TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979) - photo 1
TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979) - photo 2
TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979) - photo 3

TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979)

Lot 165
21.03.2024 13:00UTC +01:00
Classic
Sold
€ 5 670
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1173210
Lot 165 | TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979)
Estimate value
€ 1 200 – 1 800
TZARA, Tristan (1896-1953) et Sonia DELAUNAY (1885-1979)
Le Fruit permis. [Paris] : Caractères, [1956].
Exemplaire avec envoi de cette édition originale illustrée de 4 superbes pochoirs de Sonia Delaunay. Il est enrichi d’un catalogue d’exposition comprenant un pochoir et une eau-forte signée par l’artiste. L'envoi autographe signé de l'artiste est daté à Paris, le 5 décembre 1959 : « A Monsieur René Jullian en souvenir de notre exposition avec reconnaissance et sympathie ». René Jullian (1903-1992), historien de l’art et conservateur au Musée des Beaux-Arts de Lyon, organisa en 1959 une exposition consacrée au couple Delaunay.

In-4 (284 x 225 mm). Tirage unique à 60 exemplaires sur pur fil du Marais, celui-ci le n°44, signé par Tristan Tzara et Sonia Delaunay. Édition illustrée de 4 compositions au pochoir de Sonia Delaunay, à pleine page.
L’exemplaire est enrichi du catalogue de l’exposition monographique consacrée à Sonia Delaunay par la Brook Street Gallery (Londres), en 1961. Ce catalogue, monté sur onglets, a été tiré à 100 exemplaires (n°81) et est illustré d’un pochoir original et d’une eau-forte originale en couleurs de Sonia Delaunay, cette eau-forte étant numérotée et signée.
Reliure de maroquin bicolore vert clair et vert d’eau, dos à nerfs, lettre dorée, doublure de chagrin gris, couverture et dos conservés.
Provenance : René Jullian (1903-1992 ; envoi) – Christie’s Paris, 4 décembre 2002, lot n°112.

First edition, with 4 original pochoirs by Sonia Delaunay. The copy is inscribed by Delaunay to the Art Historian and Museum Curator René Jullian, and is enriched with an exhibition catalogue containing an original pochoir and a signed etching.


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