Antipodeans

The Antipodeans was a group of Australian artists formed in 1959 in Melbourne. They stood out for advocating figurative art during a time when abstract expressionism was dominant. This collective included prominent figures like Charles Blackman, Arthur Boyd, David Boyd, John Brack, Robert Dickerson, John Perceval, and Clifton Pugh, along with art historian Bernard Smith who authored the group's manifesto.

The Antipodeans emerged in response to the growing popularity of abstract expressionism, particularly the influence of American abstract art. Their key contention was with the uncritical adoption of foreign artistic trends, particularly from the United States and Europe, in Australian art. In their view, this trend was overshadowing the rich potential of figurative art, which they saw as essential for creating meaningful symbols and narratives relevant to Australia. They were keen on maintaining a connection with the European tradition in art while developing a unique Australian identity.

Their manifesto, a concise yet impactful document, stressed the importance of the image and figurative art, claiming that such art forms are more communicative and meaningful as they draw from and reflect shared experiences. Despite the group's short lifespan and staging only a single exhibition in Melbourne, their influence was significant in Australian art, sparking debates and discussions about the role and direction of art in the country.

The Antipodeans' legacy has been a subject of discussion and reflection in the Australian art scene. Their work and the debates they sparked have continued to influence the understanding and evolution of art in Australia, demonstrating the group's lasting impact beyond their brief active period.

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