SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 1
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 2
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 3
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 4
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 5
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 6
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 7
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 8
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 9
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT - photo 10

SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT

Starting price
€ 10 000
Auction dateClassic
15.11.2023 14:30UTC +02:00
Auctioneer
CHRISTIE'S
Event location
France, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1071533
Lot 7 | SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT
SAINTE ANNE TRINITAIRE DITE ANNA SELBDRITT

CERCLE DU MAÎTRE DE RABENDEN, ALLEMAGNE DU SUD, VERS 1520

tilleul sculpté, polychromé et partiellement doré, reposant sur une terrasse postérieure, sur un socle amovible postérieur tendu de velours rouge

H. 71 cm. (28 in.) ; H. totale avec le socle en velours 78,5 cm. (31 in.)





Literature

Bibliographie comparative

S. Guillot de Suduiraut, « Acquisitions », in Revue du Louvre, Paris, 1989, 4, p. 270.

P. Béguerie (dir.), Sainte Anne trinitaire, une œuvre de l’atelier du maître de Rabenden, cat. expo., Colmar, musée d’Unterlinden, 1990.

Sculptures allemandes de la fin du Moyen Âge dans les collections publiques françaises, 1400-1530, cat. expo., Paris, musée du Louvre, 1991.



Further Details

A CARVED LIMEWOOD GROUP OF THE VIRGIN AND CHILD WITH SAINT ANNE OR 'ANNA SELBDRITT', SOUTH GERMAN, CIRCLE OF THE MASTER OF RABENDEN, CIRCA 1520

Carved wooden groups depicting the Virgin and Child with Saint Anne were very popular in Europe from the end of the 15th Century, particularly in southern Germany, where they took the name of "Anna Selbridtt". Parallels can be drawn between the present sculpture and that now in the Musée Unterlinden in Colmar (inv. no. 89.3.1, fig. 1). There are similarities in size and in the notably square fingers and faces seen in both groups. These same characteristics made it possible to attribute the Colmar sculpture to the workshop of the Master of Rabenden.

On the basis of comparisons with an altarpiece from the town of Rabenden in Upper Bavaria, between Munich and Salzburg, it was possible to build up a homogeneous corpus for a workshop active in Munich around 1510-1525, today known as the "workshop of the Master of Rabenden".
Medium:Wood
Place of origin:Western Europe, Germany, Europe
Category:Figure
Auction house category:All other types of objects
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