SIMON KICK (DELFT 1603-1652 AMSTERDAM) - photo 1
SIMON KICK (DELFT 1603-1652 AMSTERDAM) - photo 2
SIMON KICK (DELFT 1603-1652 AMSTERDAM) - photo 3
SIMON KICK (DELFT 1603-1652 AMSTERDAM) - photo 4
SIMON KICK (DELFT 1603-1652 AMSTERDAM) - photo 5

SIMON KICK (DELFT 1603-1652 AMSTERDAM)

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$ 478 800
Auction dateClassic
10.06.2022 10:00UTC -04:00
Auctioneer
CHRISTIE'S
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USA, New York
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ID 770990
Lot 35 | SIMON KICK (DELFT 1603-1652 AMSTERDAM)
SIMON KICK (DELFT 1603-1652 AMSTERDAM)
A company of soldiers in a guardroom
oil on panel
48 x 47 1⁄2 in. (122 x 120.5 cm.)




Provenance

(Probably) Johannes van Bergen van der Grip; (†) his sale, Delfos, Soeterwoude, 26 June 1784, lot 95.
Galerie Emile and Isaac Pereire, Paris; their sale, Pillet, Paris, 6 March 1872, lot 154, as Godfried Schalcken (FF 4000).
Johann Moritz Oppenheim (1801-1864), Paris; (†) his sale, Pillet, Paris, 23 April 1877, lot 84, as Godfried Schalcken.
Marquis de Foz, late 1800s, and from whom passed to,
José Guedes de Queiroz; Christie’s, London, 11 June 1892, lot 79, as Godfried Schalcken (179 gns. to Duveen).
with Kleinberger, Paris, and by whom sold to the following,
with Forbes & Patterson, London, and from whom acquired circa 1894-5 by,
Sir Joseph Robinson (1840-1929), Dudley House, London; Christie’s, London, 6 June 1923, lot 71 (unsold), and by descent to his daughter,
Princess Labia, by 1958-9.
Anonymous sale; Christie’s, London, 10 April 1981, lot 22.
with P. de Boer, Amsterdam, by 1982.
with David Koetser, Zurich, by 1996.
[The Property of a Private Collector]; Christie’s, New York, 29 January 1999, lot 181, where acquired by the present owner.



Literature

A. Bredius, Amsterdam in de Zeventiende eeuw, III, The Hague, 1904, pp. 184, 189, 191-193, 227, illustrated.
C. Hofstede de Groot, ‘Simon Kick,’ in Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, U. Thieme and F. Becker, eds., XX, Leipzig, 1927, p. 254, where it is stated that Kick’s signature was transformed at an unknown date into that of Schalcken. Both signatures were removed during cleaning, circa 1895.
C.B. Playter, Willem Duyster and Pieter Codde: The ‘Duyster Wereldt’ of Dutch Genre Painting, c. 1625-1635, Ph.D. dissertation, 1972, p. 149, fig. 241.
O. Haex, ‘Een soldatenstuk van de 17de-eeuwse Amsterdamse genreschilder Simon Kick / A Soldier’s Piece by the 17th Century Genre Painter Simon Kick,’ Tableau, IV, 1981-1982, pp. 294-298, illustrated.
B. Haak, The Golden Age: Dutch Painters of the Seventeenth Century, New York, 1984, p. 301, fig. 640.
E. Borger, De Hollandse kortegaard: geschilderde wachtlokalen uit de Gouden Eeuw, exhibition catalogue, Naarden, 1996, p. 60, fig. 6.1.
M.C.C. Kersten, ‘Interieurstukken met soldaten tussen circa 1625 en 1660. Een verkening,’ in Beelden van een Strijd: Oorlog en Kunst voor de Vrede van Munster, 1621-1648, exhibition catalogue, Delft, 1998, p. 195, note 37.
J. Rosen, Jacob Duck and the “Guardroom” Painters: Minor Masters as Inventors in Dutch 17th Century Genre Painting, Ph.D. dissertation, 2003, pp. 152, 194, fig. 169.
J. Rosen, ‘The Dutch Guardroom Scene of the Golden Age: A Definition,’ Artibus et Historiae, LIII, 2006, pp. 154-155, fig. 3.
J. Rosen, ‘A Great Minor Master: The Robbery by Simon Kick in the Berlin Gemäldegalerie: With an Appendix including a complete catalogue of paintings by Simon Kick (1603-1652),’ Jahrbuch der Berliner Museen, XLIX, 2007, pp. 92-93, 95, no. 125, fig. 11.
J. Rosen, Soldiers at Leisure: The Guardroom Scene in Dutch Genre Painting of the Golden Age, Amsterdam, 2010, p. 12, fig. 107.
J. Rosen, Simon Kick (1603-1652): catalogue raisonné, Newcastle upon Tyne, 2021, pp. 56-57, 108-110, no. 29, illustrated.



Exhibited

London, Royal Academy, The Robinson Collection, 2 July-14 September 1958, no. 13.
Cape Town, National Gallery of South Africa, The Sir Joseph Robinson Collection, 1959, no. 46.
Philadelphia, Philadelphia Museum of Art; Berlin, Gemäldegalerie and London, Royal Academy, Masters of Seventeenth Century Genre Painting, 18 March-18 November 1984, no. 58.
Artist:Simon Kick (1603 - 1652)
Applied technique:Oil on panel
Art style:Baroque, Old Masters
Genre:Genre art
Place of origin:Western Europe, Europe, The Netherlands
Auction house category:Paintings
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