11. - 8.12. 1979, catalogue no. 141 - Minor wear, slightly stained, slight age damage
297 x 252 cm
Pigmente auf Baumwollstoff. In Luftperspektive wird die bedeutende Jain Tempelanlage von Satrunyaya dargestellt, mit verschiedenen Prozessionen von Männern, Frauen und Mönchen, die sich zu den unterschiedlichen Jain Schreinen begeben. Die "Jain" Gottheiten sind innerhalb von Nischen der verschiedenen Tempelanlagen positioniert. Die komplexe Tempelanlage ist in eine hügelige Landschaft mit Höhlen und Baumbestand auf gelbem Fond eingebettet. Der Komplex von Satrunyaya ist der Ort, an dem der erste Jain "Rishabhanatha" die vollständige Erkenntnis erlangte. Der Schrein ist in zwei Anlagen geteilt, deren linke Anlage 1213 von Kumarapala erbaut wurde. Der rechte Komplex wurde später von Jain gläubigen Händler erbaut. Große Abbildungen wie diese dienten als Ersatz für diejenigen, sie nicht selbst den Schrein besuchen konnten.
Auction house category:Asian art
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